Category Archives: Superheroes

THE HEROINE’S JOURNEY: An Ever Evolving Narrative of Empowered Females in Fiction PART#1 WRITER’s Q and A

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The Heroines Journey – An Ever Evolving Narrative of Empowered Females in Fiction

Over the last year I’ve been looking into the topic of The Heroine’s Journey through books, articles, youtube videos and of course perspectives from other writers of both fiction and non-fiction. This Q&A is several questions with some expert writers I admire and respect with differing contrasting points of view including Nicole Franklin, Kate Forsyth, Alice Li, Nav. K and Mike Madrid.

There will be an accompanying article up soon on this blog where I comment on some of the Theories and Ideas that are part of the modern version of The Heroines’ Journey, and ideas discussed in this Q&A as specific or unique from Joseph Campbell’s Hero’s Journey. So you can consider this PART#1 of #2 on The Heroine’s Journey and I will link the other article to this one once it is completed and posted.

So lets get into it, I hope you enjoy reading the insightful answers from these super-smart individuals as much as I did. It took several months to come together as people live in different time zones, in different parts of the world and are usually quite busy. Thanks so much to everyone who contributed!

NICOLE FRANKLIN

Nicole Franklin

Nicole Franklin is an award-winning filmmaker. Through her 25 years in the industry Nicole has been a television director, editor, educator, and contributing writer to such publications as The Good Men Project, Toronto-based ByBlacks.com and NBCBLK. For seventeen years, her company EPIPHANY Inc. has been producing independent films for numerous cable networks including Showtime, BET, IFC, Nickelodeon, Sundance Channel, FUBU TV and kweliTV.

In addition to the narrative feature on same-race discrimination in the workplace, TITLE VII, Nicole’s other credits include The Double Dutch Divas!, Journeys In Black: the Jamie Foxx Biography, Kids Around the World, Black Enterprise Business Report, Gershwin & Bess: A Dialogue with Anne Brown and the 10-chapter series Little Brother.   Nicole’s affiliations include DGA, PGA East, NABJ, The Black Documentary Collective (BDC) and NYWIFT. NicoleFranklin.com/cine.

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Q.Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?  How does it differ? How is it the same? 

I think the Heroine’s Journey is needed because as a Black feminist I could not pinpoint why a number of female leads in films I grew up watching were not satisfying role models for me.  Why didn’t I root for women who could change the world—women who were on their own, not handing over the reigns to their male rescuers?  And, why didn’t I root for them on a consistent basis?

Plots and storylines are much better in recent years, but it wasn’t until I heard Alice Meichi Li articulating the characteristics of a Heroine’s Journey vs. a Hero’s Journey while she was speaking on a NY Comic Con panel that I realized most female leading roles have been under siege. Manipulation and lackluster results from a journey that thrives on a woman’s insecurities and borderline insanity seem to have been acceptable practice for years. Li made me rethink The Wizard of Oz after seeing it hundreds of times. Once certain characteristics of female-driven stories seep into our subconscious as media consumers we’re doomed!

Q.How can writers adapt the Heroine’s Journey to their stories? (Nicole: I’m combining questions 2 and 3 here)

First writers have to realize there is a distinction between successfully writing a heroine into movie history or into oblivion. As illustrator Alice Meichi Li has noted, there is a fascination with the goddess/supernatural character Joseph Campbell often describes now being a hindrance, and not at all helpful as she would be to a man on a mission. Is it more of a standard to see backstabbing and deception between women when one’s happiness is within arm’s reach? You bet.

Second, more female writers and directors need to be hired as showrunners and creatives behind the scripts and behind the camera on an equal employment basis. Putting these two very simple suggestions into practice would be a terrific start.

Next, films, books and art are part of commercial business. Audiences must support heroines who rock with their dollars. Li mapped out a guide for what writers should avoid in their storylines starring female leads when I interviewed her for The Good Men Project here: http://goodmenproject.com/featured-content/heros-journey-vs-heroines-journey-rewriting-privilege/

Q.What changes need to happen in society to further develop the idea of The Heroine’s Journey? (Nicole: See Question above)

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Q.What advice do you have for creators (male and female) who want to create good well rounded female characters?

I would refer creators to my article The Hero’s Journey vs. The Heroine’s Journey: Rewriting Privilege featuring illustrator Alice Meichi Li. Talking to her was so eye-opening for me as an artist, executive producer and feminist.

Q.What impact do you see The Heroine’s Journey having on the literature, films, comics etc of tomorrow?

We have a long way to go when it comes to a female protagonist whom audiences can cheer and demand sequels of beyond the small screen and printed pages of comics. Digital distribution outlets are now the widened doors independent artists have needed for years in order to reach a global audience. This is actually an exciting time to be a creator. And if recent box office numbers of Hollywood films starring talented, three-dimensional female leads are any indication, then this successful model has no choice but to continue and prosper. Bravo!

Where can people find you online, what websites do you contribute to, recommend etc?

Thanks for asking Jonny! I love connecting with people through my website, NicoleFranklin.com. Also, all of my social media profiles are there. I also am the founder of the tech education initiative Hack4Hope.org and the Executive Producer of LittleBrotherFilm.com, a 10-chapter film series with producer J. Tiggett on young Black males and their thoughts on Love.  As a writer I contribute to The Good Men Project, NBCBLK and Toronto’s ByBlacks.com.

