He’s this shy awkward kid who never finished growing up.
But then he puts on his bat-suit and he takes on all the confidence and courage, and other typically positive male qualities that he can muster and channels it into this relentless dark force for good.
We can use that kind of courage and make-believe in our own lives.
I used to train in Ju-Jitsu for several years, and every year or so we would have a grading (test of your skills and knowledge so far) and each time I would have to project total courage and confidence. As well as practicing all the required skills for endless hours.
It was tough.
I didn’t use to have a lot of either, toughness or CON-fidence – well less than none really, I had almost no belief in myself whatsoever. I’m not exaggerating in the least, I was the most shy socially awkward weak and underweight kid you can imagine growing up.
I did a lot of mental rehearsal for whatever was required in the Ju-Jitsu grading, it’s something I’ve done for years along with meditation, weight training and Yoga. I credit Ju-jitsu training and the instructors for giving me the kick ass attitude to life I have today. I am indebted to them.
I would run mental movies over and over again in my own mind leading up to the grading test.
I ran through the mental routine of everything I would do, or might be asked to do.
A key thing is I did not just mentally rehearse in a cold mechanical way.
What was important is that I would see myself, in my own mental movie as already being extremely confident, assured, and relaxed. I saw myself as supremely confident and performing all tasks required without error. You know, Batman, Bruce Lee, Goku and Rambo all rolled into one. Total relaxed confidence, a precision engine of mass destruction!
And the great thing was, it worked.
I always APPEARED more confident than I was, and it showed.
In reality I was a nervous wreck. But nobody knew that.
It took several years of this practice, for that confidence to become permanent.
I don’t really need the mental movies so much now, I’m confident at most things, and what I don’t know already, I know I can learn and pick up pretty fast.
That does’t mean I don’t use that practice,
I still do, just not as often.
But if I was go into some arena of life that was completely unknown to me, boy you can bet I would be using those daily mental moviesagain.
Batman mentally rehearsed being or becoming Batman for years.
Before he ever became the Dark Knight.
He didn’t wake up one day being the epitome of courage, determination and self-sacrifice.
Batman got there slowly one Bat-breath, one Bat-punch, one Bat-Step at a time.
Bruce Wayne mentally (and physically) rehearsed being Batman, and everything that meant, as well as countless hours of training, (I’d say he started with at least several thousand hours of rigorous training).
He imagined he already was what he wanted to be.
The best goal setters and champions of the world are time travelers.
They have time traveled within their own minds to the near future, and in their own mind, they have ALREADY ARRIVED where they want to be, and already are how they to be. And they patiently wait for their body and present reality to catch up to their minds inner vision.
This is one of the secrets of Batman being 10 steps ahead of everybody else in the room. When Gordon or the JLA are working on some tough mental problem, Batman already has the solution, he’s already seen the near future and is waiting for everyone else to catch up. He’s not clairvoyant, and a good Detective has to work through things logically one step at a time, but they also take leaps.
No matter the challenge, in his own mind, Batman has already beaten it. This is where his supreme confidence comes from. Even when he loses, he wins, his enemies reveal their weaknesses to him unknowingly when they beat him. It’s all feedback for Batman, who is going to go away, train and come back even better than before.
I think with the right BATITUDE, all things are possible.
To be a little more like Batman, we can and should use mental movies to boost our own confidence at whatever we want to do in life, and to be as specific and detailed as possible in those mental movies. Your body is your slave, it does whatever you ask it to do without question, it literally has no choice. Your mind is your own garden to grow as you damn well please.
It’s no guarantee that you will succeed at anything at all, that’s a fantasy. We all fail and do stupid things. So what, with ongoing practice of mental movies and Batitude, win or lose – we take it all as feedback, as fuel for greatness.
We can apply that practice to just about anything.
Getting a new job, starting a new sport or martial art, becoming a better brother, husband, son or father. There literally is no limit to what mental movies we can run in our own minds on a regular basis.
We project the BEST version of ourselves into our mental movies we can imagine at present, we see it, feel it, smell it and know it. Then we wait for reality to catch up.
And slowly, one Bat-Step at a time, one Bat-Breath at a time we become on the outside, the person we already know we are on the inside.
We bring our BATITUDE out from our own dusty minds, we practice something meaningful in our outer lives that we can focus and channel all our best qualities into.
We still have to do the hard work of learning any actual skill, of endless training and learning.
There are no shortcuts.
But whatever you DO in life, you will be 10 times more effective with the right kind of mental movies, and the right kind of BATITUDE.
Those mental movies become the future versions of ourselves, so I hope when you watch your own mental movies, you’ve hired the best director (that’s YOU!), the best sound guy, the best actors, and the best soundtrack possible to get you feeling and acting at your best.
I didn’t get as many articles finished as I wanted.
Heck – I didn’t even get around to starting my in depth look at the timeless classic Batman: The Animated Series and the fan favourite Arkham Asylum video games. Which means they get pushed back to 2017.
I did however get my Q&A Article up on The Heroine’s Journey, with some brilliant writers, and if you missed it, well click the blue bit. Part#2 of The Heroine’s Journey will be up soon in the new year, and it covers my ideas and theories on the the topics discussed in the Q&A.
TURN THAT FROWN UPSIDE DOWN BATS!
If that article seems a little out of place here, well all I can say is that I have a bunch of similar stuff in draft form that ties in with it, and most of that content has been put off for over a year until I can make sense of it all, and when they are up, they will get their own special click tabby thing on the top menu bar, next to the “About” and “HTBLT” tabs – what do you call that thing anyway? I don’t know.
Also coming in 2017 will be more chapters of #HTBLB – How to Be Like Batman series. I have several already in the draft stages, and the titles/topics planned out for the entire article series.
Not only that, but by the end of 2017 I will have two Batman ebooks completed – the main one being the full #HTBLB series with no doubt some bonus essays thrown in there, and a couple just for the book that will not appear elsewhere. People have asked repeatedly for it, both here on Quora and on other sites, so it is in the works!
HOO-HOO! I WON’T KILL YOU BECAUSE YOU ARE TOO MUCH FUN!
As well as finishing off those #HTBLB articles, I’ll be taking a look the Batman All Stars – the creators, writers, artists and other movers and shakers who have helped make Batman great over the decades.
Another new article series I am pretty excited about in 2017 is the Symbolism of Batman series, in which I cherry pick the greatest works from all media in Batman’s history and dive into the symbolism and motifs in those works.
Each article will be able to read by itself as a single unit, on that particular piece of Batman fiction. For example one article will cover all three of Chris Nolan’s Batman films, another will be on The Killing Joke, another on Morrison’s Arkham Asylum and one on The Dark Knight Returns etc, and by juxtaposing different representations of Batman in different media, anyone who reads them all will see the patterns and recurring ideas, themes and motifs that might not be obvious to the casual reader.
BORING BORING BORING! WHEN WILL HE PUNCH SOME THINGS?
Or you can just read any one of the Symbolism of Batman articles and ignore the others. I hope you enjoy them, and get at least a *little* bit as excited as I am to write them.
Another idea I’ve been thinking about for a while is to do some essays on my other favourite comic book characters, perhaps in their own Super Secret Section of the site? Lest they start a war? Because the essays I’m hanging out to write are about my favourites Wolverine, The Punisher and perhaps Marvel’s greatest character – the ever lovin’ blue eyed Thing.
Stick around BatFans – plenty more articles to come in 2017. I may even finish some of those 100 draft articles that are laying around the Mancave. Hmm, wait a minute – I was never good at math, let’s see now.
Okay so it’s 147 Drafts, and I have just given away two of my other upcoming article titles. Yes Harley Quinn is getting one of those long ass articles where I really get into the character, her history, motivation, success, fashion sense……..and how awesome was Margot Robbie in Suicide Squad? The movie had some issues, but damn it was fun and she knocked it out of the fucking park, bring on Gotham Sirens people! (The 90’s comics starring Catwoman, Poison Ivy and Harley Quinn that has now been announced officially as an upcoming movie project).
I THINK YOU AND I ARE DESTINED TO DO THIS FOREVER BATS!
Okay, so there is all that content coming, as well as no doubt I will conceive of entirely new ideas yet to enter my imagination. I love those articles the best! That’s how my Batitude short form article was born, and of course Batitude 2.0
Those Batitude articles were born on a whim, a slight impulse that lead to writing more of the same and embracing The Way of the Bat in 2016, and thank you to everyone in 2016 who stopped by this blog, I hope that you found something to enjoy here, granted my tastes are not for everyone, but for those few do enjoy any of my ramblings…
The other images in this post are by the fantastic Saintyak, you can find more at DeviantART http://saintyak.deviantart.com/ – I particularly love his TMNT and Batman related art. Spectacular stuff, take a look already!
One thing I learned from Batman is that Bruce is a lifelong learner.
Some people learn fast, others slow.
Like Batman, I like to take a few months, or even a few years to aquire new skills.
The slower we learn, over a longer period of time, the better it sticks. The less we skip things and take shortcuts.
When we cram in too much too soon, we forget things.
Or sometimes don’t learn much at all.
Fast or slow. Both are good. They have their uses.
But we remember best what we keep using year after year.
So to be like Batman means stripping any topic, or field or study down to the basics, and perfecting those basics over many years.
Martial arts. Gymnastics. Strength Training. Business Plans. Marketing. Swimming. Developing Joker anti-venom, Escaping Batshit crazy death traps.
These are some highlights that any of us can learn, along with hundreds of other skills, but the key is like Bruce, like Batman to take your time. Pick what you really need to know in life and Master it.
Pick your skills and learn them.
Learn them well.
Focus daily, bring your full attention to whatever you are doing and do it well.
Batman knows that what he does on any given day is really not that important.
But what is important is the FOCUS and CONCENTRATION he brings to whatever he does.
It’s part of his skill set, part of his ever adaptable arsenal in his War on Crime.
So slow down,
take a breath…
make it a deep one,
and whatever you do next today…
do it with more Focus…
do it with total Concentration…
Pretend you have trained like Bruce Wayne for many years with some super secret monks away in the Himalayan mountains to master your own mind and body.
When I think of tough guys, loners and outsiders -your Clint Eastwood, Lee Marvin and Charles Bronson, your Wolverine, Punisher, Bond and Judge Dredd – Batman to me is the king of the outsiders. He’s the king of the loner antihero “don’t fuck with me or you’ll regret it” crowd.
