THE HEROINE’S JOURNEY: An Ever Evolving Narrative of Empowered Females in Fiction PART#1 WRITER’s Q and A

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The Heroines Journey – An Ever Evolving Narrative of Empowered Females in Fiction

Over the last year I’ve been looking into the topic of The Heroine’s Journey through books, articles, youtube videos and of course perspectives from other writers of both fiction and non-fiction. This Q&A is several questions with some expert writers I admire and respect with differing contrasting points of view including Nicole Franklin, Kate Forsyth, Alice Li, Nav. K and Mike Madrid.

There will be an accompanying article up soon on this blog where I comment on some of the Theories and Ideas that are part of the modern version of The Heroines’ Journey, and ideas discussed in this Q&A as specific or unique from Joseph Campbell’s Hero’s Journey. So you can consider this PART#1 of #2 on The Heroine’s Journey and I will link the other article to this one once it is completed and posted.

So lets get into it, I hope you enjoy reading the insightful answers from these super-smart individuals as much as I did. It took several months to come together as people live in different time zones, in different parts of the world and are usually quite busy. Thanks so much to everyone who contributed!

NICOLE FRANKLIN

Nicole Franklin

Nicole Franklin is an award-winning filmmaker. Through her 25 years in the industry Nicole has been a television director, editor, educator, and contributing writer to such publications as The Good Men Project, Toronto-based ByBlacks.com and NBCBLK. For seventeen years, her company EPIPHANY Inc. has been producing independent films for numerous cable networks including Showtime, BET, IFC, Nickelodeon, Sundance Channel, FUBU TV and kweliTV.

In addition to the narrative feature on same-race discrimination in the workplace, TITLE VII, Nicole’s other credits include The Double Dutch Divas!, Journeys In Black: the Jamie Foxx Biography, Kids Around the World, Black Enterprise Business Report, Gershwin & Bess: A Dialogue with Anne Brown and the 10-chapter series Little Brother.   Nicole’s affiliations include DGA, PGA East, NABJ, The Black Documentary Collective (BDC) and NYWIFT. NicoleFranklin.com/cine.

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Q.Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?  How does it differ? How is it the same? 

I think the Heroine’s Journey is needed because as a Black feminist I could not pinpoint why a number of female leads in films I grew up watching were not satisfying role models for me.  Why didn’t I root for women who could change the world—women who were on their own, not handing over the reigns to their male rescuers?  And, why didn’t I root for them on a consistent basis?

Plots and storylines are much better in recent years, but it wasn’t until I heard Alice Meichi Li articulating the characteristics of a Heroine’s Journey vs. a Hero’s Journey while she was speaking on a NY Comic Con panel that I realized most female leading roles have been under siege. Manipulation and lackluster results from a journey that thrives on a woman’s insecurities and borderline insanity seem to have been acceptable practice for years. Li made me rethink The Wizard of Oz after seeing it hundreds of times. Once certain characteristics of female-driven stories seep into our subconscious as media consumers we’re doomed!

Q.How can writers adapt the Heroine’s Journey to their stories? (Nicole: I’m combining questions 2 and 3 here)

First writers have to realize there is a distinction between successfully writing a heroine into movie history or into oblivion. As illustrator Alice Meichi Li has noted, there is a fascination with the goddess/supernatural character Joseph Campbell often describes now being a hindrance, and not at all helpful as she would be to a man on a mission. Is it more of a standard to see backstabbing and deception between women when one’s happiness is within arm’s reach? You bet.

Second, more female writers and directors need to be hired as showrunners and creatives behind the scripts and behind the camera on an equal employment basis. Putting these two very simple suggestions into practice would be a terrific start.

Next, films, books and art are part of commercial business. Audiences must support heroines who rock with their dollars. Li mapped out a guide for what writers should avoid in their storylines starring female leads when I interviewed her for The Good Men Project here: http://goodmenproject.com/featured-content/heros-journey-vs-heroines-journey-rewriting-privilege/

Q.What changes need to happen in society to further develop the idea of The Heroine’s Journey? (Nicole: See Question above)

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Q.What advice do you have for creators (male and female) who want to create good well rounded female characters?

I would refer creators to my article The Hero’s Journey vs. The Heroine’s Journey: Rewriting Privilege featuring illustrator Alice Meichi Li. Talking to her was so eye-opening for me as an artist, executive producer and feminist.

Q.What impact do you see The Heroine’s Journey having on the literature, films, comics etc of tomorrow?

We have a long way to go when it comes to a female protagonist whom audiences can cheer and demand sequels of beyond the small screen and printed pages of comics. Digital distribution outlets are now the widened doors independent artists have needed for years in order to reach a global audience. This is actually an exciting time to be a creator. And if recent box office numbers of Hollywood films starring talented, three-dimensional female leads are any indication, then this successful model has no choice but to continue and prosper. Bravo!

Where can people find you online, what websites do you contribute to, recommend etc?

Thanks for asking Jonny! I love connecting with people through my website, NicoleFranklin.com. Also, all of my social media profiles are there. I also am the founder of the tech education initiative Hack4Hope.org and the Executive Producer of LittleBrotherFilm.com, a 10-chapter film series with producer J. Tiggett on young Black males and their thoughts on Love.  As a writer I contribute to The Good Men Project, NBCBLK and Toronto’s ByBlacks.com.

You can also find Nicole on Youtube at  https://www.youtube.com/user/Nicoleedits/about?&ab_channel=NicoleFranklin

KATE FORSYTH

Kate Forsyth

Kate Forsyth wrote her first novel when she was only 7, and is now the bestselling, award-winning author of more than 25 books, including The Wild Girl and Bitter Greens for adults, and The Puzzle Ring, The Gypsy Crown, The Starkin Crown, and Grumpy Grandpa for children. Her books have been translated into 13 languages. You can read more about Kate at www.kateforsyth.com.au

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?

To be honest, I see the hero in Joseph Campbell’s Hero’s Journey as being a non-gender specific term. A girl can be a hero just as much as a boy. However, both Campbell’s language in describing the mono-mythic Hero’s Journey and subsequent usages of the format are highly male-focused, so perhaps talking about a ‘Heroine’s Journey’ can open up new ways of thinking and describing a woman’s journey of self-discovery and change.

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Q. How does it differ? How is it the same? [as Campbell’s]

For me, the journey of all my female protagonists follow the mono-mythic pattern of moving through darkness towards light, and through a process of transformation that changes them from the beginning of the story to the end. The trials that they face, the ordeals and obstacles that they overcome, are very different according to the kind of story I am telling … and the type of person my heroine is.

The Hero’s Journey is often just a way of thinking about story structure … and in that sense, it does not matter whether the hero is male or female, or even human at all. I think the secret is not to be too rigid in following the Hero’s Journey – to think of ways to make it fresh and new and surprising. And recasting this quest in the shape of a Heroine’s Journey is one way to do so.

Q. How can writers adapt the Heroine’s Journey to their particular stories?

I always try and think – what does my hero/heroine want? What stands in their way? What is the cost of failure? What do they need to learn before they can get what they want? And then I plan their journey, placing more emphasis on the key psychological turning points in the narrative structure.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey?

I’d love to see more movies made with strong, complex and interesting female characters. Often movie and TV makers (as well as novelists) think the way to make a heroine strong and heroic is to make her more masculine – I don’t think this is necessary at all.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

Make your characters flawed, with real-life fears and problems, and then show them as they grow and change on their journey. Dynamic characters are always more interesting than ones that do not change.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

I’d love to see more films and books and games being female-centric, with strong protagonists and an interesting character arc.

Q. Where can people find you online? 

My main website is Kate Forsyth at http://www.kateforsyth.com.au/

You can also find me on Facebook, Pinterest and my Amazon Author Page at the below links:

ALICE MEICHI LI

Alice Meichi Li

Alice Meichi Li  is a New York based visual artist and illustrator for comic books, magazines, and album covers. She is the creator of the independent comic book Sherbert Lock. Alice has received numerous awards and nominations from organisations such as the Society of Illustrators of Los Angeles and the Scholastic Art & Writing Awards. Alice also contributed words and pictures to Nicole’s article “The Hero’s Journey vs. The Heroine’s Journey: Rewriting Privilege” that inspired this BATFAN Q&A you are reading right now.

Q.Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?  How does it differ? How is it the same? 

In a society like ours where women have historically struggled for equality, it’s hard enough to get to a level playing field — let alone set upon a journey for self-actualization. The Hero’s Journey is exactly that: a coming-of-age story where a boy can become a fully-actualized man and surpass his own masters through trials and tribulations.

On Maslow’s Hierarchy, multiple needs must be met before a person can achieve self-actualization, including the physiological, safety, love/belonging, and esteem. If a story takes place in a society like ours where many women can’t even feel safe walking around in our own gender, how can we ever achieve true self-actualization?

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I keep stipulating “in a society like ours” because there are plenty of heroines that take the Hero’s Journey in fictional worlds where they fortunately aren’t bound to a system of patriarchy. (see: Nickelodeon’s Legend of Korra) So my definition of a Heroine’s Journey is that where a lesser-privileged protagonist, most likely a woman, sets upon a path to achieve normality or equality to that where a Hero might just be starting off.

Where there are trials that will help the Hero along his way, there are traps and tricks that await the Heroine as she tries to obtain equilibrium in a world that has seemingly gone mad. Where there are Masters to guide the Hero along, there are wolves in sheep’s clothing to manipulate the Heroine along.

Great examples of the Heroine’s Journey would be Alice’s Adventures in Wonderland and The Wizard of Oz. At the end, neither Dorothy nor Alice become lauded as great heroes. They just return to the normal lives in their normal homes that they were striving for all along.

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Heroine’s Journeys reflect the struggles of women in a patriarchal society where being a woman basically means that the body you were born in impedes you from getting ahead the same way a man can. It can feel awfully like a world gone mad when a woman is constantly told by society that her life isn’t worth as much as that of a fetus.

That the work she does is worth around 77% as much as a man’s work, that she ought to keep at the “Drink Me” bottle to shrink small enough to fit society’s standards, or that she needs to destroy other women (Wicked Witches) to achieve her goals when in reality it’s actually a man behind the curtain who has the true power over her.


Q. How can writers adapt the Heroine’s Journey to their stories?A common piece of advice I see is “Just write a female character like a man”. Well, yes and no. If the story takes place in a patriarchy, but the woman faces zero consequences to acting like a man, then this is completely unrealistic. While I don’t agree with strictly adhering to a gender binary, I recognize that society does.People who fall outside of that gender binary inevitably face challenges from the people around them, and these challenges shape who they are.I had a great conversation with Phil Jimenez (writer/artist for Wonder Woman) once about how Superman couldn’t be written exactly the same if he were a woman, because people would treat him like a woman.
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Would the Daily Planet run the same exact articles on Superman if he were a woman? Wouldn’t there be the inevitable criticisms of her appearance or choice of costume?

Look at how the press treats male actors versus female actors in interviews. (For example — the types of questions Scarlett Johannson received from the press for her role in Avengers versus the types of questions her male co-stars received.

Spoiler alert: They tended to center around her body, costume and weight-loss, whereas her male co-stars were given more difficult questions about actual acting) There’s always going to be a slant. How a female Superman would react to *that* reaction would then shape her character differently than a male Superman.

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Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey?To actually develop a Heroine’s Journey into a Hero’s Journey, we’d need to achieve true equality as a basis for all prospective Heroines to launch their journeys. Calling back to my response to the first question, it’s hard to focus on mastering any goal to a heroic extent if one’s basic needs aren’t even being met.

Q. What advice do you have for creators (male and female) who want to create good well rounded female characters?

First, read stories about real women and the obstacles they’ve had to overcome themselves. When encountering people who express the hardships they’ve experienced, listen or read with an open mind and open heart. Don’t be afraid to be wrong or question your pre-existing assumptions.

Second, don’t use rape or sexual assault as a character development tool unless you *really* know what you’re doing. And most people — men and women who haven’t been sexually assaulted — don’t. Even on Mad Mad: Fury Road, George Miller brought Eve Ensler (Vagina Monologues) on board as a consultant to make sure they portrayed a wide range of rape victims realistically and sympathetically.

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Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

Ultimately, I hope that exposing the struggles that Heroines have to deal with to achieve true equality will help others to be able to put themselves in a Heroine’s shoes and develop empathy for those who are less privileged than they are. But also, it’s just about time we had more stories focused on marginalized protagonists within their societies. In a way, the Hero’s Journey is easier to do than a Heroine’s Journey where a protagonist is just not the “right type” of person to succeed in that world.


