Back to the Future. Star Wars. Batman. Transformers. Predator. The Terminator. These are some of the cool properties you’ll be seeing in this short Q&A with Khai from Kool Kollectibles.
It’s no secret to anybody who knows me that I love Batman and Transformers. While I own a few Batman figures here and there, I have around a hundred or so Transformers toys from various toy lines, and a bunch of of the old Marvel Legends toys among other stuff.
But some people take toy collections to a whole other level, be it upmarket highly desirable or rare items, fantastic displays, and with the internet people can even develop their own fan following. Well, I for one am a fan of Kool Kollectibles, I love checking out new pics of whatever amazing toys he has picked up, and took this opportunity to ask him a few questions, and of course share some stunning pics of his amazing collection.
You can find Khai’s main site koolkollectibles.net, and link to all his other social media pages from there.
No two collections are the same, and no two collectors are the same. Thanks to the magic of the internet collectors and fans around the world can enjoy seeing what other people are into, get ideas about how to display their loot, discover something they never even knew existed or just admire a really fantastic collection.
So without further ado, here’s some quick questions and amazing pics from Kool Kollectibles.
JOHN: What are your overall favourite top 3 toys and why?
KHAI: I collect a lot of different lines of figures and other collectibles, but my top 3 right now would have to be (not in any order):
1) Hot Toys 1/6th scale Chewbacca figure
2) Pop Culture Shock 1/4 scale Ryu Ansatsuken statue
3) Hot Toys 1/6th scale Delorean Time Machine
JOHN: One issue every collector faces is space. How do you store and display your collection? Do you ever get rid of old items to make room for new items?
KHAI: The best bit of advice given to me as a collector was to put money aside for decent glass display cabinets. Some collectors continually spend money on figures, but either have no space to display them, or have open display cases that results in a lot of dust maintenance. So I saved up money for a while and bought some big glass display cabinets and it was the best decision I ever made. Having your collectibles displayed well in a glass cabinet really takes the collection to another level. With decent lighting too, it simply looks amazing, and is less maintenance with dust etc.
Also, a collection shouldn’t be judged on its size. Some collectors think bigger is better. That’s not necessarily the case. I’ve seen some smaller collections, but they’re displayed well and in a classy way, and are collectibles that are loved by the owner, not because they are the “in thing” at that moment in time.
I normally buy things to keep, and so have not had to sell many things at all. But for space and money, I did end up selling my 6″ Star Wars Black Series figures since I was getting essentially the same characters in the large 1/6th scale and didn’t need to double up. So now that I have my larger cabinets in place, I try to pick and choose the items I buy now to fit into themes or source material that I love.
JOHN: You have a focus on Hot Toys movie characters and Transformers Masterpiece figures, why these particular lines over other lines/brands of toys?
KHAI: Most of my collecting is based around nostalgia. I grew up in the 80s watching the classic cartoons such as Transformers, Battle of the Planets, He-man, MASK etc. Then through the 80s and 90s and even now I still love movies. I love the classic action and sci-fi movies from the 80s and 90s. I was lucky enough as a kid that my grandparents and parents spoiled me with the original G1 Transformers toys, many of which I still have today. When I saw the TF Masterpiece figures around the 2010 mark, it was mind-blowing for me to see the characters I loved in a toy form that was as close as their cartoon aesthetic as possible. And with such improved engineering, the TF Masterpiece figures are some of the best Transformers toys ever made. With the nostalgia that they bring, I smile each and every time I see them.
As for Hot Toys figures, Hot Toys is by far the benchmark at the moment on 1/6th scale collectibles. The attention to detail, realism, paint application, and tailoring is second to none. And with them making iconic characters from Star Wars, Terminator, Back to the Future, Predator, Aliens etc, and then new characters from the Marvel and DC cinematic universes, there was no way that I could pass them up! They are simply some of the best action figures around at the moment, and look incredible when displayed together.
JOHN: Any advice for new collectors, or people looking to get into the hobby?
KHAI: Spending can quickly get out of control, especially with peer pressure in buying everything to keep up. I would say just stick only to source material that you truly love, and pick and choose carefully what you buy. Remember, it’s not about the size of the collection that matters, it’s how you love each item in your collection that really matters to you and those close to you that come and look at it.
JOHN:What are you top toys that fall into the category of “unobtainium” for you. That is toys that are very rare, super super expensive or just not made anymore and are nearly impossible to get ahold of even if you have the money. What are your top “wish list” rare items, your holy grail items/toys?
KHAI:I recently got my first Pop Culture Shock statue with the Street Fighter Ryu. I have played Street Fighter since arcade days in high school, so for about 25 years now. The characters are ingrained in my consciousness! If I could wind back time, I would go back and buy the PCS Street Fighter statues previously released. PCS truly limit their edition sizes, and once sold out the price skyrockets to a point where I cannot justify the expense. So those PCS statues are some that fall into this grail category for me.
JOHN: Do you collect any traditional (meaning cheap and usually small eg 6-12″) action figures, or just the more upscale stuff with better detail and sculpting?
KHAI: I used to collect the smaller cheaper figures such as the Star Wars Black Series and NECA figures. But I found they were harder to display in a way that showed them off well, and then I was doubling up the same characters in larger scales. So to minimise my cost and space issues, I just decided to stick with the larger collectibles and buy less of them.
JOHN: Your entire collection gets sucked into a mini-black hole, except for ONE toy of your choice, what toy would that be?
KHAI: Always a hard question to answer, as collectors tend to end up with a few items that are their favourites. Strangely, if I had to save just one item in my collection from a fire or black hole, I’d probably pick the TF Masterpiece MP-13 Soundwave. Soundwave was my first TF G1 toy when I was a kid, and the Masterpiece version is amazing. So for nostalgia, fun factor with the transformation etc, I’d have to say that.
JOHN: Batman, Indiana Jones, Star Wars, Transformers – which is your favourite movie/comic/toon franchise and why?
KHAI: Star Wars would have to be my pick for favourite franchise, particularly the original trilogy. I used to watch the movies every weekend on VHS tapes, and just love the whole story arc and characters.
JOHN: Where can people connect with and follow you online?
KHAI: The best place to keep up with my latest news etc would be the Kool Kollectibles Facebook page and YouTube channel. I also keep the website and Instagram account up to date too! Links below 🙂
Thanks Khai for taking the time to answer some nerdy questions. There were so many great pictures of your collection, it was hard to pick, so I put as many in as I could.
There are some more great pictures below to enjoy, in some excellent display cases, be sure to follow Khai on Facebook / Twitter etc at the links above if you want to keep up with his collection, or view lovely full screen HD galleries of his toy collection.