Batman is a bad boy. He’s dark, cool and sexy. He’s exciting and dangerous but also emotionally distant. He’s not the kind of guy a girl brings home to meet her parents. He is the kind of guy who smashes a mouth full of teeth down the throat of a rapist in a dark alley at 3 am in Gotham City.
BATS OF A FEATHER, FLOCK TOGETHER
Where Batman differs from his anti-hero contemporaries such as Dirty Harry, Wolverine and The Punisher is that Batman doesn’t kill, and that is a deliberate moral choice that Bruce Wayne made. Some say that is his weakness, while a contrasting viewpoint is that it is one of Batman’s greatest strengths. Batman gets to have all the darkness and edge and cool of an antihero, but still gets to be a morally decent human being who refrains from killing his enemies or criminals in general.
Another of my favourite characters is The Punisher, you can call him amoral, say he has PTSD or whatever else you like. It really doesn’t matter, labeling Frank Castle won’t help you understand him, and it sure as hell will do nothing to stop him.
When the Punisher comes to town he’s like a tank that just mows down bad guys and keeps moving. To some he’s a total psycho, to others an agent of mercy, or avatar of death. He’s a one man army of destruction with no moral “confusion” about what he does or why he does it. In Frank Castle’s world, everything makes perfect sense.
“Label me, you negate me”
There are bad men in organised crime who do things like kidnap young women, ship them overseas and sell them into sex slavery while they are forced onto highly addictive drugs. There are bad men who put semiautomatic weapons into the hands of children, there are men who rape and torture and kill civilians for profit, or simply because they could get away with it.
In Frank Castle’s world, those people need to die. The world is better off without them. The crime families, mobs and gangs are beyond the capacities of the police and legal system, so therefore their ever present threat needs to end, permanently, and Frank Castle is the man for that job. He’s not so much a man on a mission or executioner nut job – as an unpaid civil servant. In Frank’s mind he’s the guy who comes around to take out the cities garbage, that nobody else wants to deal with. In his world view he performs a necessary job that nobody else wants to do.
Frank Castle makes for an interesting contrast with Bruce Wayne. Both the Punisher and Batman fight crime, one is a former marine, the other a rich autodidact civilian. Their methods differ, but their basic goal of a war on crime – of targeting high profile crime lords and super-criminals means they are similar characters. The key point being that Punisher kills criminals, while Batman keeps them alive to face arrest and prosecution. Both use fear as a weapon, and display fierce sigils branded onto their chest that make it clear that if you are close enough to see them, then it is already too late, and your day is not going to end well.
BATMAN AIN’T NO MAGILLA KILLAH
In Batman’s first year in Detective Comic, he DID kill people, and sometimes used a gun. Sometimes he killed people on purpose, and other times inadvertently like punching a guy out of a window, or off a high railing in an industrial factory.
Then with the introduction of Robin, the powers that be at mighty D.C. decided that Batman would not be a killer (at least not an intentional killer, and certainly not a psychopath) and made both the character of Batman, and the books he featured in lighter in tone. He became more like Superman and less like The Shadow. Unfortunately it meant that Batman went from a cool urban commando to a grinning idiot who ran around in the daylight, at least until he was rescued in the 1970’s by Denny O Neil and Neil Adams who returned him to his Gothic pulp roots.
What started as a Gothic inspired pulp vigilante book with a coat of Superhero paint (inspired by the success of the Superman books) turned into a genuine Superhero book, with a very MORAL character. Who deliberately chose not to kill, or use guns, and that is the Batman we have had ever since. The version that most of us enjoy and get all worked up about when live action film versions of Batman ignore his integral morality. The guy who swore off guns forever. The guy who refuses to use “the weapon of the enemy”.
Another perspective on why Batman does not use guns, other than the editorially mandated one, a story if you will in the Batman canon that never really happened, is WHY did Bruce Wayne suddenly decide to stop using guns, and killing people by pushing them over balconies, or the odd snapping of a bad guys neck?
I think another possible reason, if you like to ponder these sorts of theories and ideas – and you want to include all of the Batman continuity as a whole from 1939- to the present day, assuming it’s ONE GUY who has changed and evolved as a person – I think that Bruce Wayne realised the error of his ways after those first months where he was a very sloppy and careless Batman, who perhaps didn’t always kill on purpose, so much as inadvertently. Batman used a gun only sparingly – rather than charging in lighting up the night with a muzzle flare (except that time he had a machine gun mounted on a plane, kind of hard to ignore that one) – and I think Bruce Wayne evolved to become a more moral person, who saw what he was doing was wrong, and decided not to kill anyone on purpose, and that he would certainly never be an executioner ever again.
I think that perspective gives more credibility to the character, and more growth to him as a moral human being who starts out as a man-child punching crime in the face. A character who starts out obsessed with vengeance or revenge for the death of his parents, and evolves into a Batman who serves Justice, and who avoids killing at all costs, who ultimately wants to work WITH the system of law, by putting criminals in the hands of the cops, lawyers and judges. Rather than being someone like Frank Castle who wants no part of the systems of government and law that he operates totally outside of, Frank Castiglione skips the judge and jury and sends criminals on a one way first class trip straight to the coroner.
Batman wants the world to be a better place, Batman’s dream is not just Justice or punishment, but to live in a world where he is no longer necessary, while Frank Castle’s dream is just to wipe out as many monsters as he can before his inevitable demise, he has no end goal. Of course the idea of why he stopped using guns was sort of glossed over in the comics, there have been several key Batman stories that talk about guns, but it’s kind of this forgotten thing in his history and people are often surprised at those earliest stories to see him using guns. It just seems kooky and odd now, and we want to forget about Batman using guns and sweep that taboo stuff under the rug.
ALL YOUR GUNS… ARE BELONG TO US
We can take this contrast of the moral vigilante hero even further with the characters such as Dirty Harry and Judge Dredd and to some extent James Bond.
‘Dirty’ Harry Calahan is permitted to use “justifiable force” within his job as a cop. He is legally allowed to shoot the bad guys, if the situation can be reasonably justified as presenting a threat that requires that level of lethal force.
In the first Dirty Harry film, we see Calahan bending the rules, using force in excess of that which is necessary and eventually breaking the rules altogether when he shoots a subdued criminal at the end of the film. He then throws his badge away in the final moments of the film, as he knows he can no longer be a cop, and he has gone too far. Dirty Harry is a film that really was not intended to have a sequel. But sequels happened, because the films made money for the studio, Warner Brothers kept making them.
Somehow in the sequels Harry Calahan ends up back on the police force he walked away from in the first movie. He keeps right on using excessive force, to the point where he basically becomes like the Punisher, he often goes around executing criminals, not really even trying to enforce the law at all, yet he somehow still has a badge. By the third Dirty Harry film (The Enforcer, 1976) Harry is no longer content with just a Magnun gun to obliterate his enemies and uses a bazooka to blow away a bad guy in a guard tower.
The Dirty Harry film series was very entertaining, but utterly ridiculous as they kow towed to the prevailing paradigm of 80s action cinema – that of rising body counts and zero accountability from fetishized heroes who used lethal force, who changed from being somewhat realistic hard edged anti-heroes to over the top comic book like action heroes minus any morality or conscience.
“Dirty Harry is, perhaps like Rocky Balboa before him, also a keen dissection of the evolution of the action star from the 1970s to the 1980s. James Bond, for the most part, stayed James Bond. But Harry and Rocky changed as film trends changed. They both, in their respective first films, started out to be gritty and melancholic and kind of realistic. And both, by the fourth films in their respective series, had mutated into unbeatable, peerlessly heroic icons that were used in a somewhat jingoistic fashion by their fans. This was a movement from the depression and hopelessness of the Vietnam War to the blast-’em-all mentality of the Iran-Contra scandal of the Reagan years.” – Witney Seibold / CraveOnline – The Series Project: Dirty Harry
WE COME IN PEACE… SHOOT TO KILL, SHOOT TO KILL
The Batman / Dirty Harry / Punisher vigilante archetype is taken to the extreme with Judge Dredd. In a post-apocalyptic dystopian future, gigantic megacities are rampant with crime. The Judges are entitled by their job role to be judge, jury, executioner and cop all rolled into one, in an effort to streamline the process of law and justice in vastly over populated megacities. The “Judges” as they are known in the 2000 AD fiction are a drastic response to crime in a world where other alternatives fail.
Dirty harry as he becomes more lethal, more of a effective killer moves away from the law and justice, becoming an aimless amoral vigilante. Judge Dredd however kills as part of his job as a judge in Megacity 1. It is part of his job to kill, and the more effective a killer he is, the more effective he is at enforcing the law in his world. That is not to say that Dredd kills all criminals indiscriminately like the Punisher, he still has legal mandates to follow.
For people not familiar with Dredd, he is sort of like a combination of Dirty Harry and Batman. A bad ass vigilante type, who happens to be a law enforcer, who bends and sometimes breaks the rules, but who ultimately still has a morality to him that means he is not a pure fascist or sadist. Judge Dredd appears to be a fascist at a glance, but looking into his stories he doesn’t have a political agenda, he is both a parody of actual law enforcement and in his fiction a good cop, in that he does his best to actually enforce the law, even when he bends or breaks the rules he lives by as anti-hero characters often do.
“While sometimes Judge Dredd is a good man doing his best to save his city, he’s still part of a fascist system.
But the best part about this is, although America is still one of the greatest Judge Dredd stories out there, highlighting Dredd and the Judges as fascists really wasn’t anything new. In fact, it had been part of a major story arc that had gone on for a while.
To me, Judge Dredd is one of the most morally complex and interesting characters because of that key conflict. He’s a man who’s a part of a fascist system, but he and many other Judges aren’t doing what they do for power’s sake, they’re not doing what they do because it suits them. No, the Judges – especially Dredd himself – do the job they do because they believe that it’s right. That, under the circumstances, there really is no other way. That they put a harsh leash on the citizens, but only because the previous system of democracy lead to Armageddon.” – James Aggas / Judgedreddcollection.com
In a world that doesn’t make sense we often feel powerless and helpless. Characters such as Batman, the Punisher and Judge Dredd force the world to make sense on their own terms. We feel empowered reading these characters not because their solutions to problems are legally or morally right, and not because their solutions seem to work (temporarily) but because these characters appear to be both powerful and capable. In fiction heroes can take on the world and win.
However their examples are not sometime to emulate. Their actions just don’t work in the real world, with rare exception. For every Sunday Superhero who leaps in to rescue a citizen in distress, there are far more people we don’t hear about who get shot stabbed or killed trying to help someone out.