You can also find Nicole on Youtube at  https://www.youtube.com/user/Nicoleedits/about?&ab_channel=NicoleFranklin

KATE FORSYTH

Kate Forsyth

Kate Forsyth wrote her first novel when she was only 7, and is now the bestselling, award-winning author of more than 25 books, including The Wild Girl and Bitter Greens for adults, and The Puzzle Ring, The Gypsy Crown, The Starkin Crown, and Grumpy Grandpa for children. Her books have been translated into 13 languages. You can read more about Kate at www.kateforsyth.com.au

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?

To be honest, I see the hero in Joseph Campbell’s Hero’s Journey as being a non-gender specific term. A girl can be a hero just as much as a boy. However, both Campbell’s language in describing the mono-mythic Hero’s Journey and subsequent usages of the format are highly male-focused, so perhaps talking about a ‘Heroine’s Journey’ can open up new ways of thinking and describing a woman’s journey of self-discovery and change.

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Q. How does it differ? How is it the same? [as Campbell’s]

For me, the journey of all my female protagonists follow the mono-mythic pattern of moving through darkness towards light, and through a process of transformation that changes them from the beginning of the story to the end. The trials that they face, the ordeals and obstacles that they overcome, are very different according to the kind of story I am telling … and the type of person my heroine is.

The Hero’s Journey is often just a way of thinking about story structure … and in that sense, it does not matter whether the hero is male or female, or even human at all. I think the secret is not to be too rigid in following the Hero’s Journey – to think of ways to make it fresh and new and surprising. And recasting this quest in the shape of a Heroine’s Journey is one way to do so.

Q. How can writers adapt the Heroine’s Journey to their particular stories?

I always try and think – what does my hero/heroine want? What stands in their way? What is the cost of failure? What do they need to learn before they can get what they want? And then I plan their journey, placing more emphasis on the key psychological turning points in the narrative structure.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey?

I’d love to see more movies made with strong, complex and interesting female characters. Often movie and TV makers (as well as novelists) think the way to make a heroine strong and heroic is to make her more masculine – I don’t think this is necessary at all.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

Make your characters flawed, with real-life fears and problems, and then show them as they grow and change on their journey. Dynamic characters are always more interesting than ones that do not change.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

I’d love to see more films and books and games being female-centric, with strong protagonists and an interesting character arc.

Q. Where can people find you online? 

My main website is Kate Forsyth at http://www.kateforsyth.com.au/

You can also find me on Facebook, Pinterest and my Amazon Author Page at the below links:

ALICE MEICHI LI

Alice Meichi Li

Alice Meichi Li  is a New York based visual artist and illustrator for comic books, magazines, and album covers. She is the creator of the independent comic book Sherbert Lock. Alice has received numerous awards and nominations from organisations such as the Society of Illustrators of Los Angeles and the Scholastic Art & Writing Awards. Alice also contributed words and pictures to Nicole’s article “The Hero’s Journey vs. The Heroine’s Journey: Rewriting Privilege” that inspired this BATFAN Q&A you are reading right now.

Q.Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?  How does it differ? How is it the same? 

In a society like ours where women have historically struggled for equality, it’s hard enough to get to a level playing field — let alone set upon a journey for self-actualization. The Hero’s Journey is exactly that: a coming-of-age story where a boy can become a fully-actualized man and surpass his own masters through trials and tribulations.

On Maslow’s Hierarchy, multiple needs must be met before a person can achieve self-actualization, including the physiological, safety, love/belonging, and esteem. If a story takes place in a society like ours where many women can’t even feel safe walking around in our own gender, how can we ever achieve true self-actualization?

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I keep stipulating “in a society like ours” because there are plenty of heroines that take the Hero’s Journey in fictional worlds where they fortunately aren’t bound to a system of patriarchy. (see: Nickelodeon’s Legend of Korra) So my definition of a Heroine’s Journey is that where a lesser-privileged protagonist, most likely a woman, sets upon a path to achieve normality or equality to that where a Hero might just be starting off.

Where there are trials that will help the Hero along his way, there are traps and tricks that await the Heroine as she tries to obtain equilibrium in a world that has seemingly gone mad. Where there are Masters to guide the Hero along, there are wolves in sheep’s clothing to manipulate the Heroine along.

Great examples of the Heroine’s Journey would be Alice’s Adventures in Wonderland and The Wizard of Oz. At the end, neither Dorothy nor Alice become lauded as great heroes. They just return to the normal lives in their normal homes that they were striving for all along.

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Heroine’s Journeys reflect the struggles of women in a patriarchal society where being a woman basically means that the body you were born in impedes you from getting ahead the same way a man can. It can feel awfully like a world gone mad when a woman is constantly told by society that her life isn’t worth as much as that of a fetus.

That the work she does is worth around 77% as much as a man’s work, that she ought to keep at the “Drink Me” bottle to shrink small enough to fit society’s standards, or that she needs to destroy other women (Wicked Witches) to achieve her goals when in reality it’s actually a man behind the curtain who has the true power over her.


Q. How can writers adapt the Heroine’s Journey to their stories?A common piece of advice I see is “Just write a female character like a man”. Well, yes and no. If the story takes place in a patriarchy, but the woman faces zero consequences to acting like a man, then this is completely unrealistic. While I don’t agree with strictly adhering to a gender binary, I recognize that society does.People who fall outside of that gender binary inevitably face challenges from the people around them, and these challenges shape who they are.I had a great conversation with Phil Jimenez (writer/artist for Wonder Woman) once about how Superman couldn’t be written exactly the same if he were a woman, because people would treat him like a woman.
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Would the Daily Planet run the same exact articles on Superman if he were a woman? Wouldn’t there be the inevitable criticisms of her appearance or choice of costume?