So many wonderful toys. My favourites have to be the Batman 1989 toys, Heath Ledger’s Joker from The Dark Knight and the Terminator toys from various films. Just a spectacular collection any comic book fan or action/sci-fan would be very jealous of.
There is only six sexy days to go until Batman v Superman hits cinemas here in Australia.
Wearing this sweet black and white Batman shirt this week reminded me of how close it is.
While I’m super excited to see my main man Batman on the big screen again, I do feel like I’ve already seen a little too much of the film in the trailers. With yet another trailer released showing even more footage of the film, I decided simply not to watch it.
I’d like there to be at least some surprises when I watch BVS for the first time. It feels less like Batman v Superman at this point and more like the launching point for the inevitable JLA / Justice League movie coming down the line.
When BVS was first announced we knew nothing, then it had announcement after announcement, feeding rumors and speculation on the internet in a mad frenzy of anticipation and predictions. Eventually it morphed into the smorgasbord it is now. They threw in Wonder Woman (hooray!) and Lex Luthor (do we really need him?) they announced Aquaman (lame) but then they cast one of the manliest men on the planet – Jason Momoa.
As a fan of Stargate SG-1 and SG-Atlantis, I feel there is nobody better qualified on the planet to play Aquaman than Jason Momoa. I was genuinely excited to see them take traditionally one of the lamest and least liked of the JLA pantheon and actually make him cool.
I’ll keep this post nice and short, as I don’t see the point in talking about a movie until after I have seen it. I guess it’s something that is important to me. You can speculate all day, and sure it’s fun to talk with friends about the flick. But I don’t really want to write a damn word about it until after I have seen it.
And as big as BVS will be, it’s just a drop in the big bucket of Batman.
Batman is bigger than any comic book series, any movie, animation, video game or merchandise.
The focus of my blog always has and always will be on that timeless mythical archetypal Baman that transcends any one genre, that transcends any one medium. I’m happy to cover Batman from any medium, but I like the distance of time that gives us perspective on what is truly great and worth talking about in 70+ years of Batman history.
Some people seem to be giving Zack Snyder shit about BVS for his choices.
“It’s too dark, it’s too cynical, it’s too this, not enough of that”
I say it is important for any director to have a unique vision, and to captivate with their story, and for the two hours of so they have your hostage in that cinema, they have to make those characters their own and make you want to care about them. And so far, Snyder has impressed the hell out of me with his cinematic action style. Snyder’s style is unique, over the top and great fun. Just what I want from a comic book movie. I’ve been a fan since his Dawn of the Dead remake, and loved 300 so much I had to see it twice on the big screen.
I will say Snyder understands characters and motivation, and has a great visual style and flair – but he can’t write for shit. Take a look at Sucker Punch if you don’t believe me. It’s his only film to date where he directed and wrote the story, rather than directing with someone else writing. I wanted to love that film, on paper it was his most superhero comic-book like film so far. And it was an all women super-hero team. It was like a mix of Avengers and the Dirty Dozen. It was like the best bits of Charlie’s Angels and Kill Bill on steroids.
Neither DC nor Marvel has given us anything like that on the big or little screen. The most similar thing is the upcoming Suicide Squad – which is a mostly male cast. So in that way Zack Snyder is kind of visionary and ahead of his time. Sure it was a rubbish movie, but it had some good points, and I believe he put his blood sweat and tears into that movie. With better writers, I believe it would have been something special.
I’m sure we will eventually get another all girl superhero team on the big screen, and it will be good. And whoever makes it will look at Sucker Punch and see the mistakes that were made and learn from them.
Well, if you’ll excuse me I have more articles to write and some cool Batman Podcasts to listen to. I’ve been getting into the DC Superhero shows on TV finally, after not watching any of them. Flash kicks ass, but Supergirl is my current favourite TV show.
Not my favourite comic-book show. Just favourite TV show, period. I believe this new Supergirl show if the definitive version of Supergirl in the best possible way. She’s had some shabby treatment in the comics over the decades, and always plays second fiddle to the JLA and other DC icons. DC killed her off right around the time she had a big movie in the 80’s. Way to build up your female icons DC!
I’m sure fans were confident they would see more Supergirl movies after this Crisis on Infinite Earths cover appeared in the mid eighties.
Free of the shadow of Superman and the DC Universe, it is truly Supergirl’s time to shine. The crossover announcement with the Flash TV show had me practically wetting my pants in anticipation.
If you love those DC shows, and I know you do, well at least some you – then I urge you to read my favourite kick-ass mega blog of awesomeness on the internet Girl on Comic Book World, where Nav talks about the wonderful DC Universe TV shows (and films) in brilliant insightful articles on a regular basis. She’s a big fan of both Batman and Superman and has loads of great articles on those characters and the BVS film. Check them out. You’ll be glad you did.
It’s December, the time for a Merry Batsmas day and Joker’s New Year, so let’s take a look at the Batman in 2015 year in review.
Batman had another strong year with new animated films, some fantastic comic collections being released and more than a few surreal moments that nobody could have predicted, including being replaced in his own comic by Jim Gordon in a robot suit, and oh of course Batman became a literal Bat-God over in JLA, when he wasn’t too busy mixing it up with the Ninja Turtles. Plus Batman and the Joker were merged into one Frankstein-like monster over in the craptacular Future’s End. Yeah it was pretty fucked up…
Early in 2015 saw Robin going up against Midnighter in the Grayson series that reinvented the original Robin/Nightwing as a fun spy book with decent action and art. Later Grayson teams up with Midnighter, and then of course they fight again. Batman turns up in an issue or two for a cameo, but he never meets Midnighter.
Once DC’s New 52 incorporated some of Wildstorm’s old characters like The Authority, Grifter and others into their mainline DCU, it was only a matter of time before some of them crossed paths with the Batman Family.
Probably the most surreal moment of the several Grayson / Midnighter team ups that took place in both books was seeing the two lads going undercover to a bathhouse.
With Midnighter being an openly gay character, who started out as somewhat of a parody of the Batman archetype it is next to impossible for long term comic readers not to think of the Frederick Wortham “Seduction of the Innocent” fiasco that saw the morality of comics on trial, and pretty much set back the evolution of comic book storytelling ( in North America) about twenty-years, and is at least partly responsible for the stifling of the entire medium, while other mediums such as film and novels were able to continue to evolve and experiment with new methods.
The relaunched Midnighter monthly is an action heavy gimmicky as hell book that is also surprisingly funny, and has some real potential to be one of those undiscovered gems in trade format. Midnighter seems to be a character who has a chance to evolve beyond his parody / archetype of other “hard-as-nails” antiheroes.