Batman, The Punisher, Judge Dredd and Dirty Harry are terrible terrible role models. But we love these characters because they are power fantasies, the characters look cool and powerful, and most of us would rather feel cool, powerful and in control of our lives than helpless and afraid.
Nobody wants to be adrift in a sea of emotional chaos where down is up, up is down and we don’t know how to make sense of the world. Tough guys, loners and antiheroes like regular heroes are ciphers, characters we project ourselves onto and vicariously enjoy for their values and hardline uncompromising attitudes. They can’t succeed outside of their own fiction, in real life we are often forced to compromise and do things we don’t want to do, often it can be soul destroying and it’s not a matter of choice, but survival. That kind of hardline no compromise attitude rarely works in the real world.
That hardline attitude may work well temporarily in places like combat sports or the military, but those environments still have rules, and the real world has no rules, just human idea constructs smooshed over top of what we call life. And in life we have to find our own way and make sense of things – the world is not black and white, but endlessly complicated, expansive and multidimensional.
BAT… JAMES BAT
We can’t escape from the 70’s Batman and fully understand 80’s Batman without a nod to the prolific James Bond. Forties Batman was grim and gothic, fifties Batman was a grinning idiot who ran around in the daylight, late fifties and early sixties Batman had increasingly bizarre adventures in space and other forgettable stories. Seventies Batman moved back closer to his roots, bringing back the Gothic dark elements of the character, while adding an exotic globe trotting James Bond angle to the Batman mythos, before moving into more grim existentialist flavored Batman stories in the eighties.
James Bond, in any incarnation is not a vigilante. He is a spy, a tough guy and a loner however he works for a British government spy organisation. He has a famous “license to kill”. It’s an unavoidable part of his job to kill. His portrayal has veered from serious to outlandish and comical and stone cold serious again through the different actors, and tone of the various movies. From high camp, to straight action to gritty intense emotional drama, Bond has done it all. He’s a very effective fighter, killer and spy. He makes for a great contrast with Batman, Dredd and Dirty Harry. We can see the overlap in their methods, their morality (or lack of) and the dangerous situations they all face on a daily basis. Leaving these guys aside for a while, let’s take a look at some of the overall trends in action heroes in cinema and comics during the 70’s and 80’s, and then see how it all relates to, or influences Batman media.
BACK……..TO THE 1980’S
If you look at the history of american action movies you have your war and western films, film noir, detective stories of hard boiled gum shoes and the like, and as the war and western movies died off in the 50’s and 60’s you had the rise of the loners, the outsiders, tough guys, and antiheroes typified by actors like Lee Marvin in Hard Boiled, Charles Bronson in Death Wish, Clint Eastwood in Dirty Harry.
As the straight laced 60’s action heroes gave way to more grim anti-heroes of the 70s, and excess over the top body count of 80s action cinema the cowboy/cop/soldier turned into the loner /outsider/antihero. The hero archetype in cinema moved from establishment to anti-establishment and back again, taking on new forms and permutations. The trend continued in the 80s with new wave action hero’s such as Stallone and Schwarzenegger who were as famous for their imposing physiques as their high bodycount movies and non-stop blood thirsty action.
In the 80’s out were the straight laced serious cop/cowboy heroes and in was super-human murder death killing machines such as The Terminator and Rambo. Chuck Norris, Steven Segal, Jean Claude Van Damme and others continued the trend of Stallone and Schwarzenegger in B-grade cinema where the selling point was the high bodycount, martial arts expertise, military commando’s and other types of extreme hero killing machines who dominated the decade. The lone hero or anti-hero with the highest bodycount and the smartest one liner and baddest attitude that started with Lee Marvin, Charles Bronson and Clint Eastwood evolved and devolved in the 80’s to new forms.
Heroic trends shifted from establishment to anti-establishment to jingoistic pro Americana war propaganda and back again.
“RIGGS IS CRAZY!”
But the 80’s was not just home to near super-human killing machines, but was also the decade of rogue cops on a revenge mission and sci-fi, technology, A.I. and Trans-Humanist fears with Robocop and The Terminator. The crazed 70’s cop on a revenge kick morphed and blended with the 80’s excess new breed of action hero. Martin Riggs in the first Lethal Weapon is tough yet vulnerable, by the fourth film in the series, he has become a parody of himself, he still gets hurt, but we know he will always come out on top like Rocky and Dirty Harry. The heartfelt portrayal of the genuinely suicidal Riggs continued the new trend of sub-genre PTSD that was firmly established in The Deer Hunter (1978).
Alongside these new special effects heavy blood thirsty action movies was the usual glut of B-grade Kung-Fu Killer imports that trickled down the pipeline and eventually gave way to American teenagers new obsession with Deadly Ninja films.
It didn’t matter any more in this crowded action-genre market whose side the hero was actually on. What his values, ethics and mission were – only how big the explosions were, and how many people he killed during his mission or journey. James Bond who had dominated the action movies of 60’s had become a relic by the 80’s – he was no longer cool. What was cool was pointless mass carnage, excessive blood and explosions, abstract violence as pop-art – a trend that ironically James Bond himself helped to start in his earliest films, this trend continued throughout the 80’s as “me-too” Z-Grade action movies appeared on the video rental shelves next to the big budget action blockbusters.
WHERE DID YOUR BAT-MANNERS GO OLD CHUM? (A.K.A. BATMAN IS A BIT OF A BASTARD)
As these types of new wave heroes and anti-heroes invaded comics along came Wolverine, Judge Dredd, The Punisher and of course Batman became more of a hard ass in the 80’s. If 70’s Batman was typified by James Bond style globe trotting adventures by Denny ‘O Neil and Neal Adams, the 80s were about grim and gritty Batman, none more grim and gritty than Frank Miller’s Dark Knight Returns, a tought ruthless bastard who was equally likely to sneer or laugh at you as he broke both your arms…Miller’s semi-sadistic vision of Batman overshadowed every other Batman story in the decade of Miami Vice, new wave pop, hair metal and hip-hop. While Wolverine and The Punisher debuted in the 70’s, it was the 80’s were they graduated to their own titles and found new fans as they became a popular ultra-violent alternative to mainstream superhero comics,.
No other writer had written Batman so gruff, stand offish and downright mean as Frank Miller in The Dark Knight Returns. This was Batman as Dirty Harry, Batman as Judge Dredd in another costume. Gruff, uncaring, stand-offish, he often spoke in short sentences with a commanding tone that other Bat writers over the years picked up on.
The team of John Wagner and Alan Grant in (issue numbers) ran with their own version of this hard bastard Batman in a fantastic run of comics. John Wagner, Alan Grant and Norm Breyfogle’s gave us a breif fan favourite run on Detective Comics staring in 1988, in Detective Comics #583-594; 601-621 (thanks to FamousFanBoy for the reference).
For people who grew up on and only knew Batman from the campy 1966 TV show starring Adam West and Burt Ward, this hard cynical violent Batman of the 80’s seemed excessive, mean and horrible, a betrayal of their childhood character.
But for hardcore Batman fans, it was a return to the roots of the Gothic vigilante who terrorized the criminal underworld before he was castrated by the Comics Code Authority and his stories turned into a saccharine dayglow fever dream of political correctness. It was more of the hard bastard 80’s Batman who fans greedily devoured and asked for seconds.
With the influences of Miller’s Dark Knight Returns Batman and Wagner’s Judge Dredd, Batman in the 80’s was a tough bastard who grew more dark, grim and cynical. In short he was becoming more like the modern Batman we know. Some would call him a fascist, or mentally unstable. But no matter what label was thrown at the Dark Knight, none of them could really stick, or at least not for long as a new fresh interpretation was always just around the corner.
Many of his regular monthly stories reflected the regular version of Batman fans were used to from the 70’s. But the hunger for for a harder edged Batman would reach it’s peak with the 90’s Knightfall storyline, where Batman / Wayne is replaced by nutcase Jean Paul Valley, who uses deadlier weapons and becomes a parody of Batman while trying to replace him.
In the modern era we get a composite Batman. The athletic James Bond Batman of Neal Adams, the hard cynical bastard Batman of Frank Miller, the relentless manhunter Detective of Paul Dini, the Gothic Dark Knight of Bob Kane & Bill Finger and other great Bat-writers. The modern Batman is a mix of all these great elements, and the whole of Batman is greater than the simple sum of his parts, his diverse writers, artists and influencers.
He can be grim and cynical, he can be the light hearted Lego Batman or Adam West Batman, he can be eerie and creepy Batman in Kelley Jones horror stories, he can do it all. Batman is tough, he’s an awesome idea, nobody is going to break him by writing a bad story, Batman’s been around too long and is so damn cool and brilliant that he can do it all. Fighting white martians, fighting Superman, fighting sharks and jumping sharks, he’s been there, done that and now he’s ready for more.
“…this is the most perfect version of Batman ever. Wagner and Grant’s Batman is the gritty, damaged Miller version, merged with Morrison’s “love god”, merged with the father figure who raises and nurtures Robins, merged with the super-hero from the pages of Justice League. He’s every Batman, it’s all in him! – Paul C. / FamousFanboy/Blogspot.com.au
While Alan Grant was a prolific Batman writer in the late eighties and into the nineties, his collaborator John Wagner contributed to only a select few Batman stories. Its makes his contribution however small that much more special. I’m not saying he is more important than any other Bat-writer over the decades, but to get to the modern Batman we love you have to go through Dirty Harry and Judge Dredd and Frank Miller’s Batman – the same way to fully understand the Golden Age Batman you need to know about Zorro, The Shadow, Doc Savage and Superman. Frank Miller’s influence is significant, but often over stated.
To follow the trail of the smiling daylight cop Batman to the dark detective Batman, his diversion into sci-fi bizarreness and high camp and a return to the darker Batman that revisited his Gothic roots from Detective Comics #27 you have follow the reinvention of characters at DC lead by Julius Schwartz such as the Silver Age Flash, which leads into Denny O Neil and Neil Adams Dark Knight Detective of the seventies, which leads into Doug Moench’s Batman of the 80s, Miller’s Dark Knight, Kelley Jones’ gothic horror Batman, Chuck Dixon stories of the 90’s. Paul Dini’s Batman Animated stories, Loeb and Sale’s Halloween stories, and all the regular amazing talent on the monthlies up to the modern day with fantastic runs from brilliant writers such as Grant Morrison and Scott Snyder.