Look at how the press treats male actors versus female actors in interviews. (For example — the types of questions Scarlett Johannson received from the press for her role in Avengers versus the types of questions her male co-stars received.

Spoiler alert: They tended to center around her body, costume and weight-loss, whereas her male co-stars were given more difficult questions about actual acting) There’s always going to be a slant. How a female Superman would react to *that* reaction would then shape her character differently than a male Superman.

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Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey?To actually develop a Heroine’s Journey into a Hero’s Journey, we’d need to achieve true equality as a basis for all prospective Heroines to launch their journeys. Calling back to my response to the first question, it’s hard to focus on mastering any goal to a heroic extent if one’s basic needs aren’t even being met.

Q. What advice do you have for creators (male and female) who want to create good well rounded female characters?

First, read stories about real women and the obstacles they’ve had to overcome themselves. When encountering people who express the hardships they’ve experienced, listen or read with an open mind and open heart. Don’t be afraid to be wrong or question your pre-existing assumptions.

Second, don’t use rape or sexual assault as a character development tool unless you *really* know what you’re doing. And most people — men and women who haven’t been sexually assaulted — don’t. Even on Mad Mad: Fury Road, George Miller brought Eve Ensler (Vagina Monologues) on board as a consultant to make sure they portrayed a wide range of rape victims realistically and sympathetically.

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Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

Ultimately, I hope that exposing the struggles that Heroines have to deal with to achieve true equality will help others to be able to put themselves in a Heroine’s shoes and develop empathy for those who are less privileged than they are. But also, it’s just about time we had more stories focused on marginalized protagonists within their societies. In a way, the Hero’s Journey is easier to do than a Heroine’s Journey where a protagonist is just not the “right type” of person to succeed in that world.


Q. Where can people find you online? 

Here are the places you can follow my work…

http://alicemeichi.com
http://alicemeichi.tumblr.com
http://facebook.com/alicemeichili
http://twitter.com/alicemeichi

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I’m also doing covers for my husband’s comic, Sherbet, which is a dark comedy/sci-fi story that focuses on a lesbian detective who solves paranormal mysteries in a steampunk-inspired vaguely British future. (It’s okay because he’s British, too)  Sherbet would be another example of a woman who’s not adhering to a patriarchal society’s Heroine’s Journey.
NAV K

Nav K

Nav K is a writer and Blogger in Australia, a big Superman and DC fan who writes in depth insightful articles covering the DCU in Comics, Television and Film. You can find her brilliant Girl-On-Comic-Book-World blog at https://girloncomicbookworld.com/

She also writes about the Marvel theatrical films and Netflix TV shows such as Daredevil, Jessica Jones and Luke Cage. She was last seen flying somewhere over the city of Metropolis.

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?

Considering Campbell’s Hero Journey structure was created a few decades ago, looking back at it you can see that it is very specific for a male hero. The structure draws upon stories that have come from the past, meaning it draws upon many stories where women were viewed more so as objects, to accompany a man, have children, be a prize etc therefore the structure isn’t completely relevant to a heroine’s journey. Because of critical social change over the past few decades it’s important to re-contextualize the hero’s journey to better fit a female protagonist.

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Q. How does it differ? How is it the same? [as Campbell’s] 

Universal elements from Campbell’s model that should be used in a heroine’s journey include the character being drawn into the adventure, facing psychological and/or physical threats and finishing the journey in a changed manner. However the heroine’s journey should take in aspects that are specifically related to females. The hero’s journey is often presented as a solo journey, however as women are typically communal the solo quest may not work as well. Also it’s important to incorporate the conflicting roles many women have in the life such as the family/work balance, maternal instincts etc.

Q. How can writers adapt the Heroine’s Journey to their particular stories?

Writers shouldn’t limit themselves to a strict structure for a heroine’s journey. Really what’s most important is to understand that you are writing a female’s journey, not a man’s journey, so don’t ignore feminine attributes. Not all female characters have to have some inherent maternal instinct, or longing for a community, however a heroine’s journey shouldn’t be afraid of incorporating female attributes.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey? 

I think once this stigma is removed that no one cares about female leads, we will get a much better start on developing the idea of the heroine’s journey. Creators still choose to stick to the traditional male hero archetype as it’s a safer bet than focusing on a female lead. Once creators get an idea of greater acceptance in society for female leads, they will start creating better female characters. Just looking at the superhero sphere, there has been a lot of controversy at Marvel for their failure to recognise their female heroes as equals.

Black Widow doesn’t get toys and solo movies, and it won’t be until 2018 that we see a solo female superhero movie from Marvel. This is happening because Marvel don’t believe that a female hero can sell right now. So they will wait until Wonder Woman makes her debut and gauge the audience reaction to her so that they can commit more.

But considering there has been this controversy in the first place, from both female and male audience, recognises that there is an acceptance and want for more heroine leads. Furthermore understanding that the emotional side of a heroine isn’t a weakness can help propel the idea of the heroine’s journey, removing the idea that only the emotionless yet aggressive male heroes are the only heroic lead that works.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

Don’t be afraid to embrace the femininity of the character. You often see creators trying to develop “strong female characters” by stripping away the very aspects that make them female, and emphasizing their masculinity.

Writers shouldn’t be afraid to show emotional vulnerability, maternal instincts, communal values etc from female characters because they may be afraid of creating a weak female character. Just looking at one of the most talked about strong female characters in film this year, Furiosa from Mad Max perfectly captured her femininity, maternal instincts and strength.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

Its clear creators are having a stronger focus on female characters. You can watch an action movie now where the female isn’t just always the damsel in distress character anymore, we have stories like Mad Max, Hunger Games etc. Especially within the superhero sphere you can see the huge impact the heroine’s journey is having.