Also at the beginning of 2015 we got the animated feature Justice League: Throne of Atlantis that was so awesome I fell asleep in the middle of the day watching it, and I have never gone back to it. I’m not even going to put an image in here, that is how uninspiring it was. Moving on…
Batman was replaced in his two core books in 2015(Batman and Detective Comics) by Jim Gordon in a robot suit. The design of the suit to me immediately recalls one of my favourite Manga/Anime stories – Appleseed, and the character Briareos, who is a human cyborg. His head has very rabbit like ears, and not much of a face – as does the new Robo-Bat-Suit worn by Gordon, who is basically now Batman and Robocop in one.
Towards the end of the year some cool Batman books were released. The first part of the much anticipated Batman / TMNT crossover came out, but I have not read it yet. Being a lifelong fan of both Batman and the Turtles, I am genuinely excited to read it. But let’s face it, most crossovers are crap. I still have a pile of nearly every Batman (inter-company) crossover next to me on the bookshelf here though – including Dredd, Spidey, Hulk, Cap, Daredevil and friends.
December in 2015 saw the release of two awe-inspiring Batman books. The trade of (Hellboy creator) Mike Mignola’s three issue The Doom that Came to Gotham was released. I’m a big fan of Mignola’s stories and art. Sure his art is not for everyone, it is a very particular Lovecraftian Gothic Horror style he uses in his stories.
Personally I Iove all types of Horror, and Batman has Gothic Horror in his very roots, so to me Mignola and Batman are a natural fit. Batman stories by Mignola tend to be like the best episodes of the Twilight Zone and X-Files. You get super weird and scary shit, and at the heart of it is some sort of actual Detective story. Batman tends not to use those powers of Detective-ness often enough these days, he’s too busy running around in armored suits or messing about with the JLA, I love seeing the simpler solo style stories that Mignola creates.
The other release that got me super excited was the Batman Golden Age Omnibus. Collecting DETECTIVE COMICS #27-56, BATMAN #1-7, NEW YORK WORLD’S FAIR COMICS #2, WORLD’S BEST COMICS #1 and WORLD’S FINEST COMICS #2-3 it is a mammoth tome of classics Batman stories, on high quality glossy paper, beautiful hardcover all wrapped in a dust jacket by one of all time favourite comic artists Darwyn Cooke (author of the classics The New Frontier, Batman: Ego and Catwoman: Trail of the Catwoman)
The tasty first volume already sits next to me here as I write this, and it is a beautiful book. The Batman Golden Age Omnibus V2 is scheduled for next year, along with the companion volume of the The World’s Finest Golden Age Omnibus. No sign of a Golden Age Wonder Woman book yet (there is a already a Superman Golden Age Omnibus out) but I guess they are holding off closer to the Wonder Woman / JLA movies considering the World’s Finest Omnibus comes out around the time of the BVS movie.
Mid to late 2016 saw Batman riding a robot dinosaur… and becoming a god of Bat-Knowledge in Geoff John’s fun run on JLA.
Meanwhile over in JLA during the Darkseid War Batman became a literal Bat-God (or at least a temporary New God) when he sat in the Mobius chair.
The Geoff Johns JLA is a great read. Not classic, but great FUN, you know the thing that comics are sort of meant to be when they are not trying to be too damn clever.
And why was Batman riding a bloody robot dinosaur? I guess because it is cool.
In 2015 Batman Eternal came to an end without a *hint* of irony.
Batman Eternal is a book I have mixed feelings about. I’ve read the whole run so far, and there is some really good stuff in there. Overall I think it is a great book, but you get so much thrown into a 52 week / 52 issue Batman Eternal story that there is just no way you are going to have consistent quality to the tale. The least favorite part for me was anything to do with the Harper Row / Bluebird character.
I like the Harper character, at first I just round her annoying and redundant, like how on the TV show 24 they have several stories in parallel, and any time you are not seeing Jack Bauer you are watching some annoying character that you have no interest in, some 3rd tier idiot who will be gone five episodes from now. Harper Row to me is that 3rd tier annoying character you wish would go away that DC is trying to push up to 2nd Tier status (equal to Robin, Batgirl etc).
The Harper character did grow on me however, and I started to really like her. Until they put her in THAT “my first superhero Halloween costume that I made in 5 mins but ran out of material halfway through so I threw on whatever I had lying around at the time” look.
Bluebird feels so contrived and ridiculous to me. It’s like they want her to be the next Robin / Oracle / Spoiler all rolled into one. They want her to be Batman’s secret helper, a hacker, she messes with power grids, Robin is teaching her to fight and she has the inevitable crush on Robin that is so twee and boring.
Making Harper / Bluebird a jack of all trades – master of NONE to me is a mistake. Make her a Robin type or a Spoiler type, or a Batgirl / Oracle type. But don’t try and sandwich bits of all of them into one clumsy character that just screams “awkward”. A good character needs to be well defined, and so far when I get to anything with Bluebird I just want to skip it altogether and read the real parts of the story.
I hope this character improves. Maybe some people like the character? I don’t know, I have not heard from them. So far to me out of costume she is a good character, but in costume to me she is the Jar Jar Binks of the Batman Universe. The creators want so bad for us to like her and to perceive her as cool that is it just so forced and un-natural.
I’m all for empowered female characters (like the impressive female lead in the new Star Wars film) in comics that are no sexist misogynist male fantasies, and so far Harper is an okay character with potential. I hope she stays around, and the writers improve her parts of whatever story she is in, mainly in what they want her to be, her fundamental character motivation and aesthetic rather than any particular dialogue or anything like that.
Overall I think Batman Eternal works as a book. It was a bold experiment that I genuinely enjoyed, and had really no expectations going in after reading bits of DC’s other two maxi-series Future’s End and Convergence – both of which were a total let down to me, and confusing as hell.
With Batman Eternal wrapped up, we now have the Batman and Robin Eternal book already up to issue #12 or so. I’ll be waiting for reviews on this one. And it it’s good I’ll grab the softcover trades so I read good chunk of story over a couple of days. Because Batman Eternal is the 24 of Batman comics, it’s pointless reading/watching one, you need to binge to really enjoy this book.
Jumping back a bit, why was Batman riding a Dinosaur? Well 2015 saw two animated features released under the new Batman Unlimited brand. The movies and cartoon are based heavily around toy designs, and while that sounds like a recipe for a cauldron of steaming shit, the show is… not bad. It’s a show clearly aimed at a younger audience, it has a strong art style and some great action sequences. It has a decent voice cast and for a show aimed at a younger audience, I think it is pretty cool. There are things about it I don’t like, but it would be nit picking to even mention them. Batman Unlimited is not aimed at me so I am not going to apply the same level of criticism at it as I do with products that are aimed at my age group.