POST POST POST MODERN CAPE AND COWL
Batman comics group editor Denny O Neil’s overall influence on Batman from 1970s-1990s cannot be understated. He has been involved with the character as a writer and editor for longer than any other individual, he was in the unique position to help reshape Batman from irrelevance to pop-culture juggernaut.
You don’t get Miller’s Dark Knight Returns, Nolan’s Batman Begins or Snyder’s Batman v Superman without the groundwork laid by Denny O’ Neil and other talented bastards over several decades. Denny takes Batman seriously, he respects the character and puts him in challenging situations where he is forced to rise to the challenge and use all his skills. Denny’s Batman is perhaps the most human. He fails, he expresses remorse, he is not invincible, unbeatable, nor any sort of Bat-God under Denny O Neil’s pen.
Denny is perhaps the most significant writer to have ever worked on Batman next to his co-creator Bill Finger. His background as a crime reporter / journalist led him to include social and sometimes political commentary in his Batman stories in a seamless way that integrated with the core themes of Batman and whatever case the world’s greatest detective was trying to solve that month.
Denny ‘O Neil along with other new generation writers of his era lifted the craft and quality not just of Batman, but the superhero genre of fiction. Putting real world issues into populist cheap entertainment gave Denny’s stories a more timeless feel. While some of the dialogue in those older stories can be a bit hammy, the themes of his stories still resonate today. With Neal Adams’ anatomically accurate drawings, and cinematic dynamic storytelling style, together Denny and Neil redefined Batman for an entire generation of Batfans.
Including Batfan Paul Dini who (along with Alan Burnett and Bruce Timm) would redefine Batman yet again in the 90s with Batman the Animated Series, creating one of the the most definitive and enduring versions of Batman beloved by fans around the world.
NEW WAVE HEROES AND ANTIHEROES SETTLE IN
The new wave of western anti-heroes such as Clint Eastwood’s Blondie in For a Fistful of Dollars were seen as sheik, uber-cool nonchalant ass-kickers by the youth, and needlessly cruel and violent by the older generation who had grown up with relatively bloodless Westerns and exaggerated morally perfect heroes typified by John Wayne, Gary Cooper James Stewart and other stars. Sam Peckinpah continued the trend of bloody Westerns featuring unlikable and often downright villainous – yet human – characters.
With “emotional realism” taking precedence in the late 70s into the 80s, many stories in both films and comics also brought a kind of cynicism and existential meaninglessness that is still today often mistake for “realism” in general, rather than as a sub-genre of the “realism” movement that swept into film through the seventies, echoed a couple of decades later in TV and comics by the likes of Oz, The Wire, and The Walking Dead.
From the 70’s to the 80’s we had the end of the John Wayne moral Cowboy / War Hero / Lawman characters and the rise of the anti-hero and excessive violence. This was the era of Wolverine and Judge Dredd, of Frank Miller’s Daredevil and Batman, of Dirty Harry, The Terminator, Robocop and Rambo. The trend of new wave surreal realistic violence started by genuine passionate film makers such as Sam Peckinpah devolved into mindless blood letting, bigger explosions and body counts, and a sort of amoral glorification of pro-american killing machines masquerading as fetishished unbeatable soldier heroes and one man armies on revenge missions for America.
Even the anti-war film Rambo, the grim and gritty tale of a shell-shocked Vietnam veteran who is unable to return to civilian life (a new sub-genre of film showing the real life after effects of the Vietnam war – rather than the glory and propaganda of earlier war films – first touched on in the in the PTSD infused The Deer Hunter) devolved into a remorseless killing machine in his sequels, depicting the jingoistic consequence free fantasy violence that the first film spoke out against.
The tie in jingoistic 80’s cartoon depicting John Rambo leading a team of “me too” G.I Joe type team on missions where rocket launchers, grenades and realistic automatic heavy artillery led somehow to blissful bloodless resolutions to american foreign concerns in exotic locations further eroded whatever credibility Rambo had established as a character in his first appearance. Further even bloodier sequels would cement Rambo’s memory as another 80’s murder/death/kill machine, drowning out the tone and message the first Rambo film established in a deafening roar of semiautomatic gunfire and garnished with a tidal wave of empty shell casings.
…AND THE REST
James bond continued to do what he does best through the years, leading from the lukewarm Bond of the 80’s to the politically correct but underwhelming Bond of the 90’s – Bond remained somewhat unpopular – as even the cold hearted killer BOND looked tame and boring next to the existential cool of Clint Eastwood or the bad boy outsiders like Judge Dredd, Batman and Wolverine who appeared in the late 70’s and early 80’s.
As the 70’s ended, so did the era of John Wayne, and moral cowboy heroes and conscience of America for several decades. The Duke starred in his final film The Shootist (1976), a somber small scale western film about an aging gun fighter dying of terminal cancer. Directed by Dirty Harry’s Don Siegel, it’s the film nobody really expected to see after John Wayne’s semi-retirement from cowboy film in the 60’s.
James Bond continued on through the 80’s, and moving into the 90’s attempted to reinvigorate the franchise with Pearce Brosnan in four films (and a non canon video game) that were an odd mix of poorly implemented political correctness and other 90’s cliches that failed to modernise Bond in any meaningful way. They were still fun films, but lacking in many ways. Brosnan was excellent as Bond, but the writing was not up to the standards it should have been for such a beloved character.
Not until the success of Batman Begins and The Bourne Identity did James Bond successfully move out of action adventure movie limbo (and legal dramas behind the scenes) to be reborn a meaner, more handsome, more clever and capable Bond than any we had seen ever before. The sense of humor and knowing winks to the camera of the Connery and Moore era were gone, this Bond was all seething rage, pain and pathos, this was James Bond: Year One, a reinvigoration of both the character and franchise that continued on for several films. Things had come full circle as 70’s Batman was heavily influenced by the cinematic James Bond, and decades later James Bond was heavily influenced by the cinematic Batman.
Further permutations of the vigilante archetype played out through the eighties and into the nineties. One of the more interesting comic book oddities was Marvel’s Moon Knight.
Moon Knight was a creation of prolific Batman writer Doug Moench.
Having penned many Batman excellent stories, Moench created Marvel’s most superficially Batman-like character “Moon Knight” in the late 70s. What was similar was the costume, money, gadgets, vigilante schtick and war on crime, what was different is that Marc Spector was formerly a mercenary, a cold blooded killer who was reborn as Moon Knight, whose new superhero mission was to serve as the avatar to Khonshu -the Egyptian God of the Moon.
Moon Knights depictions would vary over the decades from being a moral hero, to psychotic, to multiple personality disorder and schizophrenia. Moon Knight then is a Batman like character who is genuinely crazy, who sometimes kills, while still basically being a moral hero on a mission. Loose affiliations with the Defenders, Avengers and other teams mean Moon Knight varies in his personality and depiction as much by writer as because of his multiple personality disorder and supernatural origins.
While superficially similar to Batman, the Moon Knight stories are different enough to make him a genuinely interesting and even unique character.
I hope you’ve enjoyed this quick tour of Batman’s vigilante contemporaries and influences. Coming up in a future article I’m going to take a look at the Golden Age characters who are part of Batman’s DNA like The Shadow, Doc Savage and Zorro.
So stick around, there is plenty more to come Batfans.
It’s that mid year period when I’ve got a few articles up, a bunch more nearly finished, and many many more still in the draft stage.
At any time, I have more articles I want to write, than time to write them.
Which is why I play the waiting game. I’d love to be able to write more often on this BatBlog, but in the real world I gotta work and this blog is just a hobby.
Just because it’s a hobby does not mean I not 100% committed to making every article the best damn article it can be. I’m never entirely satsified with anything I write, becase I know it can be better, you can tweak things endlessly, or you can write them, edit the hell out of them, and get them out there for people to read.
Blog writing needs frequent updates to get good search engine results. But I write infrequently, so it means this niche audience for this blog is you my friend.
Batman may be the biggest and best fictional character on the planet, but a blog dedicated to looking deeper into every aspect of Batman is not for everybody. Some people just want to see him punch crime in the face on a the big screen and then go home.
Some want the monthly comics. Others are all about the collectibles. There are those who love superhero mythology, or just enjoy a good story. I love all of it, the movies, video games, animation, toys, LEGO Batman, DC Comics Batman, pink and purple glow in the dark Batman – I don’t care – I love it all.
Whatever type of Batfan you are, I hope you find something to enjoy here.
I like to under promise and OVER deliver, rather than the reverse.
Actions speak louder than words, I could write an editorial every month, but that is time away from actually writing. So 2-3 a year is plenty for me.
I just wanted to reassure new and long time readers there are plenty more good articles on the way. Some you’ll like, some you won’t. That’s okay, nobody is going to like everything, I like to mix it up and do different things.
This year I’m going to switch my focus to two major things that 90% of Batfans love.
The Arkham Asylum video game series and Batman: The Animated Series (from the 90’s)
Fans univerally love those two licensed properties, and I wanted my blog to start with just the core of Batman, the character himself before branching out into other things based on the character and his comics.
I’m thinking I’ll spend a good six months writing JUST on B:TAS and the Arkham games. I’m going to focus on the concepts, and ideas behind these properties, the art style, their impact on Batman media, who the various talents are behind these properties and other fun stuff.
My next article will be up later this week. It’s done right now, it’s a cool piece where I look at Batman and action heroes of comics and cinema in the 70’s and 80’s. I could post it right now, it’s done, edited, has 5000+ words, lots of purty pictures but you know….
I don’t like to rush things out the door. In manufacturing, when a product is complete, its sits and does a whole lot of…. NOTHING. It does so much NOTHING it can drive you crazy, it just sits there taking up space MOCKING YOU.
Until the Q.C. (that’s quality control if you never been a willing slave in any type of industrial manufacturing building of loud noises and low pay) guy or gal comes to town. The Q.C. brigade are quick draw artist, if they don’t like the cut of your gib, they will slap a big bright sticker on your product to make sure it goes nowhere, and does even MORE nothing.
Quality Control stops by these here parts regularly, and real surly like they say “John, this here product done look real good, but… you DO know Batman has two ears, NOT one. You’re gonna have to fix that before we let this article out the door. We send that out and we’ll all look like Bat Idiots here at the Batitude Madeup Multimedia Corporation.
So when I finish an article, I let it sit. Then I come back to it and give it the final Q.C. inspection before shoving it out the door to fend for itself in the world. And even then there are STILL typos. Yes I KNOW. I go back now and then fix them up, it’s just unavoidable really.