Wonder Woman who has for the longest time been viewed as this feminist icon is finally getting her debut on film decades after her creation. And we can see in these female superheroes that they aren’t being stripped of their femininity to create a “strong female character”, these characters are embracing it.

Q. Where can people find you online? 

You can find me at girloncomicbookworld.wordpress.com which is basically a place with discussion and opinion on everything comic book related from movies to TV to actual comic books!

Follow Nav on Twitter @Nav_Kay

Nav K articles:

Comic Book Movie Articles

Comic Book TV Shows

Comic Book Character Analyses

MIKE MADRID

 Mike MadridMike Madrid is a native San Franciscan and a life long fan of comic books and popular culture. The former advertising executive is the creative director at Exterminating Angel Press. He is featured in the documentary “Wonder Women! The Untold Story of American Superheroines.” He also has a fantastic TV news anchor worthy mustache.

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey? How does it differ? How is it the same?

Traditionally in Hero’s Journey stories, the male protagonist starts out being hindered either by youth, inexperience, or both. But he often has a mentor to guide him on his journey to being a hero. However, the fledgling is never shown to actually be hammered by his gender. This is not the case with many heroines in comic books.

Women who want to take on heroic roles in comics often have their abilities questioned simply because they are female. And this skepticism often comes from their fellow male heroes. These women usually need to undertake this journeys to heroism on their own, without the help of a mentor. So, the Heroine can start off her journey facing adversity not only from her foes, but her allies as well.

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Q. How can writers adapt the Heroine’s Journey to their particular stories?

I’m not sure that a female hero has to have a distinctly different journey from a male. The motivation for being a hero should be the same for a woman or a man:the desire to make the world a better place. The end goal is going to be the same, although the woman may face additional or different challenges along the way. A woman’s methods may differ from a man’s, but that’s what will make her a believable character.

Marvel’s current version of Thor, who is a woman, is an interesting example of a female hero’s journey. The new Thor has had quickly assumed a mantle of great power, and the reader sees her jump right in and grasp her new role. She displays a formidable persona that convinces her fellow heroes of her tremendous abilities.

But through Thor’s internal dialogue the reader can experience how this heroine is evolving in this role and learning about her new life. So she seems like a real character without having to be presented as a bumbling newcomer trying to figure out how to swing her hammer.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey? 

Well, obviously women have to be viewed as being equal to men. This is a challenge in America, where women aren’t paid the same as men and where we’ve never had a female president. As much as comic books present this fantastic view of the world, often the values seen in these stories are much the same as what we see every day in our so-called “real world”.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

It’s good that the mainstream comics industry has finally recognized that there is a sizable readership, both female and male, who will buy titles featuring strong heroines. The problem is that these characters are sometimes just written as men, with breasts.

I think the most successful recent incarnations of Marvel’s Black Widow and Spider-Woman and DC’s rebooted Batgirl are good examples of characters that are shown as strong and capable, but still also come off as believable women. A woman doesn’t need to suppress her female nature just because she has taken on a heroic role. She can be strong and brave, but still show compassion and understanding.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

I think the Heroine’s Journey can teach readers, particularly female readers, how to overcome obstacles in order to achieve their goals. However, I feel like comics often focus on this journey for too long in the case of female heroes. While people ideally continue to grow and learn new things throughout their lives, as a certain point I feel it’s important to show female characters as established heroes rather than continually putting them in the role of novice.

This has been the case with Wonder Woman throughout her long career. Male writers seem to think she is a more interesting character when she is the outsider learning what it takes to be a hero. And so we have seen her origin story continually retooled and her journey toward heroism beginning anew again and again. I prefer when Wonder Woman is simply presented as an established hero on the same level as her contemporaries Superman and Batman, rather than a few steps behind them.

Q. Where can people find you online? What projects / websites / books etc are you involved in?

Besides The SupergirlsDivas Dames & Daredevils and the companion volume Vixens Vamps & Vipers, I am doing a series of collections of the adventures of some of my favorite Golden Age heroines like Black Angel and Spider Widow. You can find more information about my books at  heaven4heroes.com.

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Note from BATFAN JOHN: I own all three of these books, and I highly recommend them, Supergirls is a fun informal history of female pulp characters and Superheroines, while Mike’s other two books contain reprints of vintage comics along with some introductory essays to the comics and their era. You can find Mike’s books on Amazon.

THANK YOU so much to everyone who made this article so much fun to put together and read. Thanks to Nicole, Kate, Alice, Nav and Mike. Words can not express how grateful I am to you all for your insightful and interesting diverse answers to my Questions.
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5 ESSENTIAL SUPER LIFE LESSONS FROM MELISSA BENOIST’S SUPERGIRL

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There is nothing in my life that I would go back and change, even the darkest moments. All the successes and greatest joys in my life are a result of the absolute worst things. Every missed opportunity is a blessing is disguise – Ronda Rousey

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1.YOU CAN NEVER GO BACK TO YOUR OLD LIFE, BUT YOU CAN REINVENT YOURSELF AND KEEP MOVING FORWARD

With the painful loss of her home planet of Krypton, her whole way of life and everything she knew – it was the toughest event that Kara Zor-El ever faced. But the loss of Krypton was the gain of Kara’s new home on earth, her new earth foster family, her new super powers and becoming the selfless iconic hero Supergirl.