Q. Where can people find you online? 

Here are the places you can follow my work…

http://alicemeichi.com
http://alicemeichi.tumblr.com
http://facebook.com/alicemeichili
http://twitter.com/alicemeichi

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I’m also doing covers for my husband’s comic, Sherbet, which is a dark comedy/sci-fi story that focuses on a lesbian detective who solves paranormal mysteries in a steampunk-inspired vaguely British future. (It’s okay because he’s British, too)  Sherbet would be another example of a woman who’s not adhering to a patriarchal society’s Heroine’s Journey.
NAV K

Nav K

Nav K is a writer and Blogger in Australia, a big Superman and DC fan who writes in depth insightful articles covering the DCU in Comics, Television and Film. You can find her brilliant Girl-On-Comic-Book-World blog at https://girloncomicbookworld.com/

She also writes about the Marvel theatrical films and Netflix TV shows such as Daredevil, Jessica Jones and Luke Cage. She was last seen flying somewhere over the city of Metropolis.

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey?

Considering Campbell’s Hero Journey structure was created a few decades ago, looking back at it you can see that it is very specific for a male hero. The structure draws upon stories that have come from the past, meaning it draws upon many stories where women were viewed more so as objects, to accompany a man, have children, be a prize etc therefore the structure isn’t completely relevant to a heroine’s journey. Because of critical social change over the past few decades it’s important to re-contextualize the hero’s journey to better fit a female protagonist.

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Q. How does it differ? How is it the same? [as Campbell’s] 

Universal elements from Campbell’s model that should be used in a heroine’s journey include the character being drawn into the adventure, facing psychological and/or physical threats and finishing the journey in a changed manner. However the heroine’s journey should take in aspects that are specifically related to females. The hero’s journey is often presented as a solo journey, however as women are typically communal the solo quest may not work as well. Also it’s important to incorporate the conflicting roles many women have in the life such as the family/work balance, maternal instincts etc.

Q. How can writers adapt the Heroine’s Journey to their particular stories?

Writers shouldn’t limit themselves to a strict structure for a heroine’s journey. Really what’s most important is to understand that you are writing a female’s journey, not a man’s journey, so don’t ignore feminine attributes. Not all female characters have to have some inherent maternal instinct, or longing for a community, however a heroine’s journey shouldn’t be afraid of incorporating female attributes.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey? 

I think once this stigma is removed that no one cares about female leads, we will get a much better start on developing the idea of the heroine’s journey. Creators still choose to stick to the traditional male hero archetype as it’s a safer bet than focusing on a female lead. Once creators get an idea of greater acceptance in society for female leads, they will start creating better female characters. Just looking at the superhero sphere, there has been a lot of controversy at Marvel for their failure to recognise their female heroes as equals.

Black Widow doesn’t get toys and solo movies, and it won’t be until 2018 that we see a solo female superhero movie from Marvel. This is happening because Marvel don’t believe that a female hero can sell right now. So they will wait until Wonder Woman makes her debut and gauge the audience reaction to her so that they can commit more.

But considering there has been this controversy in the first place, from both female and male audience, recognises that there is an acceptance and want for more heroine leads. Furthermore understanding that the emotional side of a heroine isn’t a weakness can help propel the idea of the heroine’s journey, removing the idea that only the emotionless yet aggressive male heroes are the only heroic lead that works.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

Don’t be afraid to embrace the femininity of the character. You often see creators trying to develop “strong female characters” by stripping away the very aspects that make them female, and emphasizing their masculinity.

Writers shouldn’t be afraid to show emotional vulnerability, maternal instincts, communal values etc from female characters because they may be afraid of creating a weak female character. Just looking at one of the most talked about strong female characters in film this year, Furiosa from Mad Max perfectly captured her femininity, maternal instincts and strength.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

Its clear creators are having a stronger focus on female characters. You can watch an action movie now where the female isn’t just always the damsel in distress character anymore, we have stories like Mad Max, Hunger Games etc. Especially within the superhero sphere you can see the huge impact the heroine’s journey is having.

Wonder Woman who has for the longest time been viewed as this feminist icon is finally getting her debut on film decades after her creation. And we can see in these female superheroes that they aren’t being stripped of their femininity to create a “strong female character”, these characters are embracing it.

Q. Where can people find you online? 

You can find me at girloncomicbookworld.wordpress.com which is basically a place with discussion and opinion on everything comic book related from movies to TV to actual comic books!

Follow Nav on Twitter @Nav_Kay

Nav K articles:

Comic Book Movie Articles

Comic Book TV Shows

Comic Book Character Analyses

MIKE MADRID

 Mike MadridMike Madrid is a native San Franciscan and a life long fan of comic books and popular culture. The former advertising executive is the creative director at Exterminating Angel Press. He is featured in the documentary “Wonder Women! The Untold Story of American Superheroines.” He also has a fantastic TV news anchor worthy mustache.

Q. Why do you feel that a Heroine’s Journey is needed that is distinct from Campbell’s Hero’s Journey? How does it differ? How is it the same?

Traditionally in Hero’s Journey stories, the male protagonist starts out being hindered either by youth, inexperience, or both. But he often has a mentor to guide him on his journey to being a hero. However, the fledgling is never shown to actually be hammered by his gender. This is not the case with many heroines in comic books.

Women who want to take on heroic roles in comics often have their abilities questioned simply because they are female. And this skepticism often comes from their fellow male heroes. These women usually need to undertake this journeys to heroism on their own, without the help of a mentor. So, the Heroine can start off her journey facing adversity not only from her foes, but her allies as well.

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Q. How can writers adapt the Heroine’s Journey to their particular stories?

I’m not sure that a female hero has to have a distinctly different journey from a male. The motivation for being a hero should be the same for a woman or a man:the desire to make the world a better place. The end goal is going to be the same, although the woman may face additional or different challenges along the way. A woman’s methods may differ from a man’s, but that’s what will make her a believable character.

Marvel’s current version of Thor, who is a woman, is an interesting example of a female hero’s journey. The new Thor has had quickly assumed a mantle of great power, and the reader sees her jump right in and grasp her new role. She displays a formidable persona that convinces her fellow heroes of her tremendous abilities.

But through Thor’s internal dialogue the reader can experience how this heroine is evolving in this role and learning about her new life. So she seems like a real character without having to be presented as a bumbling newcomer trying to figure out how to swing her hammer.

Q. What changes need to happen in society to further develop the idea of The Heroine’s Journey? 

Well, obviously women have to be viewed as being equal to men. This is a challenge in America, where women aren’t paid the same as men and where we’ve never had a female president. As much as comic books present this fantastic view of the world, often the values seen in these stories are much the same as what we see every day in our so-called “real world”.

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Q. What advice do you have for creators (male and female) who want to create good well rounded female characters that engage the audience/reader?

It’s good that the mainstream comics industry has finally recognized that there is a sizable readership, both female and male, who will buy titles featuring strong heroines. The problem is that these characters are sometimes just written as men, with breasts.

I think the most successful recent incarnations of Marvel’s Black Widow and Spider-Woman and DC’s rebooted Batgirl are good examples of characters that are shown as strong and capable, but still also come off as believable women. A woman doesn’t need to suppress her female nature just because she has taken on a heroic role. She can be strong and brave, but still show compassion and understanding.

Q. What impact do you see The Heroine’s Journey having on the literature, films, comics, games etc of tomorrow?

I think the Heroine’s Journey can teach readers, particularly female readers, how to overcome obstacles in order to achieve their goals. However, I feel like comics often focus on this journey for too long in the case of female heroes. While people ideally continue to grow and learn new things throughout their lives, as a certain point I feel it’s important to show female characters as established heroes rather than continually putting them in the role of novice.

This has been the case with Wonder Woman throughout her long career. Male writers seem to think she is a more interesting character when she is the outsider learning what it takes to be a hero. And so we have seen her origin story continually retooled and her journey toward heroism beginning anew again and again. I prefer when Wonder Woman is simply presented as an established hero on the same level as her contemporaries Superman and Batman, rather than a few steps behind them.

Q. Where can people find you online? What projects / websites / books etc are you involved in?

Besides The SupergirlsDivas Dames & Daredevils and the companion volume Vixens Vamps & Vipers, I am doing a series of collections of the adventures of some of my favorite Golden Age heroines like Black Angel and Spider Widow. You can find more information about my books at  heaven4heroes.com.

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Note from BATFAN JOHN: I own all three of these books, and I highly recommend them, Supergirls is a fun informal history of female pulp characters and Superheroines, while Mike’s other two books contain reprints of vintage comics along with some introductory essays to the comics and their era. You can find Mike’s books on Amazon.

THANK YOU so much to everyone who made this article so much fun to put together and read. Thanks to Nicole, Kate, Alice, Nav and Mike. Words can not express how grateful I am to you all for your insightful and interesting diverse answers to my Questions.
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Be like Batman one Step at a time, one Breath at a Time

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One thing I learned from Batman is that Bruce is a lifelong learner.

Some people learn fast, others slow.

Like Batman, I like to take a few months, or even a few years to aquire new skills.

The slower we learn, over a longer period of time, the better it sticks. The less we skip things and take shortcuts.

When we cram in too much too soon, we forget things.

Or sometimes don’t learn much at all.

Fast or slow. Both are good. They have their uses.

But we remember best what we keep using year after year.

So to be like Batman means stripping any topic, or field or study down to the basics, and perfecting those basics over many years.

Martial arts. Gymnastics. Strength Training. Business Plans. Marketing. Swimming. Developing Joker anti-venom, Escaping Batshit crazy death traps.

These are some highlights that any of us can learn, along with hundreds of other skills, but the key is like Bruce, like Batman to take your time. Pick what you really need to know in life and Master it.

Pick your skills and learn them.

Learn them well.

Focus daily, bring your full attention to whatever you are doing and do it well.

Batman knows that what he does on any given day is really not that important.

But what is important is the FOCUS and CONCENTRATION he brings to whatever he does.

It’s part of his skill set, part of his ever adaptable arsenal in his War on Crime.

 

So slow down,

take a breath…

make it a deep one,

and whatever you do next today…

do it with more Focus…

do it with total Concentration…

Pretend you have trained like Bruce Wayne for many years with some super secret monks away in the Himalayan mountains to master your own mind and body.

Today, Be a master of your own mind.

Exercise your BATITUDE

Let no obstacles stand in your way

BE LIKE BATMAN!

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–>Amazing art featured in this blog by Saintyak, you can find more fantastic Batman, Hellboy and other cool art by Saintyak at DeviantART http://saintyak.deviantart.com/gallery/

The Daily Grind – Welcome to Batman’s World

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It is one thing to face the world when you are full of confidence, in perfect health, and you have no real troubles – everything is going your way, you feel you can not not fail no matter what, you could even say its easy to live life and face challenges when you are in that state.

But when you are down and out, when you feel depressed, when you’ve lost your job or a relationship, when nothing seems to be going your way, when you’re sick or injured, its another thing entirely just to get through the day, let alone dare greatly or accomplish anything.

One of the things I love about Batman is that he puts up with a lot of physical and emotional trauma, and he just keeps going. At any time when Batman is apprehending super-villains or whoever, you know that like a pro fighter or footy player – he has minor and major injuries.

Batman is rarely injury free, happily content or at his peak on a daily basis. It’s more than likely he’s sore, very tired, had  a string of horrible things happen in any given month and he has every reason to say “Fuck it, tonight I’ll stay home and go to bed feeling sorry for myself”. None of us are at our best in that state, but we function and go on, doing the best we can.

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But the strength of Batman’s character is that he does not have time to feel sorry for himself, his constant injuries and scars, illness or depression – he accepts as the toll of his never ending mission. His compromised social status and lack of societal norms are part of the cost of being Batman. He is forever an outsider, even at times to his own Bat-Family of Alfred, Robin, Batgirl etc.

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Batman’s relationships are rocky territory, they never end well. His night time job is being Batman, and his day time job is being Bruce Wayne, while he works no traditional job, he does accomplishes more in any 24 hour period than most of us do in a day. If you think Jack Bauer does a hardcore job as a counter terrorist agent, well at least Jack Bauer gets holidays.

Batman is Batman 24/7 – 365 days a year. He doesn’t get breaks, he doesn’t get a lunch hour to piss and moan about how inadequate his life is, every hour of being Batman is overtime, but he only pays himself, nobody ever advertised the job of “Being Batman” in the classifieds, but Bruce Wayne turned up anyway. Not just anybody can be Batman, it takes a certain kind of individual to step up to a role that he had to invent himself, and nobody could ever realistically ask anyone to perform the role of “Being Batman”.