Batman Unlimited is based on a toy line, and has Batman showing off all sorts of cool gimmick costumes, and the show manages to spotlight other cool DC U characters like Flash, Green Arrow and Cyborg.
Speaking of animated features, announcements were made for 2016:
Batman: The Killing Joke, Batman: Bad Blood, and Justice League vs. Titans were all announced as projects for 2016.
Former Ghostbuster Ernie Hudson will be voicing Lucius Fox and the Amazon like Yvonne Strahovski (Dexter, Chuck, 24, Mass Effect) will voice Batwoman in Batman: Bad Blood
There is currently bugger all information on the JLA / Titans animated movie. But the super-exciting part is that Kevin Conroy and Mark Hamill will return to voice Batman and the Joker in the fan favourite Killing Joke animated feature, which will be the darkest Batman tale ever seen in animation.
2016 also will see the release of Batman v Superman and Suicide Squad. So we’ll get both animated and live action version of the Joker in 2016, and we’ll get to see two all time classic stories adapted into other mediums (The Killing Joke and the fight from Dark Knight Returns, which has previously been seen in the animated version of Dark Knight Returns).
Mid year 2015 also saw the release of the kick-ass third chapter in Rocksteady’s Arkham video game series with Batman: Arkham Knight. Sadly I don’t own a PS4 yet, so I will have to wait to play it next year. I did watch all the trailers though, and replayed Arkham Asylum, Arkham City and Arkham Origins all in a row, and they are still amazing games, just as fun as the day they were released.
DC and Marvel both had a strong year on the small screen with fans endlessly talking about Agents of Shield, Arrow, The Flash, Daredevil, Supergirl, Jessica Jones and the one I really despise Got Ham. Or Gotham if you prefer.
While Marvel is keeping their universe somewhat coherent between their big live action movies and small screen serials DC is changing things up by keeping their TV and movie universes separate – which means we will soon see two different actors portraying the Flash and the inevitable confusion that comes with it. Will DC find an excuse to have two versions of the Flash in their JLA movie, or at least a cameo? Probably not. But it would be cool seeing as how there have been several version of the Flash in comics that have turned up simultaneously.
What else happened in 2015?
Well, both Marvel and DC kept on letting the cat out of the bag and trying to one-up each other with announcement after announcement and master plans unveiled in the style of a BOND villain who will just not shut up. Their collective plans for all their big movies from now until pretty much when I am dead have been announced. I need to sleep now.
Batman vs Robin was released as an animated featured and while it was watchable, I found it frankly boring after the fun of reading the Grant Morrison penned Damian Wayne stories.
Harley Quinn’s star kept on rising with key appearances in Batman comics, and other DC mini-series like Injustice: Gods Among Us which started out pretty awful, but has managed to improve and become a book worth reading for crossover and alternate reality tale fans.
The Suicide Squad film commenced principal photography and it seemed YouTube was going to show us the whole film before it is even released with more leaks than the Titanic.
And two more Robin themed books were released: Damian: Son of Batman and the why does it even exist We Are Robin book.
So all up it was a pretty strong year for Batman, that guy sure gets a lot done in 12 months. I think he would give 24’s Jack Bauer a run for his money.
In case you need another reason not to read DC’s Future’s End alternate reality maxi-series tale of awfulness here’s cyborg Lobo, Frankenstein: Agent of Shade a cyborg Gorilla and the Joker about to be mind fucked to Batman both figuratively and literally.
WHAT the WHAT?
Oh and Terry McGinnis Batman is the main character in the story which has nearly every major DC character in a tale of confusion and stupidity where everybody basically dies thank to Batman (Wayne) and Mr Terrific basically creating Skynet from the Terminator movies. but yeah it’s really dumb and mostly boring.
My fav part of the Future’s End maxi-series was Deathstroke’s love / hate relationship with a sort of adopted daughter who happens to be a pscyhopathic killer and an artificial being with incredible near limitless power. Seeing Wildstorm’s Grifter palling around with Deathstroke in their own odd-couple / 80’s buddy cop movie side story was fun, but even that got old after a while.
And hawkman in his own band of merry space pirates (more Wildstorm forgettables) having Star-Jammers like adventures… why is THAT not an ongoing book ?
If you are scratching your head looking at this image above, well you’ll have to read / suffer it for yourself, I’m not going to regurgitate the nonsensical plot here. My advice: don’t read it, and don’t hold me responsible if you do.
Here’s to Batman in 2015 and more good things to come in 2016. I can’t wait for the BVS movie and the World’s Finest Omnibus.
We’re each others’ good luck charms. I always say to him, I’m not your good luck charm, you are mine!
Father figure, mentor, friend, guide, conscience, bad ass, gentleman.
Alfred is all of these and more to ‘master’ Bruce.
Alfred as portrayed by Micheal Caine in Chris Nolan’s Batman Trilogy is the character whose essence is perhaps most true to the comic book source material.
Caine embodies the best qualities of Alfred.
Alfred is loyal, passionate, tough, loving and kind. He is the father that Bruce conveniently forgets he has, the man who actually raised him.
The Alfred /Bruce relationship is at the core of the Nolan Batman films, their relationship is the core dynamic that binds the three films together thematically and emotionally.
Micheal Caine’s Alfred eases us into our Batman cinematic journey. The transition of Bruce Wayne boy billionaire to Bruce Wayne masked avenger is also the relationship of Bruce and Alfred.
Alfred is there at the beginning to hold our hand and guide us in the dark, he travels with us along the way through the hard times and the good times, he’s quick with a joke and a smile, he stands up to and questions Bruce’s journey as all good mentor figures do, and Alfred is there to shed a tear at the end of the journey, the lone figure standing over the empty grave of a strange man the world truly never knew.
Christopher Nolan began his cinematic relationship with Michael Caine in the film adaptation of the novel The Prestige.
Nolan has included Caine (his “good luck charm”) in every subsequent film from Batman Begins and Inception to Interstellar.
In Nolan’s Batman Trilogy, Caine plays Alfred to Christian Bale’s Batman. Alfred is a father figure, mentor, guide, conscience and a friend to Bruce Wayne. Alfred is Bruce’s rock in a chaotic life, he is Bruce’s only family, and primary care giver, even though they are not related by blood.
In the Batman source material, Alfred Pennyworth has been portrayed as a bungling amateur detective and failed actor for comedy relief.