Kara would never have become Supergirl if not for the death of her parents, the same way Bruce Wayne would never have become Batman without the death of his parents, or Kara’s cousin Kal-El would never have become Superman.

Krypton’s loss was earth’s gain. Kara’s ordinary life was destroyed, and she was called to her destiny on earth. But it wasn’t easy. For years she hid her powers and who she was from all but her foster family. Eventually Kara embraced her new self – superpowers, being an alien outsider on a new world and became Supergirl. She embraced living the unique life that only Kara Zor-El could live.

I love pretty much everything about our Kara. She’s pretty, strong, kind, caring, helpful, adorable and becomes badass when she has to –  Reddit User ‘Furan_Ring’

Supergirl illustration Melissa Benoist

2.WHEN PEOPLE LOVE YOU – KEEP BEING A HERO WHEN PEOPLE HATE YOU  – KEEP BEING A HERO

Don’t let other people’s perception of who you are and what you stand for shape your core values. Whether people love, hate or are indifferent to you, you must live the life only you know how to live, and live the principles, values and choices that makes the most sense to you right now.

We can’t predict the future, we don’t know what good or bad consequences will come of our actions, but we do know the values we live by, and if we are not happy with that, we can upgrade our values to better ones and develop new habits that serve us rather than hold us back.

Heroes choose their own values, mission and code of behavior to live by, they don’t wait for someone to tell them what to do and they don’t ask permission to be who they know they have to be.

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There are times when people will love and support what you do. You can accept support from others, but don’t become dependent on that, instead welcome all who choose to help you, but be self-reliant and accept no excuses for living anything less than an authentic life.

There are times when people may hate you, or what you stand for. They may openly ciriticise you, or do it behind your back. You can waste you time and efforts trying to manage others people’s perception of you, or you can simply be indifferent to people’s ideas about you – good or bad.

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Being free of the need for approval or criticism means you live life on your own terms. It doesn’t mean being rude and arrogant to people you disagree with or don’t like. It does mean affirming who you are and not letting people push you around, and being immune to other people’s ideas about who you are and what you should do with your life.

Supergirl Melissa Benoist meets Flash Grant Gustin

Instead you must choose your own way of life and maintain an inner light that never wavers. A hero’s inner light and belief in themselves stays lit through the darkest stormiest night and brightest day and is unchanging.

The world corrupts those who are easily corrupted, while those who stand firm in their belief in themselves are untouchable by any force in this world.

So whether people love you, or hate or are indifferent to you – keep living the life only you know how to live, keep being a hero or heroine in your own unique way.

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3. SOME BATTLES WE MUST FIGHT ALONE, WHILE OTHERS WE HAVE TO ASK FOR THE HELP AND CO-OPERATION OF THOSE ON WHOM WE DEPEND

We all have things we must do for ourselves by ourselves each day, and then there are tasks in life that are beyond us and our current abilities, in these times we must ask for help. We all need co-operation in our lives if want to become greater than we were yesterday, and be excited about tomorrow.

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We all need friends, family, associates and well wishers to co-operate with if we want to keep overcoming obstacles in our lives, or get projects done that are simply too big for one person, no matter how smart, strong, resilient or talented.

A heroine looks after her family and friends and all those whom depend on her. And she knows the people who truly value her will be there for her when she needs them. Co-operation allows us to get large projects done and things that would be impossible for one person to ever achieve. To be greater than we were yesterday and excited for tomorrow, we need to cultivate healthy relationships with friends, family and associates.

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4. FAMILY IS NOT JUST BLOOD, BUT THE PEOPLE WHO SHOW UP IN YOUR LIFE

Family are the people who show up in your life who love you and support you unconditionally. We are all born with one type of family. Some people have families that love and support them. Other people have families that treat them poorly or even abuse them. Most of us find our experience lies somewhere in between the two extremes of unconditional love and outright abuse.

But along with our biological family, are the people who show up in our lives and love us, who support us, without anyone ever asking them to, and without being related by blood.

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So whether blood relative or just someone who chooses to be part of your life, family is whoever shows up and loves you, whoever supports you in your choices even when they disagree with them. Loving someone only when they agree with you is not really love. The people who show up in our lives and support us no matter what choices we make are like rare jewels in this world – they are people to be treasured and appreciated.

As Kara is an alien outsider in this world, we too at times feel likes outsiders. We all need to find our own version of fitting in and belonging. To accomplish that we can either compromise who we are and try to “fit in” with other people and their values – or we can look for a tribe that already shares our common values, that accept us for who we are, rather than belittle us for what we are not and will never be. Those who truly love us and support us are our family every bit as much as our blood relatives.

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5. BE YOURSELF – THE UNIQUE SELF THAT THE WORLD NEEDS YOU TO BE

Conformity means taking on others peoples values as more important than your own. It means taking on other peoples ideas about who you are, what you should do, and their own selfish opinions about how you should live your life. No other persons “opinion” about you, should ever be more important than your own opinion of yourself.

No other person has the right to choose your values for you, or try and live your life for you. You MUST choose your own values, go your own way and be uniquely you, you must BE YOURSELF  because you simply can’t be anyone else. It’s just not possible.

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Only you are uniquely qualified to know how to be the best version of yourself. The world demands and expects conformity, it expects well behaved polite automatons who don’t think for themselves. But doing that means not only compromising who you are, it means depriving the world of your unique talents and abilities.

The world demands conformity and mindless drones, but what it NEEDS is unique individuals who say “YES!” to life, people unafraid to express themselves, and live their unique lives as only they can.

The world needs people who accept themselves and know it is “okay” to be you, it is okay be different. It is okay be strange and flawed, to feel doubts, insecurity and vulnerability. To be vulnerable is to be human.