Bruce Wayne constantly reinvents himself, as Bruce, as Batman. He’s rarely at his best. He’s usually the underdog and battling the odds, he’s not invincible like some fans (and the odd writer) seem to think. He’s human and fallible. He makes mistakes. He’s often NOT at his best in any given scenario. But that is part of what being Batman is, and what he represents.

How to be a real Batman joke

Batman is the guy who is down in the real shit of life and he makes the best of it. He goes to places most of would never dare to go and says “This is my home, this is what I do, I am Batman, don’t ask me to change”.

For Bruce Wayne, being Batman is his mission in life – for better or worse. It’s painful being Batman, it’s hard work, there are no thank yous, no rewards, just the satisfaction Bruce Wayne has knowing that one more potential victim of violent crime was prevented from his efforts, or that one more kid gets to keep his parents and live a normal life – rather than see them shot down in cold blood in a dark alley – that is the drive and determination that keeps Batman going – however crazy and unrealistic it is, it doesn’t matter. Whatever excuse Bruce tells himself continue being Batman is not important, it only matters that he does what he does with total conviction. And while he is rarely at his best, even Batman at his worst is still damn good at what he does.

I think that’s the kind of person we can all aspire to be. If you can honestly say “Even at my worst, I’m fucking good at what I do” – well you can’t buy that kind of satisfaction. It’s honest, it’s real, it’s something you can look in the mirror and say out loud, without a hint of shame or irony.

Batman is totally committed to being the best Batman he can be, no matter the circumstance, or how bad it gets. That’s the guy I cheer for.

Not the all time winner who has everything go his way, one effortless victory after another. But the guy who just walks through ten tons of shit on a daily basis and when he gets to the end of the day collapses, then gets up the next day eager to do it all again.

That’s the Batman I love.

Like Sisyphus who faced an eternal torment of a boulder that must be rolled or carried up a steep hill, only to have it roll down and be forced to endlessly repeat this task.

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The difference is in perception, for Batman, carrying or pushing that heavy boulder up a hill is not a pointless task, but an ESSENTIAL task.

He gets the job done and says “Is that all you got, I’m not done, I’m just getting warmed up!”

One man grows weak endlessly doing a pointless hard grueling task, while another man grows strong repeatedly enduring the unendurable. In life we can piss and moan about the hard times, or we can use them to grow stronger, like a sword tempered and forged in the harshest of conditions, our iron will, our strength of character is forged in the every day furnace of real life. What’s left after facing such trials is the essential, everything that holds us back gets burned up along the way.

I complain and whine about little things as much as anyone, probably more so, but I keep coming back to that annoying #hashtag…

The one that says wake up and be grateful for the life you have, the one that says grab life by the balls and don’t let go, the one that says we can and should live life on our own terms…

Some call it How To Be Like Batman #HTBLB

Or just plain old #Batitude.

It’s on the door to my mancave, it infuses my daily life, BATITUDE is a constant reminder to be the best I can be in any situation, and when I fall down, when I fail, when everything turns to shit, well plant some flowers, embrace it, do whatever I have to do to get through. In good times, in hard times, things constantly change, but BATITUDE remains.

Batitude John Door 600 Batitude John Door sideways

 

Q&A with Khai from Kool Kollectibles

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Back to the Future marty mcfly you know what time it is son

 

Back the Future. Star Wars. Batman. Transformers. Predator. The Terminator. These are some of the cool properties you’ll be seeing in this short Q&A with Khai from  Kool Kollectibles.

It’s no secret to anybody who knows me that I love Batman and Transformers. While I own a few Batman figures here and there, I have around a hundred or so Transformers toys from various toy lines, and a bunch of of the old Marvel Legends toys among other stuff.

But some people take toy collections to a whole other level, be it upmarket highly desirable or rare items, fantastic displays, and with the internet people can even develop their own fan following. Well, I for one am a fan of Kool Kollectibles, I love checking out new pics of whatever amazing toys he has picked up, and took this opportunity to ask him a few questions, and of course share some stunning pics of his amazing collection.

You can find Khai’s main site koolkollectibles.net, and link to all his other social media pages from there.

http://www.koolkollectibles.net/

https://plus.google.com/+KoolkollectiblesNet/posts

https://www.instagram.com/koolkollectibles/

https://www.youtube.com/c/KoolkollectiblesNet

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No two collections are the same, and no two collectors are the same. Thanks to the magic of the internet collectors and fans around the world can enjoy seeing what other people are into, get ideas about how to display their loot, discover something they never even knew existed or just admire a really fantastic collection.

So without further ado, here’s some quick questions and amazing pics from Kool Kollectibles.

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 JOHN: What are your overall favourite top 3 toys and why?
KHAI: I collect a lot of different lines of figures and other collectibles, but my top 3 right now would have to be (not in any order):
1) Hot Toys 1/6th scale Chewbacca figure
2) Pop Culture Shock 1/4 scale Ryu Ansatsuken statue
3) Hot Toys 1/6th scale Delorean Time Machine
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JOHN: One issue every collector faces is space. How do you store and display your collection? Do you ever get rid of old items to make room for new items?
KHAI: The best bit of advice given to me as a collector was to put money aside for decent glass display cabinets. Some collectors continually spend money on figures, but either have no space to display them, or have open display cases that results in a lot of dust maintenance. So I saved up money for a while and bought some big glass display cabinets and it was the best decision I ever made. Having your collectibles displayed well in a glass cabinet really takes the collection to another level. With decent lighting too, it simply looks amazing, and is less maintenance with dust etc.
Also, a collection shouldn’t be judged on its size. Some collectors think bigger is better. That’s not necessarily the case. I’ve seen some smaller collections, but they’re displayed well and in a classy way, and are collectibles that are loved by the owner, not because they are the “in thing” at that moment in time.
I normally buy things to keep, and so have not had to sell many things at all. But for space and money, I did end up selling my 6″ Star Wars Black Series figures since I was getting essentially the same characters in the large 1/6th scale and didn’t need to double up. So now that I have my larger cabinets in place, I try to pick and choose the items I buy now to fit into themes or source material that I love.

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JOHN: You have a focus on Hot Toys movie characters and Transformers Masterpiece figures, why these particular lines over other lines/brands of toys?
KHAI: Most of my collecting is based around nostalgia. I grew up in the 80s watching the classic cartoons such as Transformers, Battle of the Planets, He-man, MASK etc. Then through the 80s and 90s and even now I still love movies. I love the classic action and sci-fi movies from the 80s and 90s. I was lucky enough as a kid that my grandparents and parents spoiled me with the original G1 Transformers toys, many of which I still have today. When I saw the TF Masterpiece figures around the 2010 mark, it was mind-blowing for me to see the characters I loved in a toy form that was as close as their cartoon aesthetic as possible. And with such improved engineering, the TF Masterpiece figures are some of the best Transformers toys ever made. With the nostalgia that they bring, I smile each and every time I see them.
As for Hot Toys figures, Hot Toys is by far the benchmark at the moment on 1/6th scale collectibles. The attention to detail, realism, paint application, and tailoring is second to none. And with them making iconic characters from Star Wars, Terminator, Back to the Future, Predator, Aliens etc, and then new characters from the Marvel and DC cinematic universes, there was no way that I could pass them up! They are simply some of the best action figures around at the moment, and look incredible when displayed together.
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JOHN: Any advice for new collectors, or people looking to get into the hobby?
KHAI: Spending can quickly get out of control, especially with peer pressure in buying everything to keep up. I would say just stick only to source material that you truly love, and pick and choose carefully what you buy. Remember, it’s not about the size of the collection that matters, it’s how you love each item in your collection that really matters to you and those close to you that come and look at it.
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JOHN:What are you top toys that fall into the category of “unobtainium” for you. That is toys that are very rare, super super expensive or just not made anymore and are nearly impossible to get ahold of even if you have the money. What are your top “wish list” rare items, your holy grail items/toys?
KHAI:I recently got my first Pop Culture Shock statue with the Street Fighter Ryu. I have played Street Fighter since arcade days in high school, so for about 25 years now. The characters are ingrained in my consciousness! If I could wind back time, I would go back and buy the PCS Street Fighter statues previously released. PCS truly limit their edition sizes, and once sold out the price skyrockets to a point where I cannot justify the expense. So those PCS statues are some that fall into this grail category for me.
1989 Joker
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JOHN: Do you collect any traditional (meaning cheap and usually small eg 6-12″) action figures, or just the more upscale stuff with better detail and sculpting?
KHAI: I used to collect the smaller cheaper figures such as the Star Wars Black Series and NECA figures. But I found they were harder to display in a way that showed them off well, and then I was doubling up the same characters in larger scales. So to minimise my cost and space issues, I just decided to stick with the larger collectibles and buy less of them.
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JOHN: Your entire collection gets sucked into a mini-black hole, except for ONE toy of your choice, what toy would that be?
KHAI: Always a hard question to answer, as collectors tend to end up with a few items that are their favourites. Strangely, if I had to save just one item in my collection from a fire or black hole, I’d probably pick the TF Masterpiece MP-13 Soundwave. Soundwave was my first TF G1 toy when I was a kid, and the Masterpiece version is amazing. So for nostalgia, fun factor with the transformation etc, I’d have to say that.

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JOHN: Batman, Indiana Jones, Star Wars, Transformers – which is your favourite movie/comic/toon franchise and why?
KHAI: Star Wars would have to be my pick for favourite franchise, particularly the original trilogy. I used to watch the movies every weekend on VHS tapes, and just love the whole story arc and characters.

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JOHN: Where can people connect with and follow you online? 
KHAI: The best place to keep up with my latest news etc would be the Kool Kollectibles Facebook page and YouTube channel. I also keep the website and Instagram account up to date too! Links below🙂
Thanks Khai for taking the time to answer some nerdy questions. There were so many great pictures of your collection, it was hard to pick, so I put as many in as I could.
There are some more great pictures below to enjoy, in some excellent display cases, be sure to follow Khai on Facebook / Twitter etc at the links above if you want to keep up with his collection, or view lovely full screen HD galleries of his toy collection.
So many wonderful toys. My favourites have to  be the Batman 1989 toys, Heath Ledger’s Joker from The Dark Knight and the Terminator toys from various films. Just a spectacular collection any comic book fan or action/sci-fan would be very jealous of.
Thanks again Khai!
Joker 1989 Joker Dark KnightJoker Batman 1989Keaton Bamtan 1989Khai Collectibles glass case movie hot toys 1Khai Collectibles glass case movie toys 2Khai Collectibles glass case movie toys 4Khai Collectibles glass case movie toys 7Khai toys glass cabinet 3Ledger Dark Knight Toy Joker dont fuck with me sonLuke escape Boba Fettluke skywalker shrinking manLuke toy 1man of steel vs superman the movie accurate toys
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New Wave Anti-heroes, Rising Bodycounts and Batman

 

Dredd Bond Batman Wolverine Dirty Harry Lee Marvin 1

 

When I think of tough guys, loners and outsiders -your Clint Eastwood, Lee Marvin and Charles Bronson, your Wolverine, Punisher, Bond and Judge Dredd – Batman to me is the king of the outsiders. He’s the king of the loner antihero “don’t fuck with me or you’ll regret it” crowd.

Batman is a bad boy. He’s dark, cool and sexy. He’s exciting and dangerous but also emotionally distant. He’s not the kind of guy a girl brings home to meet her parents. He is the kind of guy who smashes a mouth full of teeth down the throat of a rapist in a dark alley at 3 am in Gotham City.

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BATS OF A FEATHER, FLOCK TOGETHER

Where Batman differs from his anti-hero contemporaries such as Dirty Harry, Wolverine and The Punisher is that Batman doesn’t kill, and that is a deliberate moral choice that Bruce Wayne made.  Some say that is his weakness, while a contrasting viewpoint is that it is one of Batman’s greatest strengths. Batman gets to have all the darkness and edge and cool of an antihero, but still gets to be a morally decent human being who refrains from killing his enemies or criminals in general.

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Another of my favourite characters is The Punisher, you can call him amoral, say he has PTSD or whatever else you like. It  really doesn’t matter, labeling  Frank Castle won’t help you understand him, and it sure as hell will do nothing to stop him.

When the Punisher comes to town he’s like a tank that just mows down bad guys and keeps moving. To some he’s a total psycho, to others an agent of mercy, or avatar of death. He’s a one man army of destruction with no moral “confusion” about what he does or why he does it. In Frank Castle’s world, everything makes perfect sense.