Alfred later died and then turned into a super-villain called Outsider in one of the silliest and ill-conceived ideas in comics history. Of course the idea would be repeated with Jason Todd / Red Hood as well as other ludicrous stories that make no real sense. Alfred got better better and reverted to his normal self after Batman punches some sense into him (see the image below, top left panel).
Alfred over the years evolved into the sarcastic but warm hearted mentor/father figure to Bruce Wayne that we are most familiar with in the modern era of the Batman mythos.
Alfred is an essential of element any great Batman story. Without Alfred, Bruce is just some spoilt rich manchild in a silly costume who takes out his anger on criminals and refuses to move on with his life. Alfred is Bruce’s conscience, stand in father figure, mentor and friend. Without Alfred, Bruce would rapidly descend into his own self-invented Batman persona, leaving behind the ‘Bruce Wayne’ parts of his personality.
As a character, Alfred has never been more vibrant, wise, sarcastic, kind and loving as when Sir Michael Caine brought the cheekiest, toughest and most loyal Butler in town to life in Chris Nolan’s Batman Trilogy.
If there is a valid criticism to be made of Nolan’s Batman trilogy it is perhaps they are TOO serious, too grim, too dark and depressing. Batman is a dark character, but not one hundred percent of the time. Spawn and The Shadow are darker characters (and both are killers), lets say not one hundred percent, but around ninety-nine percent.
I see Batman as more like 60-70% dark, in my hypothetical ‘just imagined for this sentence‘ scale of darkness for popular fictional anti-heroes, vigilantes and masked avengers. Otherwise Batman becomes too much like Spawn or the Punisher.
There has to be a line somewhere, and I think maybe Nolan went over that line. But I still love the films, even when they are not being true to the comics by having Batman kill, or when Bruce gives up being Batman after The Dark Knight to go sulk in his mansion like a bratty child.
Batman basically kills the main villains in each of the Nolan Batman films, something that doesn’t sit right with the comic book version of Batman. Most of the time when I watch The Dark Knight I forget that he kills Harvey Dent / Two-Face at the end of the film by knocking him off a building, which muddies the character of Batman in a film I really love.
The thing you have to accept to really enjoy Nolan’s Batman Trilogy, is that this is HIS Batman, not our communal (comic book) Batman. It is Nolan’s version of the character, and the internal film logic makes sense to him,but not always to us.
The cinematic Batman is its own thing, you can’t hold a director/writer accountable for following their own vision in telling the story they wanted to tell. Whatever the story ends up being, it is basically the writers/directors subjective opinion/interpretation of the character, so can not be “wrong” in any absolute sense.
You can argue “Batman doesn’t kill” and pick plot holes in the Nolan Batman Trilogy all day long, I have no issue with that, but remember that you can do that with any film ever made. You could say, in an imaginary heated exchanged with the tea drinking heavy coat wearing Nolan:
“Wait a minute, I don’t think you are really being true to the essence of the Batman character here.”
And you would have a valid point.
But the counterpoint is that Nolan went with his version of Batman, his cinematic Batman – a character based on the source material that was never intended to be the same literal Batman from the comic books. So calling out errors based on what people like in the comics is just irrelevant, because it is a movie, NOT a comic book!
I do have issues with Nolan’s Batman, – such as Batman killing Two-Face – but overall I love the films.
As Batman’s conscience, Alfred (Michael Caine) helps Bruce Wayne reach the outer limits of his psyche, harnessing the power of the villain / shadow archetype without fully giving in to the darkness he feels inside himself. Batman owns his demons, they don’t own him. It would be easy to just kill criminals and be done with them. But Batman holds himself to a higher moral standard.
At the end of the day, Batman values life, and the lives of all people. He is not an executioner, nor a judge. Batman is more like a cop, bounty hunter or sheriff in the old West. He chooses to operate outside of the law, because of the high level of Police corruption and all around ineffective law enforcement at all levels in Gotham City due to the stranglehold of the mob, serial killers and masked maniacs.
Some may call Alfred an “enabler”, in that he at first resists Bruce, then ultimately supports and helps Bruce to become Batman. He enables Bruce Wayne’s particular brand of madness. Alfred is such a highly principled character, so strong, motivated, caring, loving, and yes – wise – that I feel it speaks volumes about the rightness of Bruce Wayne’s choice (or mission / calling) to become Batman.
In ordinary terms becoming Batman is basically an insane choice. It would not be the choice of a well adjusted person.
But Gotham City is no ordinary city, it is the most crime ridden most corrupt city in America. Extreme times call for extreme measures, and given the depths to which Gotham City has sunk, and the cities genuine need for some force outside of government and law enforcement to allow for genuine change and progress, progress here meaning not capitalism, but a return to wellness, in this situation the invention of the mythic “Batman” may be a very reasonable response.
Any system that is so corrupt as to be completely ineffective has lost any sense of wellness, or sanity. A return to sanity, or wellness then requires either abolishing the current system, or change from outside of the system itself that ultimately pulls the old system down by proxy, or coerces it the old system to change by demonstrating a superior model. A city that lives in its own Shadow (as in the psychological term, not actual shadows) and refuses to evolve becomes a cancer on the land, and Batman is like an immune system response to the overwhelming attack of corruption (cancer) on the body of Gotham City.
Sanity and wellness then are ultimately the same thing. Once the city has been rehabilitated, then in theory there is no need for Batman, or if Batman is to continue, he becomes no longer an emergency response to a sick body, but a worker preserving the healthy status of the city. Batman becomes a defender of life, wellness and sanity, despite appearing to be a bit of a loony.
People in all times and places respond to Mythic characters, not with their intellect, but at a primal instinctual gut level. Mythic characters and archetypes bypass our everyday rational mind and penetrate our subconscious, they haunt our dreams and fantasies, they live in the space between worlds and flow from our intuition speaking to us of timeless tales and life lessons.
In this sense, Batman is an idea whose time has come. He is the antidote to the sickness of Gotham. He is Gotham’s underbelly given form and shape come back to haunt them, he is a wrathful deity determined to drag us kicking and screaming out of darkness and into the cold hard light of truth, showing us what we refuse to see or acknowledge for ourselves.
Michael Caine’s accomplished career has seen the actor staying the course in more iconic roles than most of us can even remember. Early films such as Alfie, The Ipcress File, The Italian Job, Zulu and Get Carter established Caine as a versatile actor. He could be an effortlessly charming ladies man, a tough guy, a quiet spy, a soldier, an upper class gentleman, or a lovable James Bond-like rogue.