Our differences are what make us unique and often the source of hidden strengths.

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People who live fearlessly are the ones ones who shape our future, they are often invisible leaders and trend-setters, they are paradigm busters and rebels, they refuse to be classified or labeled or held back by any kind of limiting belief. They also get scared and doubt themselves and have both spectacular successes and monumental failures in life.

They are our heroes and super-heroes. They are our family and our friends. They are our peer groups. They are YOU and me. Because no hero or heroine can accomplish anything worthwhile by themselves. We are in this life together.

Heroines and Heroes stand up for themselves and just as important – they stand up for those who are not able to stand up for themselves, for the people who have no voice in this world.

The greater our co-operation, the greater our capacity to love, the greater is our potential as everyday heroes and heroines – the kind the world needs to stand up for what they believe in and be heard with a unique voice and one of a kind perspective.

Supergirl Melissa Benoist with Super Girl Scouts

The Secret About ‘Why We Need Superheroes’ Everybody Should Know

 

SUPERHEROES ARE AN INSPIRATION AND REMINDER OF THE GREATER OFTEN UNTAPPED POTENTIALS OF HUMANITY AND IN YOU

Superheroes are a reminder in our darkest times of our inherent potential for greatness.

As we grow from children to adults, we need role models to imprint on, who are usually our parents and people in our immediate environment. Sometimes those people are good role models, other times they are not.

When we are kids, superheroes are most appealing for their bright colors, and exciting action packed adventures. As we mature into teenagers and adults, superheroes are more appealing for their moral character and the way they challenge us to better ourselves. They are living inspiration, their dynamic exciting adventures allow us to see how our values play out in a story, and the consequences of our actions.

The moral development of Superheroes (or lack of) can inspire us to be better people. While characters like Captain America and Superman are reminders of the best qualities in humanity – courage, strength, resilience, compassion, hope, empathy etc characters like Wolverine or The Punisher – avatars of anger, vengeance and hatred are reminders of people and values we don’t want to aspire to.

EVERY KID AND ADULT NEEDS INSPIRATION BEYOND THEIR ORDINARY EVERYDAY LIFE

The stark contrast in values from say Superman to Batman to Wolverine or Wonder Woman challenges us with moral complexity. Reading these characters forces us to take some sort of view, to agree or disagree with their actions. Seeing them in action forces us to look at our own values and think “What would I do in that situation?”

Other inspirations from superheroes include physically weak children who like the strength of superheroes and grow up to be people who work to grow stronger both physically and mentally in their daily lives.

Some people are inspired by the Superheroes mission, purpose or creed and find their way in life goes a little smoother when they choose a purpose of their own.

Some people are inspired by the superhero ideal of selfless service to humanity, standing up for your values, or being a force of positive social change – which reflects real life heroes such as Mother Theresa, Gandhi, Nelson Mandela, Martin Luther King or the Dalai Lama – all of whom are tireless servants who work for a better tomorrow, whose lives are living examples and tributes of the values they embody, who work towards peace and lifting up those of us who are most vulnerable in a sometimes cruel and hostile world.

WE INVENTED SUPERHEROES TO REMIND US OF HOPE AND ALL THE BEST QUALITIES AND POTENTIALS OF HUMANITY

It’s no accident that Superman turned up around the time of Hitler being in power in Nazi Germany. For evil to exist in the world, there needs to be a counterbalance, and although Superman is a fictional character – Superman is far more important than Hitler will ever be.

And although he’s not real, Superman (and all other great archetypal superheroes) have inspired millions of people in the real world not only to have hope and courage, but to better  themselves and stand up for their fellow human beings, and to live with purpose and gratitude. Taking responsibility for themselves, and those whom depend on them.

Superheroes are like lightning rods for unleashing our own inherent potentials. By seeing our heroes in action, we are reminded how important in life is the ongoing process of Waking Up, Growing Up and Showing Up, of being our most authentic self in daily life.

SUPERHEROES ARE WAKING DREAMS THAT EXIST AS PURE IMAGINATION WHILE INFLUENCING OUR REAL WORLD

While comic book superheroes are a modern invention, we’ve had some form of hero story around as long as we have been on this planet, in one form or another. Every culture in every age has had its hero/heroine stories – and those that didn’t just went ahead and invented new heroes. Superheroes don’t come from “out there” in the exterior world, they come from “in here”, from the depths of our hearts and souls.

They are idealised figures that represent our best greatest hopes, dreams, values in a form that is far more immediately engaging and entertaining that mere abstract words and ideas could ever convey.

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Superheroes in their purest form are mythic archetypes, they are pure ideas of inspiration and a reminder of the great potential of humanity. Their strength lies in their home dimension of imagination. Trying to make them “realistic” is kind of missing the point of their very existence.

Superheroes are here to inspire us and raise us up metaphorically. They are not here to replace us, or do the hard work of living for us. Each of us must find our own hero within , our own values, mission and purpose in life if we wish to live a truly satisfying life.

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WE NEED A HERO! 3 Brilliant Writers Answer 5 Questions on Heroism

Mark D White Alex Wainer Nav K super hero non fiction writers supreme team superman batman captain america Q&A blog.jpg

It’s no secret that I love Batman as  a fictional character. I Iove to read Batman comics and also other non-fiction books on Batman, and basically anything to do with Heroes really. And if there is one thing more awesome than reading great articles and non-fiction books by super-smart people, it’s talking directly to them so see what they really feel about the topic of Heroes, Heroines and Heroism.