“Label me, you negate me”

There are bad men in organised crime who do think like kidnap young women, ship them overseas and sell them into sex slavery while they are forced onto highly addictive drugs. There are bad men who put semiautomatic weapons into the hands of children, there are men who rape and torture and kill civilians for profit, or simply because they could get away with it.
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In Frank Castle’s world, those people need to die. The world is better off without them. The crime families, mobs and gangs are beyond the capacities of the police and legal system, so therefore their ever present threat needs to end, permanently, and Frank Castle is the man for that job. He’s not so much a man on a mission or executioner nut job – as an unpaid civil servant. In Frank’s mind he’s the guy who comes around to take out the cities garbage, that nobody else wants to deal with. In his world view he performs a necessary job that nobody else wants to do.

Punisher_Batman_Deadly_Knights Joker

Frank Castle makes for an interesting contrast with Bruce Wayne. Both the Punisher and Batman fight crime, one is a former marine, the other a rich autodidact civilian. Their methods differ, but their basic goal of a war on crime – of targeting high profile crime lords and super-criminals means they are similar characters. The key point being that Punisher kills criminals, while Batman keeps them alive to face arrest and prosecution. Both use fear as a weapon, and display fierce sigils branded onto their chest that make it clear that if you are close enough to see them, then it is already too late, and your day is not going to end well.

Detective Comics 27 batman kills again

BATMAN AIN’T NO MAGILLA KILLAH

In Batman’s first year in Detective Comic, he DID kill people, and sometimes used a gun.  Sometimes he killed people on purpose, and other times inadvertently like punching a guy out of a window, or off a high railing in an industrial factory.

Then with the introduction of Robin, the powers that be at mighty D.C. decided that Batman would not be a killer (at least not an intentional killer, and certainly not a psychopath) and made both the character of Batman, and the books he featured in lighter in tone. He became more like Superman and less like The Shadow. Unfortunately it meant that Batman went from a cool urban commando to a grinning idiot who ran around in the daylight, at least until he was rescued in the 1970’s by Denny O Neil and Neil Adams who returned him to his Gothic pulp roots.

What started as a Gothic inspired pulp vigilante book with a coat of Superhero paint (inspired by the success of the Superman books) turned into a genuine Superhero book, with a very MORAL character. Who deliberately chose not to kill, or use guns, and that is the Batman we have had ever since. The version that most of us enjoy and get all worked up about when live action film versions of Batman ignore his integral morality. The guy who swore off guns forever. The guy who refuses to use “the weapon of the enemy”.

batman dont use guns son miller style

Another perspective on why Batman does not use guns, other than the editorially mandated one, a story if you will in the Batman canon that never really happened, is WHY did Bruce Wayne suddenly decide to stop using guns, and killing people by pushing them over balconies, or the odd snapping of a bad guys neck?

I think another possible reason, if you like to ponder these sorts of theories and ideas – and you want to include all of the Batman continuity as a whole from 1939- to the present day, assuming it’s ONE GUY who has changed and evolved as a person – I think that Bruce Wayne realised the error of his ways after those first months where he was a very sloppy and careless Batman, who perhaps didn’t always kill on purpose, so much as inadvertently. Batman used a gun only sparingly – rather than charging in lighting up the night with a muzzle flare (except that time he had a machine gun mounted on a plane, kind of hard to ignore that one) – and I think Bruce Wayne evolved to become a more moral person, who saw what he was doing was wrong, and decided not to kill anyone on purpose, and that he would certainly never be an executioner ever again.

Batman with guns detective comics first run

I think that perspective gives more credibility to the character, and more growth to him as a moral human being who starts out as a man-child punching crime in the face. A character who starts out obsessed with vengeance or revenge for the death of his parents, and evolves into a Batman who serves Justice, and who avoids killing at all costs, who ultimately wants to work WITH the system of law, by putting criminals in the hands of the cops, lawyers and judges. Rather than being someone like Frank Castle who wants no part of the systems of government and law that he operates totally outside of, Frank Castiglione skips the judge and jury and sends criminals on a one way first class trip straight to the coroner.

Batman wants the world to be a better place, Batman’s dream is not just Justice or punishment, but to live in a world where he is no longer necessary, while Frank Castle’s dream is just to wipe out as many monsters as he can before his inevitable demise, he has no end goal. Of course the idea of why he stopped using guns was sort of glossed over in the comics, there have been several key Batman stories that talk about guns, but it’s kind of this forgotten thing in his history and people are often surprised at those earliest stories to see him using guns. It just seems kooky and odd now, and we want to forget about Batman using guns and sweep that taboo stuff under the rug.

 

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ALL YOUR GUNS… ARE BELONG TO US

We can take this contrast of the moral vigilante hero even further with the characters such as Dirty Harry and Judge Dredd and to some extent James Bond.

‘Dirty’ Harry Calahan is permitted to use “justifiable force” within his job as a cop. He is legally allowed to shoot the bad guys, if the situation can be reasonably justified as presenting a threat that requires that level of lethal force.

Dirty Harry throws away his badge

In the first Dirty Harry film, we see Calahan bending the rules, using force in excess of that which is necessary and eventually breaking the rules altogether when he shoots a subdued criminal at the end of the film. He then throws his badge away in the final moments of the film, as he knows he can no longer be a cop, and he has gone too far. Dirty Harry is a film that really was not intended to have a sequel. But sequels happened, because the films made money for the studio, Warner Brothers kept making them.

Somehow in the sequels Harry Calahan ends up back on the police force he walked away from in the first movie. He keeps right on using excessive force, to the point where he basically becomes like the Punisher, he often goes around executing criminals, not really even trying to enforce the law at all, yet he somehow still has a badge. By the third Dirty Harry film (The Enforcer, 1976) Harry is no longer content with just a Magnun gun to obliterate his enemies and uses a bazooka to blow away a bad guy in a guard tower.

The Dirty Harry film series was very entertaining, but utterly ridiculous as they kow towed to the prevailing paradigm of 80s action cinema – that of rising body counts and zero accountability from fetishized heroes who used lethal force, who changed from being somewhat realistic hard edged anti-heroes to over the top comic book like action heroes minus any morality or conscience.

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“Dirty Harry is, perhaps like Rocky Balboa before him, also a keen dissection of the evolution of the action star from the 1970s to the 1980s. James Bond, for the most part, stayed James Bond. But Harry and Rocky changed as film trends changed. They both, in their respective first films, started out to be gritty and melancholic and kind of realistic. And both, by the fourth films in their respective series, had mutated into unbeatable, peerlessly heroic icons that were used in a somewhat jingoistic fashion by their fans. This was a movement from the depression and hopelessness of the Vietnam War to the blast-’em-all mentality of the Iran-Contra scandal of the Reagan years.”  – Witney Seibold / CraveOnline – The Series Project: Dirty Harry

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WE COME IN PEACE… SHOOT TO KILL, SHOOT TO KILL

The Batman / Dirty Harry / Punisher vigilante archetype is taken to the extreme with Judge Dredd. In a post-apocalyptic dystopian future, gigantic megacities are rampant with crime. The Judges are entitled by their job role to be judge, jury, executioner and cop all rolled into one, in an effort to streamline the process of law and justice in vastly over populated megacities. The “Judges” as they are known in the 2000 AD fiction are a drastic response to crime in a world where other alternatives fail.

 

Judge_Dredd vs Predator bad ass knife

 

Dirty harry as he becomes more lethal, more of a effective killer moves away from the law and justice, becoming an aimless amoral vigilante.  Judge Dredd however kills as part of his job as a judge in Megacity 1. It is part of his job to kill, and the more effective a killer he is, the more effective he is at enforcing the law in his world. That is not to say that Dredd kills all criminals indiscriminately like the Punisher, he still has legal mandates to follow.

For people not familiar with Dredd, he is sort of like a combination of Dirty Harry and Batman. A bad ass vigilante type, who happens to be a law enforcer, who bends and sometimes breaks the rules, but who ultimately still has a morality to him that means he is not a pure fascist or sadist. Judge Dredd appears to be a fascist at a glance, but looking into his stories he doesn’t have a political agenda, he is both a parody of actual law enforcement and in his fiction a good cop, in that he does his best to actually enforce the law, even when he bends or breaks the rules he lives by as anti-hero characters often do.

 

“While sometimes Judge Dredd is a good man doing his best to save his city, he’s still part of a fascist system.

But the best part about this is, although America is still one of the greatest Judge Dredd stories out there, highlighting Dredd and the Judges as fascists really wasn’t anything new. In fact, it had been part of a major story arc that had gone on for a while.

To me, Judge Dredd is one of the most morally complex and interesting characters because of that key conflict. He’s a man who’s a part of a fascist system, but he and many other Judges aren’t doing what they do for power’s sake, they’re not doing what they do because it suits them. No, the Judges – especially Dredd himself – do the job they do because they believe that it’s right. That, under the circumstances, there really is no other way. That they put a harsh leash on the citizens, but only because the previous system of democracy lead to Armageddon.” – James Aggas / Judgedreddcollection.com

 

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In a world that doesn’t make sense we often feel powerless and helpless. Characters such as Batman, the Punisher and Judge Dredd force the world to make sense on their own terms. We feel empowered reading these characters not because their solutions to problems are legally or morally right, and not because their solutions seem to work (temporarily) but because these characters appear to be both powerful and capable. In fiction heroes can take on the world and win.

However their examples are not sometime to emulate. Their actions just don’t work in the real world, with rare exception. For every Sunday Superhero who leaps in to rescue a citizen in distress, there are far more poeple we don’t hear about who get shot stabbed or killed trying to help someone out.

Batman, The Punisher, Judge Dredd and Dirty Harry are terrible terrible role models. But we love these characters  because they are power fantasies, the characters look cool and powerful, and most of us would rather feel cool, powerful and in control of our lives than helpless and afraid.

Nobody wants to be adrift in a sea of emotional chaos where down is up, up is down and we don’t know how to make sense of the world. Tough guys, loners and antiheroes like regular heroes are ciphers, characters we project ourselves onto and vicariously enjoy for their values and hardline uncompromising attitudes. They can’t succeed outside of their own fiction, in real life we are often forced to compromise and do things we don’t want to do, often it can be soul destroying and it’s not a matter of choice, but survival. That kind of hardline no compromise attitude rarely works in the real world.

That hardline attitude may work well temporarily in places like combat sports or the military, but those environments still have rules, and the real world has no rules, just human idea constructs smooshed over top of what we call life. And in life we have to find our own way and make sense of things – the world is not black and white, but endlessly complicated, expansive and multidimensional.

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BAT… JAMES BAT

We can’t escape from the 70’s Batman and fully undestand 80’s Batman without a nod to the prolific James Bond. Forties Batman was grim and gothic, fifties Batman was a grinning idiot who ran around in the daylight, late fifties and early sixties Batman had increasingly bizarre adventures in space and other forgettable stories. Seventies Batman  moved back closer to his roots, bringing back the Gothic dark elements of the character, while adding an exotic globe trotting James Bond angle to the Batman mythos, before moving into more grim existentialist flavored Batman stories in the eighties.

James Bond, in any incarnation is not a vigilante. He is a spy, a tough guy and a loner however he works for a British government spy organisation. He has a famous “license to kill”. It’s an unavoidable part of his job to kill. His portrayal has veered from serious to outlandish and comical and stone cold serious again through the different actors, and tone of the various movies. From high camp, to straight action to gritty intense emotional drama, Bond has done it all. He’s a very effective fighter, killer and spy. He makes for a great contrast with Batman, Dredd and Dirty Harry. We can see the overlap in their methods, their morality (or lack of) and the dangerous situations they all face on a daily basis. Leaving these guys aside for a while, let’s take a look at some of the overall trends in action heroes in cinema and comics during the 70’s and 80’s, and then see how it all relates to, or influences Batman media.

 

BACK……..TO THE 1980’S

(A.K.A. CRUSH…KILL…DESTROY!)

 

War Western and Film Noir
If you look at the history of american action movies you have your war and western films, film noir, detective stories of hard boiled gum shoes and the like, and as the war and western movies died off in the 50’s and 60’s you had the rise of the loners, the outsiders, tough guys, and antiheroes typified by actors like Lee Marvin in Hard Boiled, Charles Bronson in Death Wish, Clint Eastwood in Dirty Harry.

As the straight laced 60’s action heroes gave way to more grim anti-heroes of the 70s, and excess over the top body count of 80s action cinema the cowboy/cop/soldier turned into the loner /outsider/antihero. The hero archetype in cinema moved from establishment to anti-establishment and back again, taking on new forms and permutations. The trend continued in the 80s with new wave action hero’s such as Stallone and Schwarzenegger who were as famous for their imposing physiques as their high bodycount movies and non-stop blood thirsty action.