Caine’s seventies roles were stereotypical male power fantasy roles that later led into his more intellectual roles in eighties cinema. Caine featured in further dramatic and comedic performances in the nineties, and a surprising return to both action and thrillers in the post year two-thousand era amidst the resurgence of aging male action stars in B grade films such as Harrison Ford, Bruce Willis, Arnold and Sly Stallone.
Throughout his career, Caine has played a mix of heroes and villains. He has every bit the talent and ability to play a Bond, Batman or Bruce Wayne. Caine is well suited to a variety of roles, but he is not limited by those roles, nor afraid to do something different.
From working with Woody Allen in Hannah and Her Sisters to boldy strutting around with a shotgun in Get Carter to being Austin’s dad in Goldmember, and the pseudo-father to Bruce Wayne in Batman Begins, Caine never really felt like a “young man” even when he literally was a young man on screen.
Michael Caine seemed to appear fully formed on screen, full of wit, bravado and effortless class. The seasoned veteran is a thoughtful actor whose acting style has changed and grown over the years, while still remaining effortlessly charming and unique. Caine is a perennial favourite among impressionists. The list of celebrities and laypersons who love to impersonate his distinctive voice are legion.
Caine can play a tough guy loner, spy, mild mannered intellectual, charming thief, father figure, mentor or just a lovable rapscallion that you can’t help but enjoy on screen no matter what mischief he gets up to.
The Italian Job while a relatively boring film, is memorable for two reasons – the fantastic car chase getaway scene in the iconic mins through the stunning shops and streets of Italy, and leading man Michael Caine. Remove either of those two elements and the movie would be a totally forgettable sub-par Ocean’s 11.
Even when playing a villain or amoral selfish character, Michael Caine remains very likable. There is something about his face that he just seems trustworthy and reliable. At this stage of his career, he literally is the archetypal Wise Old Man. It is hard to imagine Michael Caine in his younger days being a scoundrel running around with Sean Connery picking up women. Michael Caine starred alongside Sean Connery in the John Huston directed The Man Who Would Be King (1975). Caine and Connery remained lifelong friends.
There is something of a retired James Bond feel to Micheal Caine’s Alfred in Batman Begins. Beneath the cool and fatherly exterior is a man of remarkable depth and insight. While Batman despises guns, Alfred has no issue with them, and will not hesitate to shoot an attacker.
As much as we learn about Alfred over the three films, by the end of Dark Knight Rises we still know next to nothing about his personal history. The original Alfred introduced in Batman #16, 1943 was a fat bumbling Detective, a failed actor and son of Thomas Wayne’s butler Jarvis.
Later revisions of the character saw Alfred slimming down, changing his name and becoming the slender snooty sarcastic butler we are more familiar with today. Another retcon of the character made Alfred a former cold war spy. In yet another take on the character – Geoff John’s Earth-1 Alfred is a former Royal Marine, sharpshooter and martial artist who trains young master Wayne in martial arts. It will be interesting to see which version of Alfred turns up in the next Batman live action film.
When Micheal Caine made Harry Brown following his success in Batman Begins and The Dark Knight, it instantly reminded me of his seventies film roles such as Get Carter. It is easy to forget that Michael Caine is not just a classy English gentleman, but is also suave, sexy and charming on and off screen. Just as dangerous as BOND on screen, and real life friends with BOND (Sean Connery) off screen.
Harry Brown was a return to the anti-hero character made popular in revenge films by Lee Marvin, Charles Bronson and Clint Eastwood. A senior citizen who grows tired of the endless street gang violence and drug dealing in his neighborhood, Harry Brown is set on a path of destruction when his best friend is murdered. Being a former soldier, Harry is more than familiar with guns, and goes to town like a senior citizen version of Marvel’s Frank Castle / The Punisher.
Michael Caine makes a difficult role believable. It is Alfred’s role to convince us that Batman is plausible, that it is not completely insane to dress up like a Bat and punch crime in the face. Alfred is the cinematic bridge between our everyday world we inhabit and the realm of the unknown world, or underworld that Batman makes his own.
When Bruce decides to dress up as a giant bat and punch crime in the face, Alfred is the voice of reason. Micheal Caine sells this role by being a very warm, gentle and yet tough no nonsense mentor. Alfred’s acceptance of Batman ultimately becomes our acceptance of Batman, we want Bruce to succeed in his insane quest.
Alfred helps us to make the unknown known, he helps us to see the shadow that is Batman is not some threat, but an essential part of our personality that we have been afraid to explore. The power of Batman is not just about fear, but that there is a little of Batman in us all, we all have a dark side, and we all have hidden strengths demanding to be expressed.
Batman is an also an explorer of the human psyche
Batman then is not only a highly trained martial artist, scientist, criminologist, strongman, gymnast and detective. He is an explorer of the human psyche, making his home in the place where most of us fear to explore within our own lives, he not only journeys to the mythic underworld daily, he embraces and empowers himself with the symbols of shadow. Batman uses a criminals own fear against him by appearing to him as an otherworldly wraith, an invisible ninja, an unkillable spectre of the night.
Alfred doubts Bruce Wayne’s reasoning, methods and motivation. He is the sounding board to Bruce’s eccentricities. By running up against barriers and resistance in life, we are better able to gauge our actions, and know when we are moving beyond a barrier through the natural growth of our personality, of whether we are pushing ourselves in a direction which ultimately does not serve our best interests. Bruce butting heads with Alfred over his decision to become Batman only leads Bruce to further solidifying the idea in his mind.
Bruce Wayne becomes determined to become Batman, despite Alfred’s well reasoned and sane pleas not to. When Bruce later decides he no longer wishes to be Batman, Alfred reminds him that once you start something, you should really follow through. Alfred suggests to Bruce that the city may need Batman after all. Of course by the third film, Bruce Wayne has lost his way. He has given in to his own ignorance and self-delusion. He has walked away from his quest and Alfred, again the voice of reason pleads with Bruce not to be Batman.
After years of being idle, Wayne has lost his edge, and he faces new dangerous enemies he knows nothing about and fails to understand. Rather than retreating from his enemies, instead Batman charges head on into situations in which he has no hope of being victorious. This is where the movie version of Batman departs from the source material. The comic book version of Batman would have retreated, studied his enemies and their tactics, and eventually moved in like a ninja, catching his foe unaware to kick ass and take names.
Instead, the Nolan movie version of Batman goes further down the rabbit hole. He gives in to his own selfish false needs, his gives in to his own anger, desperation, rage, his need to prove to himself that he can still be Batman, and Bruce fails spectacularly when he is beaten physically and mentally by Bane. Bruce is robbed of all his wealth and resources, cut off from his allies and then dumped in a third world prison. Bruce then is his own worst enemy, and his spectacular failure seems to be what he needed to get him out of his Howard Hughes inspired self-exile.