So kick back and enjoy this roundtable Q&A with 3 Amazing Experts! We have three Wonderful Writers whose works make my humble blog pale in comparison. Their depth and insight on the topics of Heroes, Superheroes and Heroism leaps over tall buildings in a single bound! Together they are stronger than a locomotive and faster than a speeding bullet!

So who are these talented folks you ask?

Alex M. Wainer – author of Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film

Nav Kumaravithana  prolific fellow blogger on Superheroes and Comicbooks at Girl on Comic Book World who always has brilliant insights in her articles.

Mark D. White – Author of… too many books to count! Including Batman and Philosophy, Superman and Philosophy, and my favourite: The Virtues of Captain America

So let’s get to those pressing ponderous Questions dear reader!

Q: What is a Hero / Heroine (in your own words)?

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Alex: A hero of course is someone who goes beyond the average person in effort, courage, and competence in achieving goals, usually military, moral and who offers some form of rescue, example and inspiration to others.

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Nav KNav K: A hero is an individual who goes above and beyond their obligations. They are morally stronger individuals who pursue their goals no matter what the obstacles are. It is their constant devotion to good and their willingness to even make a personal sacrifice and go beyond their abilities to help others that separates them from others. It’s not necessarily about saving people’s lives or anything that dramatic,

it’s just about having the compassion and empathy to go out of one’s way to help others and be a force for    good no matter what challenges confront them.

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Mark: To me, a hero (male or female) is someone who makes an extraordinary sacrifice for another person or a principle
larger than him or her.

Q: What three qualities/skills/attributes do you feel every hero must have?

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Alex: Some ethical code rooted in universally shared moral values. Perseverance too. [See also Alex’s answer to the previous Question]

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Nav KNav: Strong moral compass: Heroes have a strong sense of what’s good and bad. It’s their deep beliefs that drive them to their heroic nature. They are confident enough to choose to live and die by their personal values.

Willingness to go beyond what is expected and obliged from them: We all have certain roles that we are expected to fill in life. A hero extends their obligated roles and does more for the sake of others.

A Desire to selflessly help others: Putting others before themselves is a true test of heroism. It’s easy for the ordinary individual to be selfish and service their own needs and wants before others, and that doesn’t make them a bad person, it just makes them normal. A hero is someone who genuinely wants to and will put the needs of other before themselves. They are compassionate and empathetic enough to help others no matter what.

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Mark: First, courage—a hero has to have courage to do the right thing regardless of physical danger as well as disapproval or ridicule from others. The latter, which we can call moral courage, is all too often forgotten, but is more important than physical courage for the kind of heroism we can all practice, such as sticking up for the downtrodden and oppressed against the crowd and saying no to everyday injustices wherever we find them.

Second, judgment—a hero needs sound judgment to decide when intervention is needed and what to do. It’s not enough to set out “to do what’s right”—the hero needs judgment to determine what the right thing to do in a certain circumstance is.

Finally, determination or resolve—it’s one thing for a hero to decide to do what’s right, and it’s another thing
entirely to stick with it in the face of obstacles and opposition.

Q: Why do you feel that heroes (whether real life heroes or heroes in fiction) are important?

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Alex: I could quote Aunt May’s remarks in Spider-Man 2, as they sum it up nicely. Although there is danger in some forms of hero worship, it seems all culture in all times have either wanted or needed heroes—in real life, to provide leadership and rescue, in stories to embody the ideals of that culture, and because they are simply enthralling entertainments that offers us someone with their values tested in conflict.

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Nav: The idea of individuals, whether fictional or not, being out there with the willingness to be the best person they can and be a force for good for other people, is an important and inspirational force that people need in their lives. Heroes are role models that have the capability to rise above any obstacles and weaknesses, to achieve their goals. They are resilient, selfless and remain strong in the face of challenge.

Ultimately that serves two very important functions in the world. It gives people an ideal to strive towards, and gives people the sense that even in their darkest moments there is someone good out there, giving them hope that the world isn’t that bad and they can escape that darkness. Having positive hero figures out there is about giving people hope at the end of the day. Even if the hero is fictional, it’s the overall idea that they stand for that can help an individual even at the lowest moments (after all ideas are bulletproof).

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Mark: I think heroes are important because they show us we can be better, that we can transcend our everyday concerns and do something extraordinary for someone or something else. We’re all far too cynical these days, and heroes remind us that there is good out there—good in us—and we just need to bring it out.

Q: Who some of your all time favourite real world heroes?

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Alex: Oh, man, that’s a tough one. I admire many of our soldiers who did their duty in recent wars despite less than stellar leadership or policies. Ronald Reagan was the last great president we had and he acted from deep conviction without disrespecting his political opponents. The problem with real-life prospective heroes is that they haven’t finished their run yet and could still blow it in someway. (This is why the Catholic church waits till someone is deceased before starting to consider someone for sainthood, we are all running a race and it’s the end that counts.

Nav KNav: Weirdly enough I’ve never really had any definitive all-time favourite real world heroes, because of my overly sceptical natural state of self I try not to over-idealise people. But in saying that I have a great deal of respect for people who have the courage to and are willing to go against the grain, and fight for their beliefs, not matter the uphill battle it is. There are countless figures in history who have had the world mock them for their goals, only to use that hate as momentum to achieve their goals that better society.

And although I’m not one to idealise celebrities, one individual who I have a deep respect for is Emma Watson. She is a heroine in her own right. She doesn’t care how many faceless internet users call her campaign “feminazi” propaganda, she passionately pursues gender equality even in the face of the harsh spotlight. And even though feminism has become this taboo word for many actresses because of the ridiculous connotations associated with it, Watson sticks to her beliefs and is in a unique position of power to actually have the potential to make an impactful change.