That’s about all I have to say really. Well one more thing, I guess.
My published post count so far here is 72, the articles in draft are at 142. Some of those drafts will be scrapped, but at least 100 of them will be full articles.
I also have over 200 other different Batman themed articles planned out in a hardcover journal. So while the articles may be infrequent, there is a lot more to come…
I hope you stick around and have enjoyed what you have read here so far. If you’re new, check back once or twice a month for new stuff, and hit up the old subscribe via email down the right side of the screen there (big orange box) under my smug mug back at the top of the page.
My favourite version of Batman is the Denny O Neil / Neal Adams globe trotting James Bond inspired Batman of the 70’s…
My favourite Batman is the relentless Manhunter Paul Dini version in Batman the Animated Series…
My favourite Batman is the ass kicking one man army we get in the Arkham Asylum video games…
My favourite Batman is the uncompromising driven Batman we see in Chris Nolan’s Batman Begins…
Truthfully I have no “favourite” version of Batman.
In my mind I do, but he’s a composite of everything that has been in 70+ years, of comics, games, animation, TV, movies, art and more – and some things I add in my own imagination of my ideal Batman that reflect my own values. My ideal Batman is the archetype of Batman himself, the very IDEA of Batman is my favourite version.
A man is just flesh and blood and can be ignored or destroyed. But as a symbol… As a symbol, I can be incorruptible, everlasting – Bruce Wayne / Batman Begins
Batman is a clearly defined character, but he is also a cipher – he’s this template or archetype who is whatever we want him to be, he reflects our values today, and his characterization shifts over the decades to mirror our values.
In my mind and in my heart of hearts Batman is the guy who channels all his pain and anger and frustration into his war on crime, his life is one of service to a higher good that he probably doesn’t even comprehend or think about.
Batman will never solve / fix / end crime permanently. He knows it and we know it.
There are cops out there in the real world who do an amazing job. Sure there are bad eggs that we hear about in the media, but most cops are honest hard working stiffs doing the best they can to function in a corrupt system. They don’t expect to solve crime forever, and neither would we expect them to.
Expecting Batman to solve crime is unrealistic and well… a bit silly.
Do you expect a fireman to put out fires permanently?
Or do you expect them to turn up when the shit hits the fan and do everything in they can in their power to be of service?
Batman is like an emergency response unit. He turns up to whatever crisis he can, as often as he can, and then he moves on to the next crisis.
ALWAYS BE BATMAN!
BUT WHAT CAN ONE INDIVIDUAL DO?
Not solving crime forever is not some sort of failure on Batman’s part. His strength is standing up and saying;
“I’m one guy, look at the difference I make in the world, look at what ONE person can do who has a real mission in life”
It might seem like bullshit, but, well…
Gandhi was one person.
Martin Luther King was one person.
Einstein was one person.
THIS MOFO ABSOLUTELY WILL NOT STOP
Batman is an incredible example of relentless determination, of unrelenting fury and passion and pain channeled into a single cause with an unwavering laser-like focus and precision.
His commitment is total, he never gives up, and he absolutely will not stop doing the best he can, is his unique way to be of service to the world.
He’s not a saint, you could say he’s not even a hero if you like. But what he is an unrelenting force of nature, he’s all the dark and scary shit you don’t want to deal with in life manifested in a single wraith-like form . He’s all that and more, he doesn’t run from fear and pain, he is fear and pain. And as a manifestation of all our unconscious dark scary psychological stuff, he still ultimately is a servant for good.
If you don’t believe me, take a look at that white light that shines from his eyes. He may dress in shadow, but’s he here to help.
Batman’s greatest strength is not only that he does not give up on himself and others,not only that he stands up for his values and makes a difference in the world, but that he is an a living inspiration for others to do the same, to stand up for what they believe in and make a difference in the world.
I’ll leave you with some words of Bat-Wisdom from one of the wisest Bat-Brothers on the planet, Rabbi Cary Friedman, who sums up Batman better than I ever could:
“One of the most pervasive themes of Jewish religious tradition is the endless capacity for human greatness. Not surprisingly, this is a constant message of Batman comic books: How far does human potential extend? The Batman stories are unequivocally clear: to infinity. There is no limit.” – Cary A. Friedman, Wisdom from the Batcave
“This lesson about the endless capability of every human being is the single most important theme of Batman. It is this greatest of all truths that defines the essence of the Batman and accounts for his enduring appeal. The Batman, more than any other literary character, reminds us that every person has an infinite capacity for achievement.” – Cary A. Friedman, Wisdom from the Batcave
“A great rabbi used to say, “I never asked myself if I could do it. I only asked myself if it needed to be done.” In his relentless struggle against evil, the Batman never asks himself if he can do it; he asks only if it needs to be done” – Cary A. Friedman, Wisdom from the Batcave.
To be like Batman means to be uncompromising in what matters most to you in life.
To never compromise on becoming the greatest version of yourself you and only you can imagine and realize.
What I love about Batman more than anything is his ATTITUDE to life.
It’s an Attitude that does not sit back and ask permission or make excuses in life, Batman’s Attitude is all about:
“I CAN and I WILL,
I DO and I DARE”
I love Batman’s mental focus, I love his clarity of vision and relentless determination towards any goal or task he sets himself.
I love his laser-like focus, that unbroken gaze of awareness that blazes through all obstacles like a force of nature.
Batman makes bold strides towards his goal or mission one step at a time, one breath at a time, one idea at a time.
Batman is fiction, he ain’t real.
Batman is only an idea.
Our Thoughts are only ideas.
And our Attitudes are ideas given focus.
BATITUDE is where fiction, pure ideas, dreams and YOU meet in a timeless ever present reality, the reality of your own mind.
To be like Batman means seeing the best and worst in yourself and not letting any of it hold you back, but instead using the conditions of your life to propel you forward like a Bat out of Hell.
You don’t make excuses not to do what truly matters to you.
Instead you make excuses for why you HAVE to do something that passionately madly matters to you.
To Be Like Batman means having an uncompromising attitude to living your highest values and total accountability for your actions.
To Be Like Batman means kicking ass and taking names, and the person whose ass usually needs kicking the most is our own. We need to kick the ass of crappy thinking, of small ideas and excuses for not living the life we know we ought to live, we need to kick the ass of our own attitude and limited beliefs, any idea that says;
“I can’t, I’m no good, I’m worthless, I am shit, I am hopeless, I am too big/small/fat/tall/skinny” – every one of those limited and false beliefs needs nothing less than the unrelenting fury of the Batman Attitude to life, the Attitude of never ending learning and self-growth and a determination to be the most authentic sincere and true human being we can be. The Attitude of high minded intentions and simply daily steps towards living those ideals and intentions.
BATITUDE means getting out of your own way, putting aside small excuses, putting aside small ideas and stinking thinking.
BATITIDE means accepting the responsibility for living life on your own terms and not second guessing yourself.
BATITUDE doesn’t mean charging forward blindly in life, with a scattershot attention that jumps from one thing to another.
BATITUDE means taking focused and precise actions towards our goals and daily tasks in life, being immune to criticism from others.
BATITUDE means having an unwavering laser-like Zen focus that destroys all perceived obstacles calmly and effortlessly.
BATITUDE means “praying not for an easy life, but the strength to endure a difficult one”
BATITUDE means accepting problems and difficulties are the necessary fuel on the road to greatness.
As a trained hand knocks in a nail precisely and accurately with a hammer – our own minds, our own actions, our own Attitudes are as precise and focused as we train them to be.
Why waste time being mediocre?
Be the best you can be!
Not in comparison to anyone else in the world, be the best YOU that only you and no one else on the planet can be.
“Batman is a metaphor for the alchemy of our own soul. He symbolises how to integrate and transform our darkest impulses and direct them toward our highest good.” – JOHN SORENSEN
YES FATHER… I SHALL BECOME A BAT
Batman symbolically represents the darkness that is in all human beings. Not just potential darkness, but the darkness that is factually in all human beings, whether we acknowledge it or not. Those who claim nothing like that is in them, are most at risk to succumbing to their own disowned behaviors through total ignorance of them.
Other fictional characters who we could call avatars of darkness and shadow include Dracula and Darth Vader – characters who have surrendered to their darkest, most murderous, primitive and single self oriented survival impulses.
What distinguishes Batman is that he walks the line between darkness and light – choosing not to kill. He skirts around the edges of the abyss, he’s been there and knows the temptations that would lead him down the path of total surrender to darkness like Darth Vader. Unlike Darth Vader, Batman has journeyed into darkness, into the very depth of his own mind, heart and soul, seen what lives there, what drives him and used that power, harnessing it for his own ends, rather than becoming a slave to darkness or evil like Darth Vader or Dracula.
Integration is key. Being all light is as dangerous as being all dark, simply because denial of emotion is what feeds the dark – Brene Brown
Seeing the existential abyss of darkness for what it is, Batman transcends and includes all his pain, his miseries, his best and worst qualities. He transmutes it all into an unwavering passion for his vengeance or justice driven mission as Batman.
So let’s take a look how dark Batman is, and how he uses that darkness as a weapon, along the way we’ll also take a quick look under the cowl to check on his mental health and see if those internet fan theories can hold any water.
BATMAN – SAVIOR OR HERETIC?
Batman accepts all that he is; the good, the bad and the ugly. He makes no apologies for his flaws, and if anything he is his own worst critic -taking on the responsibility of the world when it is not truly his responsibility to fix the world (of Gotham City) and nobody ever asked him to.
Batman does not suffer from introjection – that is the unconscious “exterior” voices of societies values, his parents and heritage. If psychological Projection is the disowning of your own qualities that you project and see externalised in another, then its opposite is Introjection: turning inward something that belongs outside.
It is a small but key distinction in Batman’s psychological make up, but one that many people fail to notice when they project their own fears and insecurities onto Batman and assume he is like us. He’s not like us, Batman lives at a higher level than we do. Rather than try and become more like Batman, those fans and critics have tried to make Batman more like themselves, assuming that he must share their flaws, rather than having transcended them. The road to self-knowledge is filled with many pot-holes of ignorance.
Batman makes conscious what lives and thrives in darkness. Batman is not afraid to look into his own mind, his own soul and see all his failures and bad habits. Bruce Wayne lives in alignment with his core values. To get from being Bruce Wayne to becoming Batman means a journey into the mythic, into the recesses of Bruce Wayne’s heart, mind and soul, stripped bare and laid naked, he is reborn in a baptism of pure darkness, everything unessential falls away until there is only the Bat and his mission.