Eventually Bruce Wayne comes back, he redeems himself. He trains and reinvents himself like Rocky and other movie heroes. But Bruce loses the one companion he has known his entire life. Alfred warns him not to continue his insane quest, and walks away, leaving Bruce to his fate.
Bruce Wayne redeems himself as Batman, but betrays his relationship with Alfred. He destroys his relationship to the man who raised him and cared for him his entire life. Bruce betrays Alfred by not telling him that he is alive after the resolution of the terrorist actions by Bane and Talia that threatened the city. The crisis has passed, and what possible reason could Bruce have for not telling his friend, father and mentor that he is in fact still alive, and did not die in the bomb blast, we, the audience never find out.
At the end of The Dark Knight Rises Bruce/Batman is revealed as still alive, but the pain and anguish that Alfred went through because of Bruce’s deception will take a lifetime to heal, if at all. The ending is bittersweet, as we see no evidence of Bruce Wayne attempting any reconciliation or re-connection to Alfred, the man who has been by his side his entire life, and whom he conveniently cut loose when the relationship no longer suited him.
On the one hand, we can say Bruce Wayne is a spoilt rich brat, on the other hand we can see his dedication and commitment to being Batman and serving the common good is total, and he is willing to sacrifice his friends, father figure, his wealth, resources and ultimately his own life.
Starting in Batman Begins, Alfred supports Bruce in his one man war on crime, but he never really fully approves of Batman. When Bruce insisted on becoming Batman, Alfred reluctantly supports him in his choice, but his loyalty is never in question. It would be quite reasonable for Alfred to walk away and have nothing to do with “Batman”.
It would be reasonable to go to the cops when your former employer starts punching criminals in the face while dressed up at night because of his childhood trauma rather than going to therapy or burying his misery in a bottle of booze.
The fact that Alfred never does any of these things speaks volumes of his character and integrity.
Alfred’s actions also suggest that he is not just the Wayne family Butler, but also Bruce Wayne’s primary care giver, the man who raised him more than his own father did. The man who has been by his side his entire life, supported Bruce, loved him and never let him down.
Few of us in the real world have it so good. Despite Bruce Wayne going through a terrible trauma and loss of his parents as a child, he was never truly without parents in the sense that Alfred was always his third parent, and continues to be his parent, mentor and counsel even as Bruce begins his career, obsession and calling as Batman.
The conflicting nature of the Bruce / Alfred relationship is one that has been tested to the limits in both Chris Nolan’s films, and in various comic book stories. Most people have heard of Batman and Robin, but few appreciate how integral Alfred is to Bruce Wayne. Robin, whether Dick Grayson, or any of the subsequent people to take up the role of Robin, can never be Batman’s equal.
Bruce Wayne found in young Dick Grayson the boy he thought he had lost, his inner child. The child he so desperately lost in himself, who never got to grow up with his parents. The death of Dick Grayson’s parents (also a murder) means Batman reliving his trauma, and knowing how it affected him, wants to guide young Richard Grayson to a happier, healthier life than Bruce had after the death of his parents.
Richard Grayson looks up to Batman, and sees the man he wants to become, while Bruce looks at Dick as the child who he never got to be, the child who died along with his parents the day Thomas and Martha Wayne were brutally murdered in a back alley. Bruce, Richard and Alfred then are an impromptu family. Alfred is the wise elder in the family, and guardian of the family traditions, while Bruce Wayne is the progressive rebel who cares nothing for tradition, and insists on doing everything his way. Alone, Bruce, Dick and Alfred are broken men, but together they are a great team, and family.
While the Robin we know from the Batman comic books was not part of Chris Nolans Batman Trilogy, Alfred very much is, and that core relationship remains, proving to be the most emotionally resonant and satisfying relationship in the three films.
One thing I like about Marvels Avengers movie is the lack of cynicism.
Both Man of Steel and The Dark Knight while enjoyable films have a hard edged cynical feel to them, that don’t exactly scream “fun” or “comic book” to an audience.
It is fair to say that Man of Steel and The Dark Knight and the forthcoming Batman v Superman are films that while taking inspiration from comic books, want to be taken seriously as grim realistic movies, or at least as realistic and depressing as cartoonish movies can be with a man who dresses up like a bat and an alien space Jesus in tights.
In contrast Marvels Avengers and Iron Man films are not afraid be what they are – big bombastic fun comic book movies. Emphasis on fun. Most people don’t go to the cinema to feel miserable, they want to feel good and have fun at the movies as a respite from their daily lives.
Personally, I love to see fresh new interpretations of Batman.
Each time Batman has a great new creator team making some enjoyable comic book stories I get excited. I get super jump out-of-your-skin excited when any new Batman project is announced. A comic, a game, a new film or animated series, I love it all. No matter how many projects DC do, each time I still get excited.
And yet, as an adult I am far more critical of any Batman adaptation than when I was a kid and indiscriminately consumed whatever media was thrown my way with joyful glee.
Becoming more discriminating in the media I choose to consume and enjoy can be a sign of maturity, but it can also be a sign of a world weary soul who complains about every new project BEFORE it is even completed.
When I ask myself what is the point of getting emotionally invested in some new movie or cartoon I have not seen, and so really can have no accurate view on, well what is the point? It is pointless. Most films, cartoons and video games I like to know a fair bit about before investing my time in them.
But with Batman, I don’t want to know too much and have my view coloured by other people to the point that it prevents me from enjoying something. I will watch any Batman film, period. Even if it is shit. I want to like any Batman film that comes along. I will give any animated show a fair shot before writing it off.
Take for example the Batman: Brave and the Bold cartoon. I watched a clip when it first aired and found the show to be camp, silly, annoying and childish. It was too much like Adam West Batman for my tastes. Imagine my surprise years later when I took another look at the show to discover it is absolutely brilliant, and one of best animated shows DC has ever created. Brave and the Bold even manages to have some of the most emotionally affecting Batman stories ever told in any medium, and it is a cartoon intended for children that just happened to sneak in great stories and nods to fifties DC Comics.
There is a real danger (well danger is too strong a word, but you get my drift) that as fans we become world weary and cynical and overly opinionated about our favourite fictional characters and worlds. Some fans start to even have too strong a voice thanks to the internet, even potentially interfering with the creative process by making a hullabaloo about not very much at all.
I personally feel that any artist in any medium is only accountable to themselves to create the vision they had intended
Whenever I read a criticism of say a film that “didn’t do this, and didn’t do that”, I pause and reflect, thinking, well, did the writer/director intend for the film to be what YOU wanted it to be, or did they intend for it be what THEY wanted it to be.