Back to the 80s guns action and overkill

In the 80’s out were the straight laced serious cop/cowboy heroes  and in was super-human murder death killing machines such as The Terminator and Rambo. Chuck Norris, Steven Segal, Jean Claude Van Damme and others continued the trend of Stallone and Schwarzenegger in B-grade cinema where the selling point was the high bodycount, martial arts expertise, military commando’s and other types of extreme hero killing machines who dominated the decade. The lone hero or anti-hero with the highest bodycount and the smartest one liner and baddest attitude that started with Lee Marvin, Charles Bronson and Clint Eastwood evolved and devolved in the 80’s to new forms.

Heroic trends shifted from establishment to anti-establishment to jingoistic pro Americana war propaganda and back again.

 

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“RIGGS IS CRAZY!”

But the 80’s was not just home to near super-human killing machines, but was also the decade of rogue cops on a revenge mission and sci-fi, technology, A.I. and Trans-Humanist fears with Robocop and The Terminator. The crazed 70’s cop on a revenge kick morphed and blended with the 80’s excess new breed of action hero. Martin Riggs in the first Lethal Weapon is tough yet vulnerable, by the fourth film in the series, he has become  a parody of himself, he still gets hurt, but we know he will always come out on top like Rocky and Dirty Harry. The heartfelt portrayal of the genuinely suicidal Riggs continued the new trend of sub-genre PTSD that was firmly established in The Deer Hunter (1978).

Alongside these new special effects heavy blood thirsty action movies was the usual glut of B-grade Kung-Fu Killer imports that  trickled down the pipeline and eventually gave way to American teenagers new obsession with Deadly Ninja films.

It didn’t matter any more in this crowded action-genre market whose side the hero was actually on. What his values, ethics and mission were – only how big the explosions were, and how many people he killed during his mission or journey. James Bond who had dominated the action movies of 60’s had become a relic by the 80’s – he was no longer cool. What was cool was pointless mass carnage, excessive blood and explosions, abstract violence as pop-art – a trend that ironically James Bond himself helped to start in his earliest films, this trend continued throughout the 80’s as “me-too” Z-Grade action movies appeared on the video rental shelves next to the big budget action blockbusters.

 

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WHERE DID YOUR BAT-MANNERS GO OLD CHUM? (A.K.A. BATMAN IS A BIT OF A BASTARD)

As these types of new wave heroes and anti-heroes invaded comics along came Wolverine, Judge Dredd, The Punisher and of course Batman became more of a hard ass in the 80’s. If 70’s Batman was typified by James Bond style globe trotting adventures by Denny ‘O Neil and Neal Adams, the 80s were about grim and gritty Batman, none more grim and gritty than Frank Miller’s Dark Knight Returns, a tought ruthless bastard who was equally likely to sneer or laugh at you as he broke both your arms…Miller’s semi-sadistic vision of Batman overshadowed every other Batman story in the decade of Miami Vice, new wave pop, hair metal and hip-hop. While Wolverine and The Punisher debuted in the 70’s, it was the 80’s were they graduated to their own titles and found new fans as they became a popular ultra-violent alternative to mainstream superhero comics,.

No other writer had written Batman so gruff, stand offish and downright mean as Frank Miller in The Dark Knight Returns. This was Batman as Dirty Harry, Batman as Judge Dredd in another costume. Gruff, uncaring, stand-offish, he often spoke in short sentences with a commanding tone that other Bat writers over the years picked up on.

The team of John Wagner and Alan Grant in (issue numbers) ran with their own version of this hard bastard Batman in a fantastic run of comics.  John Wagner, Alan Grant and Norm Breyfogle’s gave us a breif fan favourite run on Detective Comics staring in 1988, in Detective Comics #583-594; 601-621 (thanks to FamousFanBoy for the reference).

For people who grew up on and only knew Batman from the campy 1966 TV show starring Adam West and Burt Ward, this hard cynical violent Batman of the 80’s seemed excessive, mean and horrible, a betrayal of their childhood character.

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But for hardcore Batman fans, it was a return to the roots of the Gothic vigilante who terrorized the criminal underworld before he was castrated by the Comics Code Authority and his stories turned into a saccharine dayglow fever dream of political correctness. It was more of the hard bastard 80’s Batman who fans greedily devoured and asked for seconds.

With the influences of Miller’s Dark Knight Returns Batman and Wagner’s Judge Dredd, Batman in the 80’s was a tough bastard who grew more dark, grim and cynical. In short he was becoming more like the modern Batman we know. Some would call him a fascist, or mentally unstable. But no matter what label was thrown at the Dark Knight, none of them could really stick, or at least not for long as a new fresh interpretation was always just around the corner.

Many of his regular monthly stories reflected the regular version of Batman fans were used to from the 70’s. But the hunger for for a harder edged Batman would reach it’s peak with the 90’s Knightfall storyline, where Batman / Wayne is replaced by nutcase Jean Paul Valley, who uses deadlier weapons and becomes a parody of Batman while trying to replace him.

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Miller’s Dark Knight by Greg Capullo

In the modern era we get a composite Batman. The athletic James Bond Batman of Neal Adams, the hard cynical bastard Batman of Frank Miller, the relentless manhunter Detective of Paul Dini, the Gothic Dark Knight of Bob Kane & Bill Finger and other great Bat-writers. The modern Batman is a mix of all these great elements, and the whole of Batman is greater than the simple sum of his parts, his diverse writers, artists and influencers.

He can be grim and cynical, he can be the light hearted Lego Batman or Adam West Batman, he can be eerie and creepy Batman in Kelley Jones horror stories, he can do it all. Batman is tough, he’s an awesome idea, nobody is going to break him by writing a bad story, Batman’s been around too long and is so damn cool and brilliant that he can do it all. Fighting white martians, fighting Superman, fighting sharks and jumping sharks, he’s been there, done that and now he’s ready for more.

“…this is the most perfect version of Batman ever. Wagner and Grant’s Batman is the gritty, damaged Miller version, merged with Morrison’s “love god”, merged with the father figure who raises and nurtures Robins, merged with the super-hero from the pages of Justice League. He’s every Batman, it’s all in him!  – Paul C. / FamousFanboy/Blogspot.com.au

 

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Frank Miller’s “Dark Knight Returns”

While Alan Grant was a prolific Batman writer in the late eighties and into the nineties, his collaborator John Wagner contributed to only a select few Batman stories. Its makes his contribution however small that much more special. I’m not saying he is more important than any other Bat-writer over the decades, but to get to the modern Batman we love you have to go through Dirty Harry and Judge Dredd and Frank Miller’s Batman – the same way to fully understand the Golden Age Batman you need to know about Zorro, The Shadow, Doc Savage and Superman. Frank Miller’s influence is significant, but often over stated.

To follow the trail of the smiling daylight cop Batman to the dark detective Batman, his diversion into sci-fi bizarreness and high camp and a return to the darker Batman that revisited his Gothic roots from Detective Comics #27 you have follow the reinvention of characters at DC lead by Julius Schwartz such as the Silver Age Flash, which leads into Denny O Neil and Neil Adams Dark Knight Detective of the seventies, which leads into Doug Moench’s Batman of the 80s, Miller’s Dark Knight, Kelley Jones’ gothic horror Batman, Chuck Dixon stories of the 90’s. Paul Dini’s Batman Animated stories, Loeb and Sale’s Halloween stories, and all the regular amazing talent on the monthlies up to the modern day with fantastic runs from brilliant writers such as Grant Morrison and Scott Snyder.

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Batman comics group editor Denny O Neil’s overall influence on Batman from 1970s-1990s cannot be understated. He has been involved with the character as a writer and editor for longer than any other individual, he was in the unique position to help reshape Batman from irrelevance to pop-culture juggernaut.

You don’t get Miller’s Dark Knight Returns, Nolan’s Batman Begins or Snyder’s Batman v Superman without the groundwork laid by Denny O’ Neil and other talented bastards over several decades. Denny takes Batman seriously, he respects the character and puts him in challenging situations where he is forced to rise to the challenge and use all his skills. Denny’s Batman is perhaps the most human. He fails, he expresses remorse, he is not invincible, unbeatable, nor any sort of  Bat-God under Denny O Neil’s pen.

Denny is perhaps the most significant writer to have ever worked on Batman next to his co-creator Bill Finger. His background as a crime reporter / journalist led him to include social and sometimes political commentary in his Batman stories in a seamless way that integrated with the core themes of Batman and whatever case the world’s greatest detective was trying to solve that month.

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Denny ‘O Neil along with other new generation writers of his era lifted the craft and quality not just of Batman, but the superhero genre of fiction. Putting real world issues into populist cheap entertainment gave Denny’s stories a more timeless feel. While some of the dialogue in those older stories can be a bit hammy, the themes of his stories still resonate today. With Neal Adams’ anatomically accurate drawings, and cinematic dynamic storytelling style, together Denny and Neil  redefined Batman for an entire generation of Batfans.

Including Batfan Paul Dini who (along with Alan Burnett and Bruce Timm) would redefine Batman yet again in the 90s with Batman the Animated Series, creating one of the the most definitive and enduring versions of Batman beloved by fans around the world.

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Wagner / Grant Batman in Detective Comics #596

 

NEW WAVE HEROES AND ANTIHEROES SETTLE IN

The new wave of western anti-heroes such as Clint Eastwood’s Blondie in For a Fistful of Dollars were seen as sheik, uber-cool nonchalant ass-kickers by the youth, and needlessly cruel and violent by the older generation who had grown up with relatively bloodless Westerns and exaggerated morally perfect heroes typified by John Wayne, Gary Cooper James Stewart and other stars. Sam Peckinpah continued the trend of bloody Westerns featuring unlikable and often downright villainous – yet human – characters.

With “emotional realism” taking precedence in the late 70s into the 80s, many stories in both films and comics also brought a kind of cynicism and existential meaninglessness that is still today often mistake for “realism” in general, rather than as a sub-genre of the “realism” movement that swept into film through the seventies, echoed a couple of decades later in TV and comics by the likes of Oz, The Wire, and The Walking Dead.

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From the 70’s to the 80’s we had the end of the John Wayne moral Cowboy / War Hero / Lawman characters and the rise of the anti-hero and excessive violence. This was the era of Wolverine and Judge Dredd, of Frank Miller’s Daredevil and Batman, of Dirty Harry, The Terminator, Robocop and Rambo. The trend of new wave surreal realistic violence started by genuine passionate film makers such as Sam Peckinpah devolved into mindless blood letting, bigger explosions and body counts, and a sort of amoral glorification of pro-american killing machines masquerading as fetishished unbeatable soldier heroes and one man armies on revenge missions for America.

Even the anti-war film Rambo, the grim and gritty tale of a shell-shocked Vietnam veteran who is unable to return to civilian life (a new sub-genre of film showing the real life after effects of the Vietnam war – rather than the glory and propaganda of earlier war films – first touched on in the in the PTSD infused The Deer Hunter) devolved into a remorseless killing machine in his sequels, depicting the jingoistic consequence free fantasy violence that the first film spoke out against.

The tie in jingoistic 80’s cartoon depicting John Rambo leading a team of “me too” G.I Joe type team on missions where rocket launchers, grenades and realistic automatic heavy artillery led somehow to blissful bloodless resolutions to american foreign concerns in exotic locations further eroded whatever credibility Rambo had established as a character in his first appearance. Further even bloodier sequels would cement Rambo’s memory as another 80’s murder/death/kill machine, drowning out the tone and message the first Rambo film established in a deafening roar of semiautomatic gunfire and garnished with a tidal wave of empty shell casings.

…AND THE REST

James bond continued to do what he does best through the years, leading from the lukewarm Bond of the 80’s to the politically correct but underwhelming Bond of the 90’s – Bond remained somewhat unpopular – as even the cold hearted killer BOND looked tame and boring next to the existential cool of Clint Eastwood or the bad boy outsiders like Judge Dredd, Batman and Wolverine who appeared in the late 70’s and early 80’s.

As the 70’s ended, so did the era of John Wayne, and moral cowboy heroes and conscience of America for several decades. The Duke  starred in his final film The Shootist (1976), a somber small scale western film about an aging gun fighter dying of terminal cancer. Directed by Dirty Harry’s Don Siegel, it’s the film nobody really expected to see after John Wayne’s semi-retirement from cowboy film in the 60’s.

James Bond continued on through the 80’s, and moving into the 90’s attempted to reinvigorate the franchise with Pearce Brosnan in four films (and a non canon video game)  that were an odd mix of poorly implemented political correctness and other 90’s cliches that failed to modernise Bond in any meaningful way. They were still fun films, but lacking in many ways. Brosnan was excellent as Bond, but the writing was not up to the standards it should have been for such a beloved character.