You can call Batman a nutcase, an eccentric, an unholy warrior on a mission of vengeance, or just a man who decided to do something different to process his trauma over the death of his parents, by dedicating himself to a worthy cause. Super-heroes do tend to have the mind set of wanting to save the world, or at least leave it a less shitty place than when they entered it. It’s part of their attitude and psychological make up. It’s what distinguishes them from non-heroic individuals. They are here to make a difference and don’t sit on the fence.
The “save the world” mentality is something that exists in individuals here in the real world too, and it has its healthy versions – serving food to the homeless, fundraising for community and charity projects – and it’s unhealthy pathological versions –
suicide bombing, acts or murder, torture, terror etc for the often delusional perceived higher good (for the State, for God etc).
THE STATE OF BATMAN’S MENTAL HEALTH
Arrogant, angry, stand-offish, emotionless, doesn’t work well in teams, shuns help from others, psychotic, a mentally ill man child. Sound familiar?
What is the state of Batman’s mental health, and who should we trust on this subject? There is no shortage of internet fan theories about the state of Batman’s mental health, some of them make good valid points, some are partial truths – while others are just plain old Wrong with a capital “W”.
“He’s an angry repressed rich boy who takes out his frustration and anger beating up criminals”
“He suffers from PTSD, depression and can’t let go of the death of his parents”
“He’s a schizophrenic savior who suffers from messianic delusions”
I am continually amazed at some of the ideas I see posted online about Batman that make it obvious that some people either have not read many Batman comics, or don’t know how to use the dictionary.
Coming up with a fancy theory or great sounding idea does not make it true no matter how much you want to believe it. That also applies to myself and my articles here. Feel free to disagree with any of them. Feel free to write a rebuttal or prove them wrong. In my mind I’m right, but I know other people with very different opinions about Batman who also FEEL they are right.
For example there are people who would label Batman a psychotic, a schizophrenic, as suffering from post traumatic stress (reliving the pain of his parents death) or any number of other conditions. Robert E. Terrill has written a thoroughly engrossing article that uses Jungian ideas and terminology to categorise Batman as a Schizophrenic acting out his delusional dreams because he is unwilling to do the real hard work of true psychological integration.
The article Put on a Happy Face – Batman as Schizophrenic Savior by Robert E. Terrill you can find online as a PDF, it’s about 18 pages long and well worth reading – but keep in mind this article deals with the 1989 movie version of Batman, not the Batman from the comic books. It is worth reading though, even if you strongly disagree with it as I do.
Robin’s published book on the Psychology of Batman addresses each one of the various things he may or may not suffer from. She cuts through the confusion of Bat-Mind-Theories like a brightly lit Bat-Signal in the night sky.
Point by point, Robin Rosenberg states the essential criteria needed to satisfy being considered as psychotic, schizophrenic, PTSD, personality disorders and more. And by and large Batman meets some of the criteria for various disorders, but not all of the criteria to meet the requirements as having any of those conditions.
I tend to trust her point of view over fanboys and fangirls as Robin Rosenberg is a trained Psychologist, as well as a fan of Batman and other superheroes. It’s also possible she is wrong, but I urge people to make up their own minds and not take my word for anything. Robin has also been talking, lecturing and writing about human values and heroes for over a decade, so you’ll excuse me if your “Batman is nuts ‘coz my brother ‘sez so” theory doesn’t hold much sway with me.
There is a fair bit of information and misinformation (mostly on the internet) about the state of Batman’s mental health, usually from people who misuse the terminology of Psychology to make it sound like they know what they are talking about. That Batman meets some of the criteria for various types of mental illness lends credence to those half baked fan theories you read online on reddit or Quora.
Batman is an emotionally stunted man child who refuses to grow up and takes out his frustration and unresolved pain from the death of his parents by punching people
Some people think Batman is a Schizophrenic, others say he is psychotic, or has post traumatic stress disorder, depression or any number of other behavioral dysfunctions. It’s easy to see Batman as this hyper-aggressive psychotic lunatic if all you have ever read is Frank Miller’s version of Batman, which is purposefully and masterfully exaggerated and over the top, as are most of Miller’s stories.
Can Bruce Wayne ever be truly mentally healthy and happy, as long as he is Batman?
One perspective is that As long as Bruce Wayne is Batman he will never be happy. He will never settle down with a wife, he will never have kids, he will stay angry, repressed, antisocial and guilt ridden over the death of his parents death as long as he is Batman. Batman thrives on guilt and pain, true forgiveness means letting go of being Batman.
Another contrasting perspective is that Gotham and the world needs Batman, and that he has overcome his pain and insecurities and fears. Batman continues his war on crime not out of pain over the death of his parents, but remains Batman as a tribute to them and their community service. Bruce Wayne continues being Batman as a service to Gotham to honor his parents and what they stood for; social justice, reform and standing up for a cause, living your values etc.
Batman can be many things, and is open to multiple different equally valid interpretations. It is part of the strength of the character that every fan has their own idealized Batman, and no two fan versions of Batman are exactly the same. But there is enough of the character that remains recognisable so when we talk about Batman, we can understand each others unique perspective.
And that is what it comes down to. There is no objective criteria for what Batman is, and what Batman is not. It’s all subjective. But good writers, and smart thinkers, tend to think at least some of the same ideas about the character, and that mass consensus of what we agree upon tends to form the picture of Batman the majority of us have in our minds.
Writing something that sounds plausible is a good way to keep the wheel of misinformation going. However long term Batman fans tend to look below the surface, they tend to go a bit deeper in life for answers than internet fan theories etc.
All of these contrasting ideas strangely play into the myth and strengths of Batman – to some he’s a vampire, to some he’s an urban commando, to others he is a ghoul in night, an unkillable wraith, more shadow monster than man. An unstoppable force. Something to be feared and talked about in hushed tones, because if he hears you… “LOOK OUT! Aw gees, the BAT! Run!”
Batman then is an urban boogeyman. So all of those crazy fan ideas you read about online are quite valid, even if you disagree with them. It’s all part of Batman’s mystique, his confusion and distraction while he accomplishes his mission. He wants you to think he’s crazy, he wants you to think he will do anything, that he can’t die. Batman wants to scare the living hell out of you, and he enjoys doing it.
Robin Rosenberg gets the final word on how nutty Batman may or may not be in her succinct book What’s the Matter with Batman:
Assuming that by Dissociative disorder, you mean DID, he is nowhere close to having that. He would only have paranoid schizophrenia if everything about him being batman was a delusion.It’s really hard to peg what, if any disorder he would have. The funny part about it is that one of the defining characteristics of having a mental illness is that it has to impair functioning in your life.
And one could argue that he successfully leads two lives, so there is no impairment, or his having to lead two lives IS the impairment.In any event, the only thing I could confidently say he suffers from is Depression, for obvious reasons. If I were to extend so far as to say that he had a personality disorder,
I’d put my money on Narcissistic Personality Disorder.Personally, I don’t think he has any real mental disorders outside of depression. He is a just a very rational introvert who made a very strange decision that most of society would see as a terrible, and downright crazy idea. – Robin S. Rosenberg
Of course if you want to believe Batman is truly crazy delusional, then The Batman Complex fan made video is made just for you…
I KEEP MY EYES WIDE OPEN ALL THE TIME, I WALK THE LINE
Batman may be an avatar of darkness, the physical manifestation of his totem Bat animal, but he is also more than than the sum of his parts. In shadow he is like a wraith or demon from the classical underworld of mythology, and those white slits where his eyes should be are creepy as hell. His costume, physicality and persona evoke something primal and mythic that we can’t help but respond to on an unconscious level. In medieval art, he would undoubtedly be labeled as a demon.
But those white slits also show the light in Batman. The bright white where his eyes are meant to be shows us symbolically that Batman in not in total darkness, but is in fact an avatar of light who masquerades in darkness to both fight the forces of darkness, and transmute his own inner darkness, his own dark knight of the soul into a force for good, for service to humanity. We have Batman co-creator Bill Finger to thank for those white eyes, Bill understood Batman at a deep level few people would appreciate and doesn’t get the credit he deserves often enough.
The anger and pain Bruce Wayne feels at the death of his parents, that at times threatens to consume him – he channels into fuel for greatness as the Guardian of Gotham City, the cities own Dark Knight. His never ending war on crime gives an outlet to his madness, rage and pain, channeling all his dark intensity and unrelenting passion into a force for good.
Like a classical Greek hero or demigod who journeys into the underworld, Batman takes on the symbolic trappings of darkness to inspire fear in the criminals he hunts, he uses shadow and darkness as his allies, having made them his closest friends.
To fear the dark is to live in ignorance, while to embrace the dark is to welcome the knowledge it brings. No being can live in only darkness, or only light. Either way leads to being unbalanced. Human beings need both light and dark in them. Batman walks the line and at times risks going all the way into darkness like Darth Vader or Dracula. It’s part of what makes him so damn sexy and uber-cool. He’s a good guy dressed in the cinematic costume of a bad guy or demon.
Batman is married to Gotham city, he may dabble in serial monogamy, but ultimately his mission in life is to be Batman. Batman and Gotham City are forever intertwined. In a warring city of ruthless gangs, psycho killers and cut throats Batman is Gotham’s Warlord, his word is law, his will unbreakable, his enemies and friends alike fear him and his wrath. Nobody wants the Batman’s attention, and if you ever saw him in person – you would really wish you hadn’t.
WE ALL FALL DOWN
How does Batman avoid the corruption that characters like Dracula succumbed to? How does he use darkness rather than be consumed by it?
History is filled with those who held themselves up as heroes, as bastions of moral virtue and goodness only to succumb to their own repressed dark side, the side they never allow any healthy expression, and that you never see in the public arena that often is expressed through demented perversion in private.
Politicians and Priests provide some of the more obvious cliched and dramatic well publicised examples in our society. It seems the corruption of the few influences how we see the many, the disproportionate media focus on corrupt Priests and Politicians ignores the fact they are the minority, and that the majority are hard working honest people who capably go about their job, and look after the people they are responsible for.
None the less, when an individual is incapable of finding a healthy expression for their Shadow Self, and instead they become corrupted causing harm to themselves or others, then at those times it may be necessary for third party intervention. In cases of abuse of other individuals by that person, then unwelcome media attention can be a good thing, in exposing what lies in the shadow through the light of awareness.