It seems sometimes we are willfully ignorant. If we don’t like a particular artist, writer, director or whatever, we the audience of loud mouthed reactionary idiots (a.k.a. fans) can choose not to interact with whatever media they create. Nobody is forcing us to consume their intellectual product!
If you don’t the vision a certain director or writer has in an adaptation of something you like, well then don’t bloody well watch it. Don’t watch something you hate just so you can go online and bitch about it like a whiny little spoilt kid. That is giving in to the dark side of the force my friend! Not in a cool Darth Vader way, just a really pathetic and sad waste of life energy that COULD have been used to do something worthwhile.
Times likes these, I ask myself, WWBD? What Would Batman Do? Go online and whinge like a little baby, or go out into the world and do something, however big or small to make a difference. Would Batman spend his efforts complaining about how the world is, or invest his efforts in creating a better word?
It boggles my mind why any fan would mindlessly watch a film or play a video game purely because it is based on something that at one point in their life they enjoyed, but now seem to get a perverse kind of joy out of vocally hating and being miserable about every new incarnation of their favourite character or fictional world. (Wait, didn’t I just say something earlier like I would watch ANY Batman film…..)
Two examples that come to mind are Star Wars and Ben Affleck.
Did you groan at the mere mention of those words?
Affleck is NOT who I would pick for being Batman. But hey I don’t run a film studio, and nobody is asking me.
Ben Affleck being announced as Batman was not something I was enthusiastic about
However, I don’t have anything against the guy, I give him the benefit of the doubt that I will watch the film then form an opinion about it. The vocal minority who skew the perspective of geeks world wide with their endless ranting, bitching, pissing and moaning and spewing copious amounts of nonsensical bile and venom is a really UGLY phenomenon that I want nothing to do with.
When I hear someone mention the word “geek” I think of people who are passionate about their pop-culture or whatever they are in to. The ugly side of geeks it is when the fans think they own the Intellectual Property and try and dictate to the film studios and character creators and writers how they feel it “should be”.
Love or hate Ben Affleck, it makes no difference to my life whatsoever. If you enjoy the Batman v Superman film– great. If not, there is always another Batman film right around the corner, we are in no danger of running out of Batman films in the next one hundred years, chances are you will like at least one of them. And whether B v S is brilliant or a right load of old cobblers, what difference will it make ten years from now? Life will go on.
The Star Wars prequel issue had a bit more teeth to it. At least people actually WATCHED the films, then started ranting, raving and foaming at the mouth about the things they didn’t like in Episode 1. To be fair, Jar Jar Binks was a stupid and irritating character that most of us want to forget ever existed.
I am not a Star Wars fan, (I like it, I know it well, just not enough to be a fan will all the cool toys etc) but frankly I would happily pay for a version with Jar Jar Binks edited out of Episode 1: The Phantom Menace or at least have him him be relatively mute for the majority of the film. For me, that character does ruin a food portion of an otherwise enjoyable film. But the rest of the insane over reactions that George Lucas was somehow ruining people’s childhood by making the Star Wars prequel films was childish lunacy.
There is a danger once any art or intellectual property that reaches a mass audience, that the I.P. starts to be dictated to by the audience that consumes it in a serpent eating its own tail fashion. A film studio or a comic book writer can do target market research and get good input back from fans, that sort of thing makes sense.
In a healthy creative cycle the creator has some awareness of the audiences expectations, reactions and what they love and hate about a particular intellectual property. But the moment that fans start dictating to the creators what they should be creating, the whole creative process falls apart.
When a company or publisher (or fans) dictates to the artist / writer what they should be doing, the creative process falls apart
The only thing an artist in any field whatsoever owes is to follow their unique creative vision, and be true to that vision. If they are doing work for hire, there may be an outline and rules to follow, that is a given.
And if fans feel so strongly that they don’t like what a particular artist is doing, rather than wasting energy in a pointless endeavor to be little dictators intent on changing what the artist creates, instead they could take that same energy and passion, and go create something themselves.
They could go and create something and start their own conversation in the arena of public consumable entertainment. That is at least part of the real reason I feel that some fans get so foamed up at the mouth like rabid dogs, they are jealous of those who create and contribute something (however meaningful or trivial) to the world.
I want to say to anyone in any medium, good on you for creating something, ANYTHING. Congratulations on living the dream and getting off your ass and doing something. Whether it is writing a movie script, drawing an awesome piece or art, writing books or fan blogs, contributing to a pop culture website or building dioramas or whatever the hell you are into. Paid or unpaid, career or hobby – it doesn’t matter, when you do what you love time just melts away and like minded people will enjoy your work.
Let those creative juices flow, the more you create, the more satisfied you are. Creating something, sticking with a project through all the difficulties and seeing it through to the end takes real concentration, passion and a little Barry White style staying power.
I have zero wisdom to impart in this post. It is just a random brain fart / rant that I felt like sharing. I like to bitch and moan as much as the next dude about shit that I care about and want to see done right. But what is “right” is just my opinion, and I may be wrong. Don’t expect to see too much of this sort of thing on my Batman Blog, as I prefer to spend 90% of my attention and efforts concentrating on what is right with the world, and what I love (and who I love) in life. I just feel better that way.
It is easy to be a moaner and complainer and be really cynical, I did it for years. But it is also a really in-authentic way to live. Batman is the most honest and authentic guy around (excusing the whole dual identity thing of course), so if I am REALLY a fan of Batman, then I am going to live the most authentic life I know how. That means facing up to problems in life rather than running away from them, and like our man Gandhi, being the change you want to see in the world, rather than sitting on the fence telling other people what they “should” be doing or not doing.
Well… if there is a lesson to be learned perhaps it is don’t give into hate, hate leads to fear, fear leads to hate and the dark side of the force or some such nonsense Yoda said in the Star Wars prequels. I watched the Star Wars prequels last week with my girlfriend (who had never seen them).
Moments in the first two prequel films are pretty cringe-worthy, but that third film, wow! Also, my girlfriend is obsessed with Ben Affleck, so I guess that is why I ended up mixing these two topics together in my mind.
The final transformation of young Anakin into ultimate bad ass dark side of the force chokes his own subordinates Darth Vader was hell impressive. Beautiful little free spirited and inventive Anakin Skywalker turning into the cold remorseless unfeeling all time no good son of a gun Darth Vader is nothing less than genuinely heart breaking.
I still really enjoy that third film, but episodes IV, V an VI still kick the ass of the prequel films, they are like bottled lightning, destined to never be repeated.