Not until the success of Batman Begins and The Bourne Identity did James Bond successfully move out of action adventure movie limbo (and legal dramas behind the scenes) to be reborn a meaner, more handsome, more clever and capable Bond than any we had seen ever before. The sense of humor and knowing winks to the camera of the Connery and Moore era were gone, this Bond was all seething rage, pain and pathos, this was James Bond: Year One, a reinvigoration of both the character and franchise that continued on for several films. Things had come full circle as 70’s Batman was heavily influenced by the cinematic James Bond, and decades later James Bond was heavily influenced by the cinematic Batman.

 

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Further permutations of the vigilante archetype played out through the eighties and into the nineties. One of the more interesting comic book oddities was Marvel’s Moon Knight.

Moon Knight was a creation of prolific Batman writer Doug Moench.

Having penned many Batman excellent stories, Moench created Marvel’s most superficially  Batman-like character “Moon Knight” in the late 70s. What was similar was the costume, money, gadgets, vigilante schtick and war on crime, what was different is that Marc Spector was formerly a mercenary, a cold blooded killer who was reborn as Moon Knight, whose new superhero mission was to serve as the avatar to Khonshu -the Egyptian God of the Moon.

Moon Knights depictions would vary over the decades from being a moral hero, to psychotic, to multiple personality disorder and schizophrenia. Moon Knight then is a Batman like character who is genuinely crazy, who sometimes kills, while still basically being a moral hero on a mission. Loose affiliations with the Defenders, Avengers and other teams mean Moon Knight varies in his personality and depiction as much by writer as because of his multiple personality disorder and supernatural origins.

While superficially similar to Batman, the Moon Knight stories are different enough to make him a genuinely interesting and even unique character.

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I hope you’ve enjoyed this quick tour of Batman’s vigilante contemporaries and influences. Coming up in a future article I’m going to take a look at the Golden Age characters who are part of Batman’s DNA like The Shadow, Doc Savage and Zorro.

So stick around, there is plenty more to come Batfans.
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Quite Possibly the Most Un-Exciting Editorial on the Internet (but don’t hold your breath) for Batfan on Batman Blog June 2016

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It’s that mid year period when I’ve got a few articles up, a bunch more nearly finished, and many many more still in the draft stage.

At any time, I have more articles I want to write, than time to write them.

Which is why I play the waiting game. I’d love to be able to write more often on this BatBlog, but in the real world I gotta work and this blog is just a hobby.

Just because it’s a hobby does not mean I not 100% committed to making every article the best damn article it can be. I’m never entirely satsified with anything I write, becase I know it can be better, you can tweak things endlessly, or you can write them, edit the hell out of them, and get them out there for people to read.

Blog writing needs frequent updates to get good search engine results. But I write infrequently, so it means this niche audience for this blog is you my friend.

Batman may be the biggest and best fictional character on the planet, but a blog dedicated to looking deeper into every aspect of Batman is not for everybody. Some people just want to see him punch crime in the face on a the big screen and then go home.

Some want the monthly comics. Others are all about the collectibles. There are those who love superhero mythology, or just enjoy a good story. I love all of it, the movies, video games, animation, toys, LEGO Batman, DC Comics Batman, pink and purple glow in the dark Batman – I don’t care – I love it all.

Whatever type of Batfan you are, I hope you find something to enjoy here.

I like to under promise and OVER deliver, rather than the reverse.

Actions speak louder than words, I could write an editorial every month, but that is time away from actually writing. So 2-3 a year is plenty for me.

I just wanted to reassure new and long time readers there are plenty more good articles on the way. Some you’ll like, some you won’t. That’s okay, nobody is going to like everything, I like to mix it up and do different things.

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This year I’m going to switch my focus to two major things that 90% of Batfans love.

The Arkham Asylum video game series and Batman: The Animated Series (from the 90’s)

Fans univerally love those two licensed properties, and I wanted my blog to start with just the core of Batman, the character himself before branching out into other things based on the character and his comics.

I’m thinking I’ll spend a good six months writing JUST on B:TAS and the Arkham games. I’m going to focus on the concepts, and ideas behind these properties, the art style, their impact on Batman media, who the various talents are behind these properties and other fun stuff.

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My next article will be up later this week. It’s done right now, it’s a cool piece where I look at Batman and action heroes of comics and cinema in the 70’s and 80’s. I could post it right now, it’s done, edited, has 5000+ words, lots of purty pictures but you know….

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I don’t like to rush things out the door. In manufacturing, when a product is complete, its sits and does a whole lot of…. NOTHING. It does so much NOTHING it can drive you crazy, it just sits there taking up space MOCKING YOU.

Until the Q.C. (that’s quality control if you never been a willing slave in any type of industrial manufacturing building of loud noises and low pay) guy or gal comes to town. The Q.C. brigade are quick draw artist, if they don’t like the cut of your gib, they will slap a big bright sticker on your product to make sure it goes nowhere, and does even MORE nothing.

Quality Control stops by these here parts regularly, and real surly like they say “John, this here product done look real good, but… you DO know Batman has two ears, NOT one. You’re gonna have to fix that before we let this article out the door. We send that out and we’ll all look like Bat Idiots here at the Batitude Madeup Multimedia Corporation.

 

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So when I finish an article, I let it sit. Then I come back to it and give it the final Q.C. inspection before shoving it out the door to fend for itself in the world. And even then there are STILL typos. Yes I KNOW. I go back now and then fix them up, it’s just unavoidable really.

That’s about all I have to say really. Well one more thing, I guess.

My published post count so far here is 72, the articles in draft are at 142. Some of those drafts will be scrapped, but at least 100 of them will be full articles.

I also have over 200 other different Batman themed articles planned out in a hardcover journal. So while the articles may be infrequent, there is a lot more to come…

I hope you stick around and have enjoyed what you have read here so far. If you’re new, check back once or twice a month for new stuff, and hit up the old subscribe via email down the right side of the screen there (big orange box) under my smug mug back at the top of the page.

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Batfan John’s Snappy Answers to Batman Related Questions #1: What is your favourite version of Batman?

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“A great rabbi used to say, “I never asked myself if I could do it. I only asked myself if it needed to be done.” In his relentless struggle against evil, the Batman never asks himself if he can do it; he asks only if it needs to be done” –  Cary A. Friedman, Wisdom from the Batcave.

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Batitude 2.0

 

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Batman is an Idea.

Batman is a Mind set.

Batman is an Attitude to Life.

To be like Batman means to be uncompromising in what matters most to you in life.
To never compromise on becoming the greatest version of yourself you and only you can imagine and realize.

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What I love about Batman more than anything is his ATTITUDE to life.

It’s an Attitude that does not sit back and ask permission or make excuses in life, Batman’s Attitude is all about:

“I CAN and I WILL,

I DO and I DARE”

 

I love Batman’s mental focus, I love his clarity of vision and relentless determination towards any goal or task he sets himself.

I love his laser-like focus, that unbroken gaze of awareness that blazes through all obstacles like a force of nature.

Batman makes bold strides towards his goal or mission one step at a time, one breath at a time, one idea at a time.

 

Batman is fiction, he ain’t real.

Batman is only an idea.

Our Thoughts are only ideas.

And our Attitudes are ideas given focus.

BATITUDE is where fiction, pure ideas, dreams and YOU meet in a timeless ever present reality, the reality of your own mind.

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To be like Batman means seeing the best and worst in yourself and not letting any of it hold you back, but instead using the conditions of your life to propel you forward like a Bat out of Hell.

You don’t make excuses not to do what truly matters to you.

Instead you make excuses for why you HAVE to do something that passionately madly matters to you.
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To Be Like Batman means having an uncompromising attitude to living your highest values and total accountability for your actions.

To Be Like Batman means kicking ass and taking names, and the person whose ass usually needs kicking the most is our own. We need to kick the ass of crappy thinking, of small ideas and excuses for not living the life we know we ought to live, we need to kick the ass of our own attitude and limited beliefs, any idea that says;

“I can’t, I’m no good, I’m worthless, I am shit,  I am hopeless, I am too big/small/fat/tall/skinny” – every one of those limited and false beliefs needs nothing less than the unrelenting fury of the Batman Attitude to life, the Attitude of never ending learning and self-growth and a determination to be the most authentic sincere and true  human being we can be. The Attitude of high minded intentions and simply daily steps towards living those ideals and intentions.

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BATITUDE means getting out of your own way, putting aside small excuses, putting aside small ideas and stinking thinking.

BATITIDE means accepting the responsibility for living life on your own terms and not second guessing yourself.

BATITUDE doesn’t mean charging forward blindly in life, with a scattershot attention that jumps from one thing to another.

BATITUDE means taking focused and precise actions towards our goals and daily tasks in life, being immune to criticism from others.

BATITUDE means having an unwavering laser-like Zen focus that destroys all perceived obstacles calmly and effortlessly.

BATITUDE means “praying not for an easy life, but the strength to endure a difficult one”

BATITUDE  means accepting problems and difficulties are the necessary fuel on the road to greatness.

 

As a trained hand knocks in a nail precisely and accurately with a hammer  – our own minds, our own actions, our own Attitudes are as precise and focused as we train them to be.

Why waste time being mediocre?

Be the best you can be!

Not in comparison to anyone else in the world, be the best YOU that only you and no one else on the planet can be.

“I Can and I Will, I Do and I Dare”

Be Like Batman

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The Darkness in Humanity – Batman as Avatar of our Shadow Self

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“Batman is a metaphor for the alchemy of our own soul. He symbolises how to integrate and transform our darkest impulses and direct them toward our highest good.” – JOHN SORENSEN

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YES FATHER… I SHALL BECOME A BAT

Batman symbolically represents the darkness that is in all human beings. Not just potential darkness, but the darkness that is factually in all human beings, whether we acknowledge it or not. Those who claim nothing like that is in them, are most at risk to succumbing to their own disowned behaviors through total ignorance of them.

Other fictional characters who we could call avatars of darkness and shadow include Dracula and Darth Vader – characters who have surrendered to their darkest, most murderous, primitive and single self oriented survival impulses.

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What distinguishes Batman is that he walks the line between darkness and light – choosing not to kill. He skirts around the edges of the abyss, he’s been there and knows the temptations that would lead him down the path of total surrender to darkness like Darth Vader. Unlike Darth Vader, Batman has journeyed into darkness, into the very depth of his own mind, heart and soul, seen what lives there, what drives him and used that power, harnessing it for his own ends, rather than becoming a slave to darkness or evil like Darth Vader or Dracula.

Integration is key. Being all light is as dangerous as being all dark, simply because denial of emotion is what feeds the dark – Brene Brown

Seeing the existential abyss of darkness for what it is, Batman transcends and includes all his pain, his miseries, his best and worst qualities. He transmutes it all into an unwavering passion for his vengeance or justice driven mission as Batman.

So let’s take a look how dark Batman is, and how he uses that darkness as a weapon, along the way we’ll also take a quick look under the cowl to check on his mental health and see if those internet fan theories can hold any water.

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BATMAN – SAVIOR OR HERETIC?

Batman accepts all that he is; the good, the bad and the ugly. He makes no apologies for his flaws, and if anything he is his own worst critic -taking on the responsibility of the world when it is not truly his responsibility to fix the world (of Gotham City) and nobody ever asked him to.

Batman does not suffer from introjection – that is the unconscious “exterior” voices of societies values, his parents and heritage. If psychological Projection is the disowning of your own qualities that you project and see externalised in another, then its opposite is Introjection: turning inward something that belongs outside.

It is a small but key distinction in Batman’s psychological make up, but one that many people fail to notice when they project their own fears and insecurities onto Batman and assume he is like us. He’s not like us, Batman lives at a higher level than we do. Rather than try and become more like Batman, those fans and critics have tried to make Batman more like themselves, assuming that he must share their flaws, rather than having transcended them. The road to self-knowledge is filled with many pot-holes of ignorance.

Batman makes conscious what lives and thrives in darkness. Batman is not afraid to look into his own mind, his own soul and see all his failures and bad habits. Bruce Wayne lives in alignment with his core values. To get from being Bruce Wayne to becoming Batman means a journey into the mythic, into the recesses of Bruce Wayne’s heart, mind and soul, stripped bare and laid naked, he is reborn in a baptism of pure darkness, everything unessential falls away until there is only the Bat and his mission.