How does Batman avoid the same psychological traps? It’s not easy, he walks a constant line between who he is and who he might become. Batman doesn’t repress who he is. He lives his darkness at every level of his being, and he uses it as yet another weapon in his war on crime. He avoids falling down to his Shadow qualities by not hiding or repressing his Shadow, but embracing it and knowing it intimately.
Batman is a zealot in a way, and his unholy mission is to fight the forces that would serve to victimize the good citizens of Gotham, at the same time Batman is a hero we can relate to for his flaws, for we see the darkness and flaws in him as in ourselves.
Batman’s flaws are what make him human rather than super-human. Even if Batman took a super-pill and did gain super-powers, he would still be the same angry repressed guy. Batman remains a fantasy figure who lives an impossible life, but remains appealing due to his grounding halfway between realism and pure fantasy. Alex Wainer defines Batman’s adventures as falling between realism and fantasy as “Romance” using Northrop Frye’s scale of literary classification.
REALISM <<———-BATMAN———-> > FANTASY
“The romance is contrived to allow for a pleasing form that displaces aspects of myth, while at the same time borrowing a semblance of realism, to ensure a level of plausibility. Abstracting from the concrete, i.e., the realistic, toward the mythic, the romance mixes elements of the two poles to become a story form broad and flexible enough to include an enormous range of narratives.” – Alex Wainer: Soul of the Dark Knight
“…Set on a perpetual quest for justice and vengeance, Batman is more than an outraged vigilante, but less than a divine nemesis of evil. Partaking of qualities derived from earlier mythological sources and patterns, he symbolically fights against the chaos that frightens and angers us by adopting the fearsome visage of a night creature. Though apparently mortal, he transcends human limits in his keen ratiocination and athletic grace and power. Thus, as a mythic figure expressed in the comics medium, on the Literary Design Scale, he belongs at the upper levels of romance as an idealized, extraordinary heroic figure in a still-recognizable urban setting.” – Alex M Wainer, Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film
I AM VENGEANCE! I AM THE NIGHT! I AM BATMAN!
As an avatar of darkness and night time Batman fulfills a sort of elemental role. The Bat -his chosen symbol and totem animal – Batman is a creature of the night, a figment of our unconscious mind, a lord of the underworld, the bastard child of Erebus and Nyx – the illegitimate brother of Hypnos (Sleep) and Thanatos (Death).
If Icarus flew too close to the sun, Bruce Wayne went too far into the Underworld, punched something dark and ancient in the face and stole its power to aid his war on crime. Touching the face of pure evil, he dares to wear its colours and mocks the unseen forces he fights against every night of his life as the Guardian of Gotham, its Dark Knight. He’s untouchable, he fears nothing, he will not stop, and he wants you to know it and be very afraid.
There is a purpose for every thing under the sun, and even the things that live in darkness have their own purpose and way of being. Batman who lives in darkness is still human and still feels connected to his humanity despite outward appearances.
To be in darkness is to know and embrace a part of our Being we often deny or don’t acknowledge. It’s something we don’t talk about in polite company or hear much about. To never explore that part of ourselves, to never metaphorically explore the underworld of our own minds is to live in fear of that darkness, of that unknown and all it entails. It is the place of creation, of sex, death , life, hunger, and all primal urges.
We give power to our unconscious forces and primal drives by refusing to explore them. Most of us are afraid of that which is beyond words, space and time. The primordial unmanifest force that rests in the hearts and minds of all people, but is ignored due to the discomfort and pain of true self-knowledge – in favor of an inauthentic life of comfort and luxury.
The Hero’s Journey is not just a mythical “story” framework to be adapted from antiquity onto the cinema screen, but a metaphor for the necessary and essential psychological process of Waking Up and Growing Up in life that philosopher Ken Wilber discusses in many volumes of his Integral Theory. The Hero – or Heroine’s journey is our birthright. The refusal of the call, is the refusal of life, the refusal to grow and change and evolve. All things that live must grow, and that which does not heed this principle embraces death.
To explore and stay in darkness is to give in to our own darkest impulses. However to never willingly journey into darkness is – like Luke going into the cave during his training with Yoda to cut off his own head – to never look beneath the cowl it to live in fear of our own primal forces. Take a look at Darth Vader. Nobody want’s to end up like that poor bastard. He’s a monster, and the ultimate bad-ass – YET – we still feel sorry for him. Instead of Vader passing through his own dark night of the soul, he began the process, staid there and swore allegiance to his corrupted master Darth Sidious.
The danger Batman forever faces is not that he may kill, but what happens afterward – that he may lose his humanity if he gives himself completely to darkness. Exploring our own Shadow means acknowledging all our bad habits and self-destructive choices, those we know, and those we are not aware of (and need others to point out to us) and our own repressed higher potentials. What is in shadow if often a corrupted version of what is good in us, as well as what is harmful.
Batman is an avatar of darkness, but also a symbol of how to accept and transmute all of our own nature – light and dark – and use it for the higher good not by denial or repression, but by acceptance and integration of all aspects of ourselves – John Sorensen
In stages of human growth, we may pass through a Spider-Man stage (child/teenager) a Batman stage (adult /power) a Superman stage (god/transcendent) etc. As great as any of these characters are, we must not stay in those stages, but learn from them and move on. There are lessons to be learned in life wherever we turn, even in the humble pages of cheap pulp inspired comic book stories printed on flimsy paper. Don’t let anyone tell you otherwise, find inspiration and power wherever you please.
I think we can find inspiration is just about any good comic book or movie character. Good or evil, they all have some qualities and values that resonate with us, or we would not be so powerfully attracted to them in the first place.
Batman is the coolest fictional character on the planet if you ask me.
Batman is cool, sexy and a bad boy. He’s rock and roll. We love him for it. Batman wears the outfit of a villain, but he’s dedicated to righting wrongs. If we look deep enough, we may learn a little about ourselves from the Boy who became a Bat. Who embraced rather than repressed his Shadow Self.
He understands pain, fear and doubt, Batman feels it all and doesn’t identify himself with it, he feels ALL of it, but doesn’t mistake pain and doubt and fear for who he is, or let it stop him from accomplishing his mission. He transcends his circumstances, he transcends body, environment and time by focusing his mind on his chosen task, he’s honed his skills through years of physical and mental training. He’s not ordinary. But even taking all that into consideration, Batman is still flawed and deeply human. His flaws are what make Batman more human and relatable. He’s human and he feels every pain and every hurt, but he looks past it and keeps moving forward.
Batman has experienced deeply personal pain and loss like many people in the real world, and that has inspired his life’s mission, to help victims of crime and poverty through the Wayne Foundation and personally preventing as many violent crimes as he can. As effective as Batman is in his world, he’s even more powerful in our world as a symbol of standing up for ourselves and others, and of true self knowledge that embraces all that we are, strengths flaws and all with an unflinching gaze of wisdom that does not misidentify what we experience and feel, for who we are.
Fear disowned is a destructive choice, both emotionally and spiritually. It leads to all-too-happy spiritualities with beings who seek only the light. Fear starts to drive their being unconsciously. We end up seeking only goodness and pleasantness in order to avoid pain and fear. But this is not the way. The truth is:
“To conquer fear, you must become fear”
Fear owned and embodied is a form of awakening. Batman is therefore a Realizer of Awakening through the form of Fear – Chris Dierkes / Beams and Struts
1. YOU CAN TRANSFORM YOUR GREATEST FAILURES AND PERSONAL TRAGEDIES INTO YOUR GREATEST STRENGTHS
Youn Bruce Wayne saw his parents brutally murdered before his eyes. He swore an oath to “war on all criminals”. Instead of growing up a rich trust fund baby, he instead became the Batman, a one man army who fights a never ending war on crime with single minded determination and courage.
Batman fights the corruption that tangles like a creeper weed around the heart of Gotham City choking the very life blood of Batman’s chosen kingdom. By night Batman fights crime in the streets, and by day the Wayne Foundation fights the causes of crime like poverty., homelessness and lack of education.
Bruce Wayne is Batman 24/7. He never rests, he never stops. His dedication, and passion is unwavering, his commitment, 100%.
In real life Jamie Walton was forced into a life of child prostitution. Jamie Walton is a survivor of child sex crimes in the United States and she runs the real life Wayne Foundation started by herself and Kevin Smith.
The Wayne Foundation is committed to spreading awareness of CSEC (Commercial Sex Exploitation of Children) DMST (Domestic Minor Sexual Trafficking) occurring within the United States.
The Wayne Foundation’s vision is for a world without child slavery. We are dedicated to providing direct assistance to those victimized by exploitation.
By starting the Wayne Foundation, Jamie Walton has taken one of the greatest most horrific things that could have happened to her in her life and turned it into a strength. By offering shelter, a network and access to integral services for young women who have been cruelly exploited – she offers them a way out, a way to start the process of escape and recovery from modern day sex slavery in America that the mainstream media barely even acknowledges and polite society doesn’t even want to talk about, let alone do anything.
If you want to donate to this worthy cause, or simply find out more about the organisation and it’s services, then please visit the website Wayne Foundation Donation page.
You can listen to Jamie Walton’s heart breaking true story as she tells it over a series of Podcasts with Kevin Smith. It’s very hard to listen to, but I urge you, like Batman to face darkness head on rather than run away or be afraid of that which is extremely disturbing.
2. NEVER GIVE UP ON BECOMING THE GREATEST VERSION OF YOURSELF
The Batman is always learning, always adding to his skill set. Ever-becoming, always hungry, never satisfied. His yearning for self-knowledge, growth, understanding and developing his skills knows no limits. In real life we have to learn many skills to be of any use in the world – and that is a lifelong process.
To become better people, to grow up into a healthy fully functioning human being means accepting the responsibility for your own growth process. It also means whatever we can’t do alone we should get help with. Batman may spend most of his time alone, buy he has Alfred to help him every step of the way, and Bat-Family made up of Robin, Nightwing / Grayson, Batgirl, Huntress, Catwoman and others who help him during his most challenging crises.
We become better people through co-operation with others and ourselves, through building life affirming habits rather than soul destroying addictions. Becoming the best version of yourself means going beyond your own self-imposed limits. It means saying “YES!” to life and getting off your ass every day, facing your demons and doing whatever the hell you need to do today that gets you to where you ought to be. It means learning whatever skills you have to – to get where you know you need to be in life.