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Mark: It changes every day – today it’s the three young men who stopped the terrorist on a train from Amsterdam to Paris last week. Three people who saw danger, forgot about their own safety, and confronted danger to protect others—they’re my favorite heroes today. Tomorrow it might be the firefighter who rushes into the fire to save a family, or the soldier who jumps on a grenade to save his or her unit—or the eight-year-old girl who stands up to bullies picking on her friend on the
playground.

Q: And who are some of your all time favourite fictional heroes?

Alex M Wainer 150Alex: Well, who could that be for my main man? In comics, Batman of course, although he is quickly followed by Captain America. Daredevil often. Sherlock Holmes has endured for good reasons. Captain Kirk before the reboot. I really like Superman but it’s so hard to find good stories about him. Jean Valjean from Les Miserables. I guess those are at the top.

batman resized looking over city Nav KNav: Cliché answer but my all-time favourite fictional hero is 100% good old Superman. Yes I know it’s a slightly lame answer, but there hasn’t been a character that’s resonated more with me than Superman. He’s Clark Kent, a guy who grew up on a farm and one day found out he was an alien, and suddenly had to deal with all the expectations and sense of responsibility that comes with. He could choose to just ignore his powers and carry on with a normal life, which he would love, but instead because of his nature and the nurture of the Kents he chooses to be more.

He chooses to be there for people, and give people a sense of hope in a cynical world. For those that only know the character by name, they think he’s a boring hero because he’s a boy scout who always knows what the right thing is to do and does it. But that really isn’t true. He has to look at the world, and what he believes would be acceptable and then make base his actions off of that and what his own morals are. And sure he doesn’t always make the right decision, but he learns from his mistakes. And that’s what makes him such a great hero. He steps up to the challenge.

Superman is welcoming of other people’s ideals and views, and balances that with his own moral compass. He has the courage and strength to fight for truth, freedom and justice no matter what the adversary is. He always believes in the goodness of humanity, even when they give him every reason not to, and it’s that continued sense of hope that makes him such a great hero. Believing in people, even when they don’t believe in themselves.

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Mark D White profile 150Mark: My favorite is (no surprise) Captain America, because he exemplifies all three attributes mentioned above.I also like Batman because he represents an extreme version of heroism—sacrificing his entire life to a mission to fight crime and pursuing that mission with flawless determination—that I wouldn’t hold up as an example for anyone, but I find endlessly fascinating to read about. Finally, I really like Ben Grimm, the ever-lovin’ blue-eyed Thing from the Fantastic Four; he was dealt a rotten deal from the universe but, even though he feels sorry for himself once in a while, he still dedicates his life to
helping others while keeping a sense of humor about life. All superheroes, of course. 😉 But none hold a candle to the ordinary people who do extraordinary things each and every day.

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Q: Where can people find you / your work online?

Alex M Wainer 150Alex: I used to have a blog until about four years ago but as you know, it needs regular input to hold readers and I couldn’t pull that off, so now my occasional articles at Breakpoint.org (nothing very recent but you can search there for past articles). Soul of the Dark Knight, of course. Googling my name will bring up quite a bit of past work.

Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film is available in Paperback and Kindle format at Amazon.com.

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Nav KNav: You can find me on Twitter @Nav_Kay and my Superhero / Comic Book blog at Girl on Comic Book World https://girloncomicbookworld.wordpress.com/
Check out these sensational in depth articles by Nav at her Girl on ComicBookWorld Blog:

Batman Character Analysis: He ain’t crazy but he is complex
Joker the Absurdist: A character analysis
Superman Character Analysis: More than just a guy who punches things
Batman Day: Why is Batman so popular?
Superhero Movies: What makes a great comic book villain?

girloncomicbookworld NAV K

Mark D White profile 150Mark:My website is at http://www.profmdwhite.com where you can find information about my books, articles, and what I’m working on now. I’m also on Twitter as @profmdwhite. I’m currently working on final production details on two books coming out next year: a popular book on the ethical judgment and behavior on display in Marvel Comics’ “Civil War” storyline, and an edited scholarly volume on economics and virtue ethics. [Modest Mark has also written Philosophy books on Green Lantern, Avengers, Watchmen, as well as traditional academic works, check out his Amazon author page link below]

The Virtues of Captain America: Modern-Day Lessons on Character from a World War II Superhero

Batman and Philosophy: The Dark Knight of the Soul

Superman and Philosophy: What Would the Man of Steel Do

Mark D White’s Amazon Author Page

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I highly recommend Alex’s Soul of the Dark Knight book, Mark’s Batman and Philosophy, The Virtues of Captain America – all of which are excellent reading. I also recommend Nav K’s awe-inspiring Comic Book blog, I read it every week and I encourage you do the same.

These three experts on Heroism and and what I call “Hero Theory” have helped me expand my ideas of Heroes, and I am frequently inspired by these three Super-Awesome writers in my own work and life in general.

All that remains is to say a Super big THANK YOU to – Alex, Nav and Mark for taking the time to tell us your thoughts on heroes and superheroes.

This article is part of a series on Heroes and Heroines, I’ve got several more features that will be up soon, so face front true believers and stay tuned for more exciting talk about Heroes and Heroines. And be sure to check out each the works of each of these experts on Heroism.

Now if you’ll excuse me I have some more BAT-reading and pondering to do in my man-cave.

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Batman – The Greatest Fictional Character of All Time