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You can call Batman a nutcase, an eccentric, an unholy warrior on a mission of vengeance, or just a man who  decided to do something different to process his trauma over the death of his parents, by dedicating himself to a worthy cause. Super-heroes do tend to have the mind set of wanting to save the world, or at least leave it a less shitty place than when they entered it. It’s part of their attitude and psychological make up. It’s what distinguishes them from non-heroic individuals. They are here to make a difference and don’t sit on the fence.

The “save the world” mentality is something that exists in individuals here in the real world too, and it has its healthy versions – serving food to the homeless, fundraising for community and charity projects – and it’s unhealthy pathological versions –
suicide bombing, acts or murder, torture, terror etc for the often delusional perceived higher good (for the State, for God etc).

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THE STATE OF BATMAN’S MENTAL HEALTH

Arrogant, angry, stand-offish, emotionless, doesn’t work well in teams, shuns help from others, psychotic, a mentally ill man child. Sound familiar?

What is the state of Batman’s mental health, and who should we trust on this subject? There is no shortage of internet fan theories about the state of Batman’s mental health, some of them make good valid points, some are partial truths – while others are just plain old Wrong with a capital “W”.

“He’s an angry repressed rich boy who takes out his frustration and anger beating up criminals”

“He suffers from PTSD, depression and can’t let go of the death of his parents”

“He’s a schizophrenic savior who suffers from messianic delusions”

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I am continually amazed at some of the ideas I see posted online about Batman that make it obvious that some people either have not read many Batman comics, or don’t know how to use the dictionary.

Coming up with a fancy theory or great sounding idea does not make it true no matter how much you want to believe it. That also applies to myself and my articles here. Feel free to disagree with any of them. Feel free to write a rebuttal or prove them wrong. In my mind I’m right, but I know other people with very different opinions about Batman who also FEEL they are right.

For example there are people who would label Batman a psychotic, a schizophrenic, as suffering from post traumatic stress (reliving the pain of his parents death) or any number of other conditions. Robert E. Terrill has written a thoroughly engrossing article that uses Jungian ideas and terminology to categorise Batman as a Schizophrenic acting out his delusional dreams because he is unwilling to do the real hard work of true psychological integration.

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The article Put on a Happy Face – Batman as Schizophrenic Savior by Robert E. Terrill you can find online as a PDF, it’s about 18 pages long and well worth reading – but keep in mind this article deals with the 1989 movie version of Batman, not the Batman from the comic books. It is worth reading though, even if you strongly disagree with it as I do.

A contrasting perspective is the one Robin S. Rosenberg takes in her book What’s the Matter with Batman? An Unauthorized Clinical Look Under the Mask of the Caped Crusader.

Robin’s published book on the Psychology of Batman addresses each one of the various things he may or may not suffer from. She cuts through the confusion of Bat-Mind-Theories like a brightly lit Bat-Signal in the night sky.

Point by point, Robin Rosenberg states the essential criteria needed to satisfy being considered as psychotic, schizophrenic, PTSD, personality disorders and more. And by and large Batman meets some of the criteria for various disorders, but not all of the criteria to meet the requirements as having any of those conditions.

I tend to trust her point of view over fanboys and fangirls as Robin Rosenberg is a trained Psychologist, as well as a fan of Batman and other superheroes. It’s also possible she is wrong, but I urge people to make up their own minds and not take my word for anything. Robin has also been talking, lecturing and writing about human values and heroes for over a decade, so you’ll excuse me if your  “Batman is nuts ‘coz my brother ‘sez so” theory doesn’t hold much sway with me.

Robin’s criteria rather than just being a fan theory, or fun writing experiment uses the terminology of mental health experts. You can read a great extract from the book at Psychology Today: What’s the Matter with Batman?

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THE BATMAN OF MANY THEORIES

There is a fair bit of information and misinformation (mostly on the internet) about the state of Batman’s mental health, usually from people who misuse the terminology of Psychology to make it sound like they know what they are talking about. That Batman meets some of the criteria for various types of mental illness lends credence to those half baked fan theories you read online on reddit or Quora.

Batman is an emotionally stunted man child who refuses to grow up and takes out his frustration and unresolved pain from the death of his parents by punching people

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Some people think Batman is a Schizophrenic, others say he is psychotic, or has post traumatic stress disorder, depression or any number of other behavioral dysfunctions. It’s easy to see Batman as this hyper-aggressive psychotic lunatic if all you have ever read is Frank Miller’s version of Batman, which is purposefully and masterfully exaggerated and over the top, as are most of Miller’s stories.

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Can Bruce Wayne ever be truly mentally healthy and happy, as long as he is Batman?

One perspective is that As long as Bruce Wayne is Batman he will never be happy. He will never settle down with a wife, he will never have kids, he will stay angry, repressed, antisocial and guilt ridden over the death of his parents death as long as he is Batman. Batman thrives on guilt and pain, true forgiveness means letting go of being Batman.

Another contrasting perspective is that Gotham and the world needs Batman, and that he has overcome his pain and insecurities and fears. Batman continues his war on crime not out of pain over the death of his parents, but remains Batman as a tribute to them and their community service. Bruce Wayne continues being Batman as a service to Gotham to honor his parents and what they stood for; social justice, reform and standing up for a cause, living your values etc.

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Batman can be many things, and is open to multiple different equally valid interpretations. It is part of the strength of the character that every fan has their own idealized Batman, and no two fan versions of Batman are exactly the same. But there is enough of the character that remains recognisable so when we talk about Batman, we can understand each others unique perspective.

And that is what it comes down to. There is no objective criteria for what Batman is, and what Batman is not. It’s all subjective. But good writers, and smart thinkers, tend to think at least some of the same ideas about the character, and that mass consensus of what we agree upon tends to form the picture of Batman the majority of us have in our minds.

Writing something that sounds plausible is a good way to keep the wheel of misinformation going. However long term Batman fans tend to look below the surface, they tend to go a bit deeper in life for answers than internet fan theories etc.

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All of these contrasting ideas  strangely play into the myth and strengths of Batman – to some he’s a vampire, to some he’s an urban commando, to others he is a ghoul in night, an unkillable wraith, more shadow monster than man. An unstoppable force. Something to be feared and talked about in hushed tones, because if he hears you… “LOOK OUT! Aw gees, the BAT! Run!”

Batman then is an urban boogeyman. So all of those crazy fan ideas you read about online are quite valid, even if you disagree with them. It’s all part of Batman’s mystique, his confusion and distraction while he accomplishes his mission. He wants you to think he’s crazy, he wants you to think he will do anything, that he can’t die. Batman wants to scare the living hell out of you, and he enjoys doing it.

Robin Rosenberg gets the final word on how nutty Batman may or may not be in her succinct book What’s the Matter with Batman:

  • Assuming that by Dissociative disorder, you mean DID, he is nowhere close to having that. He would only have paranoid schizophrenia if everything about him being batman was a delusion.It’s really hard to peg what, if any disorder he would have. The funny part about it is that one of the defining characteristics of having a mental illness is that it has to impair functioning in your life.
  • And one could argue that he successfully leads two lives, so there is no impairment, or his having to lead two lives IS the impairment.In any event, the only thing I could confidently say he suffers from is Depression, for obvious reasons. If I were to extend so far as to say that he had a personality disorder,
  • I’d put my money on Narcissistic Personality Disorder.Personally, I don’t think he has any real mental disorders outside of depression. He is a just a very rational introvert who made a very strange decision that most of society would see as a terrible, and downright crazy idea. – Robin S. Rosenberg

 

Of course if you want to believe Batman is truly crazy delusional, then The Batman Complex fan made video is made just for you…

I KEEP MY EYES WIDE OPEN ALL THE TIME, I WALK THE LINE

Batman may be an avatar of darkness, the physical manifestation of his totem Bat animal, but he is also more than than the sum of his parts. In shadow he is like a wraith or demon from the classical underworld of mythology, and those white slits where his eyes should be are creepy as hell. His costume, physicality and persona evoke something primal and mythic that we can’t help but respond to on an unconscious level. In medieval art, he would undoubtedly be labeled as a demon.

But those white slits also show the light in Batman. The bright white where his eyes are meant to be shows us symbolically that Batman in not in total darkness, but is in fact an avatar of light who masquerades in darkness to both fight the forces of darkness, and transmute his own inner darkness, his own dark knight of the soul into a force for good, for service to humanity. We have Batman co-creator Bill Finger to thank for those white eyes, Bill understood Batman at a deep level few people would appreciate and doesn’t get the credit he deserves often enough.

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The anger and pain Bruce Wayne feels at the death of his parents, that at times threatens to consume him – he channels into fuel for greatness as the Guardian of Gotham City, the cities own Dark Knight. His never ending war on crime gives an outlet to his madness, rage and pain, channeling all his dark intensity and unrelenting passion into a force for good.

Like a classical Greek hero or demigod who journeys into the underworld, Batman takes on the symbolic trappings of darkness to inspire fear in the criminals he hunts, he uses shadow and darkness as his allies, having made them his closest friends.

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To fear the dark is to live in ignorance, while to embrace the dark is to welcome the knowledge it brings. No being can live in only darkness, or only light. Either way leads to being unbalanced. Human beings need both light and dark in them. Batman walks the line and at times risks going all the way into darkness like Darth Vader or Dracula. It’s part of what makes him so damn sexy and uber-cool. He’s a good guy dressed in the cinematic costume of a bad guy or demon.

Batman is married to Gotham city, he may dabble in serial monogamy, but ultimately his mission in life is to be Batman. Batman and Gotham City are forever intertwined. In a warring city of ruthless gangs, psycho killers and cut throats Batman is Gotham’s Warlord, his word is law, his will unbreakable, his enemies and friends alike fear him and his wrath. Nobody wants the Batman’s attention, and if you ever saw him in person – you would really wish you hadn’t.

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WE ALL FALL DOWN

How does Batman avoid the corruption that characters like Dracula succumbed to? How does he use darkness rather than be consumed by it?

History is filled with those who held themselves up as heroes, as bastions of moral virtue and goodness only to succumb to their own repressed dark side, the side they never allow any healthy expression, and that you never see in the public arena that often is expressed through demented perversion in private.

Politicians and Priests provide some of the more obvious cliched and dramatic well publicised examples in our society. It seems the corruption of the few influences how we see the many, the disproportionate media focus on corrupt Priests and Politicians ignores the fact they are the minority, and that the majority are hard working honest people who capably go about their job, and look after the people they are responsible for.

None the less, when an individual is incapable of finding a healthy expression for their Shadow Self, and instead they become corrupted causing harm to themselves or others, then at those times it may be necessary for third party intervention. In cases of abuse of other individuals by that person, then unwelcome media attention can be a good thing, in exposing what lies in the shadow through the light of awareness.

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How does Batman avoid the same psychological traps? It’s not easy, he walks a constant line between who he is and who he might become. Batman doesn’t repress who he is. He lives his darkness at every level of his being, and he uses it as yet another weapon in his war on crime. He avoids falling down to his Shadow qualities by not hiding or repressing his Shadow, but embracing it and knowing it intimately.

Batman is a zealot in a way, and his unholy mission is to fight the forces that would serve to victimize the good citizens of Gotham, at the same time Batman is a hero we can relate to for his flaws, for we see the darkness and flaws in him as in ourselves.

Batman’s flaws are what make him human rather than super-human. Even if Batman took a super-pill and did gain super-powers, he would still be the same angry repressed guy. Batman remains a fantasy figure who lives an impossible life, but remains appealing due to his grounding halfway between realism and pure fantasy. Alex Wainer defines Batman’s adventures as falling between realism and fantasy as “Romance” using Northrop Frye’s scale of literary classification.

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 REALISM <<———-BATMAN———-> > FANTASY

“The romance is contrived to allow for a pleasing form that displaces aspects of myth, while at the same time borrowing a semblance of realism, to ensure a level of plausibility. Abstracting from the concrete, i.e., the realistic, toward the mythic, the romance mixes elements of the two poles to become a story form broad and flexible enough to include an enormous range of narratives.” – Alex Wainer: Soul of the Dark Knight

“…Set on a perpetual quest for justice and vengeance, Batman is more than an outraged vigilante, but less than a divine nemesis of evil. Partaking of qualities derived from earlier mythological sources and patterns, he symbolically fights against the chaos that frightens and angers us by adopting the fearsome visage of a night creature. Though apparently mortal, he transcends human limits in his keen ratiocination and athletic grace and power. Thus, as a mythic figure expressed in the comics medium, on the Literary Design Scale, he belongs at the upper levels of romance as an idealized, extraordinary heroic figure in a still-recognizable urban setting.” – Alex M Wainer, Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film

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I AM VENGEANCE! I AM THE NIGHT! I AM BATMAN!