Becoming the greatest version of yourself must be a conscious choice. It is an ongoing process. Like Batman, simply deciding what direction to face in, deciding where your life is heading in the future can have a powerful impact on today, on how you live your life every moment from now on.
Becoming the best version of yourself means living personal excellence at all levels, and always looking to make improvements however small or incremental. It means living life not just with your head, but with your heart. It means being vulnerable and afraid, and feeling shame or doubt or any any other universal human quality, accepting all of it and using it as fuel like Batman. Constantly driving us to become better versions of ourselves, and not accepting lazy excuses or half-hearted efforts. It means taking all your failures and successed and using them as fuel to propel you forward to greatness and new heights of achievement.
Batman ain’t lazy, and he doesn’t do “too hard” or “can’t be bothered today” – he charges forward with an unbreakable laser-like focus on whatever he sets his attention to, and why would you want to give anything less than your best effort?
You are your most authentic self when you show up in life and give everything you have, making no excuses for mediocrity. Total dedication, total commitment, living with purpose in every step, in every breath – is a daily choice. You may fail, but you damn well better show up and give life your best effort, nobody can fault you for that.
3. NO MATTER WHAT DIFFICULTIES YOU FACE IN LIFE – KEEP MOVING!
No matter what tragedies, good fortune and suffering we experience in this life, there is a hard truth that we have to make peace with. WE HAVE TO KEEP MOVING.
Life is growth and movement. We stop moving – we die.
Giving up on ourselves or on those whom we are responsible for means remaining stationary, taking no strides towards our goals or mission in life. There are times and places to sit and contemplate, or talk with people who can help us through grief and other types of suffering. Whatever we do in life, we’re going to experience suffering. We can either be crippled by that revelation or empowered by it. If we know ahead of time, that there will good times and horrible times, we can mentally say to ourselves
“Yes, I am a going to face whatever challenges and suffering come my way in life, and like the Batman I’m going to rise up and embrace it, rather than run away or repress whatever fears I must face”
When you keep moving you have momentum, and it’s easier to change the direction of your life when you are already in motion, than when you are stationary.
We all have the same 24 hours in a day. The only difference is how we use them. Every day we must get out of bed , brush our teeth, get dressed and face the world. So do whatever you have to do during hard times – cry, get angry, blame the world, the economy or whatever you like while you endure the unendurable – but keep moving. Batman welcomes challenges and difficulties – they make him stronger as he inevitably finds a way to overcome them – and you can do the same.
4. WHERE THERE IS A WILL, THERE IS A WAY
I have a silly expression I often like to say to myself:
“Batman does 5 IMPOSSIBLE things before breakfast”
It is an exaggeration on the myth of Batman as BAT-GOD (being unbeatable), but when you set your attitude to being able to do the “impossible” and just turn a blind eye and ear to anyone who tries to stop you or criticize you – you end up routinely doing the impossible.
The impossible is not walking on water like Jesus, punching like the Hulk or flying like Superman – in the real world the so called impossible is often other people’s lack of faith in themselves and their own abilities projected onto you.
Or your own lack of faith in yourself and your abilities. Where would the world be if every time somebody said something was “impossible” we gave up without even trying? We would have no Batman for one thing.
DC EDITOR: “We need another hero like Superman by Monday Bob!”
BOB KANE: “Well, that is impossible, it simply can’t be done so I won’t even try.”
When you stand for something in this world – whether you shine brightly in the sun like Superman, or do what you do best in obscurity like Batman in the shadows – well some people are going to get jealous and want to drag you back down to their level. Don’t let them do it. Be immune to critics, and do “5 Impossible Things Before Breakfast”.
Doing the impossible is not really about setting world records, or trying to impress anyone as it is about going beyond your own self-perceived limitations. You don’t know what you are truly capable of until you do it. And those who never try will seal their own fate as people dis-satisfied with life, too afraid of their own shadows to move forward and accomplish new things.
5. BATMAN IS NOT JUST MAN, A COSTUME, A LOGO OR URBAN BOOGEYMAN. BATMAN IS AN ATTITUDE.
I frequently refer to Batitude in my verbose rambling Batman articles.
Batitude is a fun word that was popularised with the release of The LEGO Movie. But more than a social meme, my version of Batitude represents having a Batman like attitude to life. You are are reading about this attitude right now. I hope you also live it.
I apply the same kind of mental discipline to my physical and mental training, and values in life that Batman does.
You can leave out the the negative stuff about Batman – the depression, stand offish attitude and the murdered parents part, and embrace the good stuff from Batman. You can choose your own personal version of Batitude, Bat Wisdom and Bat Values and live it however you damn well please.
For me Batman is an avatar of darkness, of our individual and collective shadow self, someone who walks the line between light and darkness, denying nothing in himself and accepting everything. If you take a look at my Batman Value Grid you can see some of his overall qualities and characteristics. It’s up to you to choose the values your own values to live by.
The particular values I aspire to live by in my own life inspired by Batman include:
Heroic, Determination, Goal Focused, Single Minded, Relentless, IRON WILL, Protector, Strong Man, Mission and Purpose.
However – I don’t always live up to those qualities, but I damn sure aim in that direction and take action every day of my life.
The alternative is to drift aimlessly through life standing for nothing, and being basically nothing. You know you’ve met people like that all too often, so don’t become one. Instead rise up like Batman and live the best life you can imagine for yourself and others. Find your own mission, find your own purpose and get busy being of service however you can.
It’s up to you to choose your own values to live by, but whatever version of Batitude you apply in your own life, don’t compromise who you are, don’t give up on being the greatest version of yourself you can become. Remember that like Batman, at any stage of life you can totally reinvent yourself and go in new directions, learn new skills, and literally be a new person. No matter what tragedies you suffer, no matter what happens, you get up off your ass and keep moving. You take each day one step at a time, making steady progress towards your goals and dreams.
If you can’t remember all of that, then remember this simple mantra;
“BE LIKE BATMAN”
And remember whatever you do in life you can’t always choose the circumstances, but you can can control how you react to the circumstances and events of your life.
There is only six sexy days to go until Batman v Superman hits cinemas here in Australia.
Wearing this sweet black and white Batman shirt this week reminded me of how close it is.
While I’m super excited to see my main man Batman on the big screen again, I do feel like I’ve already seen a little too much of the film in the trailers. With yet another trailer released showing even more footage of the film, I decided simply not to watch it.
I’d like there to be at least some surprises when I watch BVS for the first time. It feels less like Batman v Superman at this point and more like the launching point for the inevitable JLA / Justice League movie coming down the line.
When BVS was first announced we knew nothing, then it had announcement after announcement, feeding rumors and speculation on the internet in a mad frenzy of anticipation and predictions. Eventually it morphed into the smorgasbord it is now. They threw in Wonder Woman (hooray!) and Lex Luthor (do we really need him?) they announced Aquaman (lame) but then they cast one of the manliest men on the planet – Jason Momoa.
As a fan of Stargate SG-1 and SG-Atlantis, I feel there is nobody better qualified on the planet to play Aquaman than Jason Momoa. I was genuinely excited to see them take traditionally one of the lamest and least liked of the JLA pantheon and actually make him cool.
I’ll keep this post nice and short, as I don’t see the point in talking about a movie until after I have seen it. I guess it’s something that is important to me. You can speculate all day, and sure it’s fun to talk with friends about the flick. But I don’t really want to write a damn word about it until after I have seen it.
And as big as BVS will be, it’s just a drop in the big bucket of Batman.
Batman is bigger than any comic book series, any movie, animation, video game or merchandise.
The focus of my blog always has and always will be on that timeless mythical archetypal Baman that transcends any one genre, that transcends any one medium. I’m happy to cover Batman from any medium, but I like the distance of time that gives us perspective on what is truly great and worth talking about in 70+ years of Batman history.
Some people seem to be giving Zack Snyder shit about BVS for his choices.
“It’s too dark, it’s too cynical, it’s too this, not enough of that”
I say it is important for any director to have a unique vision, and to captivate with their story, and for the two hours of so they have your hostage in that cinema, they have to make those characters their own and make you want to care about them. And so far, Snyder has impressed the hell out of me with his cinematic action style. Snyder’s style is unique, over the top and great fun. Just what I want from a comic book movie. I’ve been a fan since his Dawn of the Dead remake, and loved 300 so much I had to see it twice on the big screen.
I will say Snyder understands characters and motivation, and has a great visual style and flair – but he can’t write for shit. Take a look at Sucker Punch if you don’t believe me. It’s his only film to date where he directed and wrote the story, rather than directing with someone else writing. I wanted to love that film, on paper it was his most superhero comic-book like film so far. And it was an all women super-hero team. It was like a mix of Avengers and the Dirty Dozen. It was like the best bits of Charlie’s Angels and Kill Bill on steroids.
Neither DC nor Marvel has given us anything like that on the big or little screen. The most similar thing is the upcoming Suicide Squad – which is a mostly male cast. So in that way Zack Snyder is kind of visionary and ahead of his time. Sure it was a rubbish movie, but it had some good points, and I believe he put his blood sweat and tears into that movie. With better writers, I believe it would have been something special.
I’m sure we will eventually get another all girl superhero team on the big screen, and it will be good. And whoever makes it will look at Sucker Punch and see the mistakes that were made and learn from them.
Well, if you’ll excuse me I have more articles to write and some cool Batman Podcasts to listen to. I’ve been getting into the DC Superhero shows on TV finally, after not watching any of them. Flash kicks ass, but Supergirl is my current favourite TV show.
Not my favourite comic-book show. Just favourite TV show, period. I believe this new Supergirl show if the definitive version of Supergirl in the best possible way. She’s had some shabby treatment in the comics over the decades, and always plays second fiddle to the JLA and other DC icons. DC killed her off right around the time she had a big movie in the 80’s. Way to build up your female icons DC!
I’m sure fans were confident they would see more Supergirl movies after this Crisis on Infinite Earths cover appeared in the mid eighties.
Free of the shadow of Superman and the DC Universe, it is truly Supergirl’s time to shine. The crossover announcement with the Flash TV show had me practically wetting my pants in anticipation.
If you love those DC shows, and I know you do, well at least some you – then I urge you to read my favourite kick-ass mega blog of awesomeness on the internet Girl on Comic Book World, where Nav talks about the wonderful DC Universe TV shows (and films) in brilliant insightful articles on a regular basis. She’s a big fan of both Batman and Superman and has loads of great articles on those characters and the BVS film. Check them out. You’ll be glad you did.