As an avatar of darkness and night time Batman fulfills a sort of elemental role. The Bat -his chosen symbol and totem animal – Batman is a creature of the night, a figment of our unconscious mind, a lord of the underworld, the bastard child of Erebus and Nyx – the illegitimate brother of Hypnos (Sleep) and Thanatos (Death).

If Icarus flew too close to the sun, Bruce Wayne went too far into the Underworld, punched something dark and ancient in the face and stole its power to aid his war on crime. Touching the face of pure evil, he dares to wear its colours and mocks the unseen forces he fights against every night of his life as the Guardian of Gotham, its Dark Knight. He’s untouchable, he fears nothing, he will not stop, and he wants you to know it and be very afraid.

There is a purpose for every thing under the sun, and even the things that live in darkness have their own purpose and way of being. Batman who lives in darkness is still human and still feels connected to his humanity despite outward appearances.

To be in darkness is to know and embrace a part of our Being we often deny or don’t acknowledge. It’s something we don’t talk about in polite company or hear much about. To never explore that part of ourselves, to never metaphorically explore the underworld of our own minds is to live in fear of that darkness, of that unknown and all it entails. It is the place of creation, of sex, death , life, hunger, and all primal urges.

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We give power to our unconscious forces and primal drives by refusing to explore them. Most of us are afraid of that which is beyond words, space and time. The primordial unmanifest force that rests in the hearts and minds of all people, but is ignored due to the discomfort and pain of true self-knowledge – in favor of an inauthentic life of comfort and luxury.

The Hero’s Journey is not just a mythical “story” framework to be adapted from antiquity onto the cinema screen, but a metaphor for the necessary and essential psychological process of Waking Up and Growing Up in life that philosopher Ken Wilber discusses in many volumes of his Integral Theory. The Hero – or Heroine’s journey is our birthright. The refusal of the call, is the refusal of life, the refusal to grow and change and evolve. All things that live must grow, and that which does not heed this principle embraces death.

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To explore and stay in darkness is to give in to our own darkest impulses. However to never willingly journey into darkness is – like Luke going into the cave during his training with Yoda to cut off his own head – to never look beneath the cowl it to live in fear of our own primal forces. Take a look at Darth Vader. Nobody want’s to end up like that poor bastard. He’s a monster, and the ultimate bad-ass – YET – we still feel sorry for him. Instead of Vader passing through his own dark night of the soul, he began the process, staid there and swore allegiance to his corrupted master Darth Sidious.

The danger Batman forever faces is not that he may kill, but what happens afterward – that he may lose his humanity if he gives himself completely to darkness. Exploring our own Shadow means acknowledging all our bad habits and self-destructive choices, those we know, and those we are not aware of (and need others to point out to us) and our own repressed higher potentials. What is in shadow if often a corrupted version of what is good in us, as well as what is harmful.

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Batman is an avatar of darkness, but also a symbol of how to accept and transmute all of our own nature – light and dark – and use  it for the higher good not by denial or repression, but by acceptance and integration of all aspects of ourselves – John Sorensen

In stages of human growth, we may pass through a Spider-Man stage (child/teenager)  a Batman stage (adult /power) a Superman stage (god/transcendent) etc. As great as any of these characters are, we must not stay in those stages, but learn from them and move on. There are lessons to be learned in life wherever we turn, even in the humble pages of cheap pulp inspired comic book stories printed on flimsy paper. Don’t let anyone tell you otherwise, find inspiration and power wherever you please.

I think we can find inspiration is just about any good comic book or movie character. Good or evil, they all have some qualities and values that resonate with us, or we would not be so powerfully attracted to them in the first place.

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Batman is the coolest fictional character on the planet if you ask me.

Batman is cool, sexy and a bad boy. He’s rock and roll. We love him for it. Batman wears the outfit of a villain, but he’s dedicated to righting wrongs. If we look deep enough, we may learn a little about ourselves from the Boy who became a Bat. Who embraced rather than repressed his Shadow Self.

He understands pain, fear and doubt, Batman feels it all and doesn’t identify himself with it, he feels ALL of it, but doesn’t mistake pain and doubt and fear for who he is, or let it stop him from accomplishing his mission. He transcends his circumstances, he transcends body, environment and time by focusing his mind on his chosen task, he’s honed his skills through years of physical and mental training. He’s not ordinary. But even taking all that into consideration, Batman is still flawed and deeply human. His flaws are what make Batman more human and relatable. He’s human and he feels every pain and every hurt, but he looks past it and keeps moving forward.

Batman has experienced deeply personal pain and loss like many people in the real world, and that has inspired his life’s mission, to help victims of crime and poverty through the Wayne Foundation and personally preventing as many violent crimes as he can. As effective as Batman is in his world, he’s even more powerful in our world as a symbol of standing up for ourselves and others, and of true self knowledge that embraces all that we are, strengths flaws and all with an unflinching gaze of wisdom that does not misidentify what we experience and feel, for who we are.

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Fear disowned is a destructive choice, both emotionally and spiritually. It leads to all-too-happy spiritualities with beings who seek only the light. Fear starts to drive their being unconsciously. We end up seeking only goodness and pleasantness in order to avoid pain and fear.  But this is not the way. The truth is:

“To conquer fear, you must become fear”

Fear owned and embodied is a form of awakening. Batman is therefore a Realizer of Awakening through the form of Fear – Chris Dierkes / Beams and Struts

 

 

 

 

5 ESSENTIAL SUPER LIFE LESSONS FROM MELISSA BENOIST’S SUPERGIRL

Supergirl Melissa Benoist eating S shaped super cake

There is nothing in my life that I would go back and change, even the darkest moments. All the successes and greatest joys in my life are a result of the absolute worst things. Every missed opportunity is a blessing is disguise – Ronda Rousey

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1.YOU CAN NEVER GO BACK TO YOUR OLD LIFE, BUT YOU CAN REINVENT YOURSELF AND KEEP MOVING FORWARD

With the painful loss of her home planet of Krypton, her whole way of life and everything she knew – it was the toughest event that Kara Zor-El ever faced. But the loss of Krypton was the gain of Kara’s new home on earth, her new earth foster family, her new super powers and becoming the selfless iconic hero Supergirl.

Kara would never have become Supergirl if not for the death of her parents, the same way Bruce Wayne would never have become Batman without the death of his parents, or Kara’s cousin Kal-El would never have become Superman.

Krypton’s loss was earth’s gain. Kara’s ordinary life was destroyed, and she was called to her destiny on earth. But it wasn’t easy. For years she hid her powers and who she was from all but her foster family. Eventually Kara embraced her new self – superpowers, being an alien outsider on a new world and became Supergirl. She embraced living the unique life that only Kara Zor-El could live.

I love pretty much everything about our Kara. She’s pretty, strong, kind, caring, helpful, adorable and becomes badass when she has to –  Reddit User ‘Furan_Ring’

Supergirl illustration Melissa Benoist

2.WHEN PEOPLE LOVE YOU – KEEP BEING A HERO WHEN PEOPLE HATE YOU  – KEEP BEING A HERO

Don’t let other people’s perception of who you are and what you stand for shape your core values. Whether people love, hate or are indifferent to you, you must live the life only you know how to live, and live the principles, values and choices that makes the most sense to you right now.

We can’t predict the future, we don’t know what good or bad consequences will come of our actions, but we do know the values we live by, and if we are not happy with that, we can upgrade our values to better ones and develop new habits that serve us rather than hold us back.

Heroes choose their own values, mission and code of behavior to live by, they don’t wait for someone to tell them what to do and they don’t ask permission to be who they know they have to be.

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There are times when people will love and support what you do. You can accept support from others, but don’t become dependent on that, instead welcome all who choose to help you, but be self-reliant and accept no excuses for living anything less than an authentic life.

There are times when people may hate you, or what you stand for. They may openly ciriticise you, or do it behind your back. You can waste you time and efforts trying to manage others people’s perception of you, or you can simply be indifferent to people’s ideas about you – good or bad.

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Being free of the need for approval or criticism means you live life on your own terms. It doesn’t mean being rude and arrogant to people you disagree with or don’t like. It does mean affirming who you are and not letting people push you around, and being immune to other people’s ideas about who you are and what you should do with your life.

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Instead you must choose your own way of life and maintain an inner light that never wavers. A hero’s inner light and belief in themselves stays lit through the darkest stormiest night and brightest day and is unchanging.

The world corrupts those who are easily corrupted, while those who stand firm in their belief in themselves are untouchable by any force in this world.

So whether people love you, or hate or are indifferent to you – keep living the life only you know how to live, keep being a hero or heroine in your own unique way.

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3. SOME BATTLES WE MUST FIGHT ALONE, WHILE OTHERS WE HAVE TO ASK FOR THE HELP AND CO-OPERATION OF THOSE ON WHOM WE DEPEND

We all have things we must do for ourselves by ourselves each day, and then there are tasks in life that are beyond us and our current abilities, in these times we must ask for help. We all need co-operation in our lives if want to become greater than we were yesterday, and be excited about tomorrow.

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We all need friends, family, associates and well wishers to co-operate with if we want to keep overcoming obstacles in our lives, or get projects done that are simply too big for one person, no matter how smart, strong, resilient or talented.

A heroine looks after her family and friends and all those whom depend on her. And she knows the people who truly value her will be there for her when she needs them. Co-operation allows us to get large projects done and things that would be impossible for one person to ever achieve. To be greater than we were yesterday and excited for tomorrow, we need to cultivate healthy relationships with friends, family and associates.

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4. FAMILY IS NOT JUST BLOOD, BUT THE PEOPLE WHO SHOW UP IN YOUR LIFE

Family are the people who show up in your life who love you and support you unconditionally. We are all born with one type of family. Some people have families that love and support them. Other people have families that treat them poorly or even abuse them. Most of us find our experience lies somewhere in between the two extremes of unconditional love and outright abuse.

But along with our biological family, are the people who show up in our lives and love us, who support us, without anyone ever asking them to, and without being related by blood.

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So whether blood relative or just someone who chooses to be part of your life, family is whoever shows up and loves you, whoever supports you in your choices even when they disagree with them. Loving someone only when they agree with you is not really love. The people who show up in our lives and support us no matter what choices we make are like rare jewels in this world – they are people to be treasured and appreciated.

As Kara is an alien outsider in this world, we too at times feel likes outsiders. We all need to find our own version of fitting in and belonging. To accomplish that we can either compromise who we are and try to “fit in” with other people and their values – or we can look for a tribe that already shares our common values, that accept us for who we are, rather than belittle us for what we are not and will never be. Those who truly love us and support us are our family every bit as much as our blood relatives.

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5. BE YOURSELF – THE UNIQUE SELF THAT THE WORLD NEEDS YOU TO BE

Conformity means taking on others peoples values as more important than your own. It means taking on other peoples ideas about who you are, what you should do, and their own selfish opinions about how you should live your life. No other persons “opinion” about you, should ever be more important than your own opinion of yourself.

No other person has the right to choose your values for you, or try and live your life for you. You MUST choose your own values, go your own way and be uniquely you, you must BE YOURSELF  because you simply can’t be anyone else. It’s just not possible.

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Only you are uniquely qualified to know how to be the best version of yourself. The world demands and expects conformity, it expects well behaved polite automatons who don’t think for themselves. But doing that means not only compromising who you are, it means depriving the world of your unique talents and abilities.

The world demands conformity and mindless drones, but what it NEEDS is unique individuals who say “YES!” to life, people unafraid to express themselves, and live their unique lives as only they can.

The world needs people who accept themselves and know it is “okay” to be you, it is okay be different. It is okay be strange and flawed, to feel doubts, insecurity and vulnerability. To be vulnerable is to be human.

Our differences are what make us unique and often the source of hidden strengths.

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People who live fearlessly are the ones ones who shape our future, they are often invisible leaders and trend-setters, they are paradigm busters and rebels, they refuse to be classified or labeled or held back by any kind of limiting belief. They also get scared and doubt themselves and have both spectacular successes and monumental failures in life.

They are our heroes and super-heroes. They are our family and our friends. They are our peer groups. They are YOU and me. Because no hero or heroine can accomplish anything worthwhile by themselves. We are in this life together.

Heroines and Heroes stand up for themselves and just as important – they stand up for those who are not able to stand up for themselves, for the people who have no voice in this world.

The greater our co-operation, the greater our capacity to love, the greater is our potential as everyday heroes and heroines – the kind the world needs to stand up for what they believe in and be heard with a unique voice and one of a kind perspective.

Supergirl Melissa Benoist with Super Girl Scouts